Rinascita/Revival | Rebirth/Revival II

Keywords Cesare dell’Acqua • Corrado Ricci • Wilhelm Bendz • Galleria De Cristoforis • Antiquities market • Italian Risorgimento • Adolfo Venturi • Training of artists • Ceramics • Provenances • Stefano Bardini • 19th century Milan • Photography • Musée d’art industriel • Marco Minghetti • Projects • Royal Gallery of Turin • Engraving • Merchants • Art publishing • Fortuna • Florence • History Painting • Genre painting • Natalis Rondot • Renaissance • Stefano Borgia • Frederik Christian Sibbern • École Stroganov • Genio dell’Indipendenza Nazionale • Raphael • Arts décoratifs • Civil function of the museum • Dutch Golden Age • Musée d’art et d’industrie • Musée d’échantillons • Editors • Iconography • Collecting • Architects • Markets • Conventionalism • Connoisseurship • Luigi Valeriano Pozzi • Alexandre de Sousa Holstein • Lombard primitives • Giovanni Morelli • Dmitry Grigorovitch • Seroux d’Agincourt • Milano • Antonio Canova • History of architecture • Henrik Hertz • Historical Romanticism • Revival • Academy of Fine Arts • Antiquarian history • Andalusia (Spain) • Historical Painting • Parisian Salons • Travel diaries • Greek vases • Erudition • Giorgione • Pedro de Sousa Holstein • Art industriel • Carlo Amoretti • South Kensington Museum • Giovanni Gherardo De Rossi • Danish Golden Age • Pompeo Pozzi • Portugal • Ditlev Blunck • Albert Küchler • Société d’encouragement des arts • Art market • Romanticism • Art photography

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Published Oct. 24, 2022 | Language es, en, fr, pt, it

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