Journal |
MDCCC 1800
Journal issue | 11 | 2022
Rinascita/Revival | Rebirth/Revival II
open access | peer reviewedKeywords Conventionalism • Giovanni Gherardo De Rossi • Editors • Antiquities market • Giorgione • Art photography • Historical Romanticism • Civil function of the museum • Collecting • 19th century Milan • Natalis Rondot • Parisian Salons • Art publishing • Connoisseurship • Musée d’art industriel • Stefano Bardini • Provenances • Royal Gallery of Turin • Ceramics • Musée d’échantillons • Andalusia (Spain) • Galleria De Cristoforis • Art industriel • Antonio Canova • Dmitry Grigorovitch • History Painting • Carlo Amoretti • Iconography • South Kensington Museum • Musée d’art et d’industrie • Henrik Hertz • École Stroganov • Architects • Art market • Dutch Golden Age • Frederik Christian Sibbern • Academy of Fine Arts • Marco Minghetti • Revival • Arts décoratifs • Raphael • Giovanni Morelli • Wilhelm Bendz • Albert Küchler • Adolfo Venturi • Italian Risorgimento • Cesare dell’Acqua • Training of artists • Engraving • Genio dell’Indipendenza Nazionale • Fortuna • Antiquarian history • Ditlev Blunck • Stefano Borgia • Historical Painting • Portugal • Pompeo Pozzi • Merchants • Danish Golden Age • Alexandre de Sousa Holstein • Corrado Ricci • Renaissance • Greek vases • Romanticism • Erudition • Genre painting • Markets • Projects • Société d’encouragement des arts • History of architecture • Pedro de Sousa Holstein • Travel diaries • Luigi Valeriano Pozzi • Lombard primitives • Seroux d’Agincourt • Photography • Florence • Milano
Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Published Oct. 24, 2022 | Language en, pt, es, it, fr
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
