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Journal issue
open access peer reviewed

Vol. 11 | July 2022

Rinascita/Revival | Rebirth/Revival II

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Language: it, es, fr, pt, en

Published: Oct. 24, 2022

Keywords

Romanticism • Galleria De Cristoforis • Architects • Genio dell’Indipendenza Nazionale • Musée d’art industriel • Art photography • Giovanni Gherardo De Rossi • Antiquities market • Travel diaries • Iconography • Wilhelm Bendz • Markets • Pompeo Pozzi • Civil function of the museum • Corrado Ricci • Greek vases • Historical Romanticism • Natalis Rondot • Art publishing • Antonio Canova • Conventionalism • Marco Minghetti • History of architecture • Portugal • Ditlev Blunck • Musée d’échantillons • Collecting • Luigi Valeriano Pozzi • Engraving • Florence • Photography • Alexandre de Sousa Holstein • Arts décoratifs • Cesare dell’Acqua • Albert Küchler • Editors • Giovanni Morelli • Training of artists • Adolfo Venturi • Erudition • Ceramics • Milano • Academy of Fine Arts • Stefano Bardini • History Painting • Projects • Raphael • Musée d’art et d’industrie • Italian Risorgimento • Art market • Dmitry Grigorovitch • Merchants • Seroux d’Agincourt • École Stroganov • Historical Painting • Stefano Borgia • Genre painting • Société d’encouragement des arts • Giorgione • Provenances • Frederik Christian Sibbern • Danish Golden Age • Lombard primitives • Pedro de Sousa Holstein • Renaissance • South Kensington Museum • Fortuna • Carlo Amoretti • Dutch Golden Age • Andalusia (Spain) • Art industriel • Henrik Hertz • Antiquarian history • Connoisseurship • Parisian Salons • Revival • 19th century Milan • Royal Gallery of Turin

permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11

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