Rinascita/Revival | Rebirth/Revival II
open access | peer reviewedKeywords Photography • Antonio Canova • Cesare dell’Acqua • History of architecture • Renaissance • Genio dell’Indipendenza Nazionale • Société d’encouragement des arts • Iconography • Dutch Golden Age • Historical Romanticism • Andalusia (Spain) • Genre painting • Musée d’art et d’industrie • Henrik Hertz • Academy of Fine Arts • Galleria De Cristoforis • Antiquities market • South Kensington Museum • Projects • Raphael • Pompeo Pozzi • Adolfo Venturi • History Painting • Art publishing • Fortuna • Connoisseurship • Erudition • Frederik Christian Sibbern • Musée d’art industriel • Greek vases • Stefano Borgia • Art photography • Wilhelm Bendz • Seroux d’Agincourt • Royal Gallery of Turin • Alexandre de Sousa Holstein • Portugal • Architects • Dmitry Grigorovitch • Ditlev Blunck • École Stroganov • Natalis Rondot • Editors • Marco Minghetti • Training of artists • Romanticism • Parisian Salons • Florence • Lombard primitives • Corrado Ricci • Danish Golden Age • Conventionalism • Antiquarian history • Engraving • Historical Painting • Art industriel • Italian Risorgimento • Markets • Revival • Arts décoratifs • Carlo Amoretti • Pedro de Sousa Holstein • Provenances • Merchants • Giovanni Gherardo De Rossi • Musée d’échantillons • Giovanni Morelli • Milano • Stefano Bardini • Luigi Valeriano Pozzi • 19th century Milan • Ceramics • Giorgione • Travel diaries • Albert Küchler • Civil function of the museum • Art market • Collecting
Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Published Oct. 24, 2022 | Language en, fr, it, es, pt
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