Journal |
MDCCC 1800
Journal issue | 11 | 2022
Keywords Corrado Ricci • Architects • South Kensington Museum • Ditlev Blunck • Art market • Collecting • Alexandre de Sousa Holstein • Training of artists • Historical Painting • Historical Romanticism • Raphael • Renaissance • Pompeo Pozzi • Antiquarian history • Dmitry Grigorovitch • Musée d’échantillons • Royal Gallery of Turin • Galleria De Cristoforis • École Stroganov • Marco Minghetti • Pedro de Sousa Holstein • Carlo Amoretti • Milano • Parisian Salons • Société d’encouragement des arts • Conventionalism • Genre painting • Antiquities market • Travel diaries • Genio dell’Indipendenza Nazionale • Musée d’art et d’industrie • Photography • Musée d’art industriel • Revival • Luigi Valeriano Pozzi • Adolfo Venturi • Henrik Hertz • Art publishing • Natalis Rondot • Giorgione • Provenances • Stefano Borgia • Giovanni Gherardo De Rossi • Projects • History Painting • Antonio Canova • Fortuna • Andalusia (Spain) • Frederik Christian Sibbern • Romanticism • Giovanni Morelli • Italian Risorgimento • History of architecture • Engraving • 19th century Milan • Albert Küchler • Dutch Golden Age • Editors • Civil function of the museum • Wilhelm Bendz • Art photography • Florence • Connoisseurship • Merchants • Academy of Fine Arts • Ceramics • Stefano Bardini • Lombard primitives • Art industriel • Portugal • Seroux d’Agincourt • Cesare dell’Acqua • Danish Golden Age • Arts décoratifs • Iconography • Markets • Erudition • Greek vases
Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Published Oct. 24, 2022 | Language pt, en, it, es, fr
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