Rinascita/Revival | Rebirth/Revival II
open access | peer reviewedKeywords Frederik Christian Sibbern • Pompeo Pozzi • Merchants • History of architecture • Giovanni Gherardo De Rossi • History Painting • Photography • Lombard primitives • Giorgione • Musée d’art industriel • Albert Küchler • Iconography • Ceramics • Fortuna • Greek vases • Architects • Markets • Carlo Amoretti • Romanticism • Natalis Rondot • Alexandre de Sousa Holstein • Société d’encouragement des arts • Adolfo Venturi • Civil function of the museum • Milano • Academy of Fine Arts • Raphael • Travel diaries • Engraving • Stefano Borgia • Training of artists • Ditlev Blunck • Provenances • Luigi Valeriano Pozzi • Stefano Bardini • Antiquities market • Historical Painting • Art photography • Florence • Art publishing • Erudition • Danish Golden Age • Historical Romanticism • Connoisseurship • Galleria De Cristoforis • Antiquarian history • Dutch Golden Age • École Stroganov • Royal Gallery of Turin • Conventionalism • Arts décoratifs • Marco Minghetti • South Kensington Museum • Antonio Canova • Editors • 19th century Milan • Italian Risorgimento • Musée d’art et d’industrie • Dmitry Grigorovitch • Collecting • Art market • Parisian Salons • Corrado Ricci • Cesare dell’Acqua • Genio dell’Indipendenza Nazionale • Andalusia (Spain) • Revival • Projects • Art industriel • Genre painting • Giovanni Morelli • Portugal • Henrik Hertz • Musée d’échantillons • Renaissance • Wilhelm Bendz • Pedro de Sousa Holstein • Seroux d’Agincourt
Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Published Oct. 24, 2022 | Language it, pt, fr, en, es
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