Rinascita/Revival | Rebirth/Revival II
open access | peer reviewedKeywords Historical Romanticism • Editors • Academy of Fine Arts • Frederik Christian Sibbern • Lombard primitives • Revival • Giovanni Morelli • Giorgione • Parisian Salons • Arts décoratifs • Danish Golden Age • Engraving • Photography • Ditlev Blunck • Connoisseurship • Conventionalism • 19th century Milan • Luigi Valeriano Pozzi • Carlo Amoretti • Training of artists • Markets • Art market • Art publishing • Florence • Antiquities market • Fortuna • History Painting • Genio dell’Indipendenza Nazionale • Albert Küchler • Adolfo Venturi • Erudition • Architects • Stefano Bardini • Dutch Golden Age • Musée d’art industriel • Marco Minghetti • Giovanni Gherardo De Rossi • Italian Risorgimento • Art photography • Seroux d’Agincourt • Milano • Andalusia (Spain) • South Kensington Museum • Dmitry Grigorovitch • Greek vases • Wilhelm Bendz • Cesare dell’Acqua • Collecting • Henrik Hertz • Projects • Travel diaries • Musée d’art et d’industrie • Corrado Ricci • Renaissance • Ceramics • Natalis Rondot • Romanticism • Royal Gallery of Turin • Galleria De Cristoforis • École Stroganov • Iconography • Société d’encouragement des arts • Musée d’échantillons • Historical Painting • Provenances • Antonio Canova • Art industriel • Raphael • Antiquarian history • Portugal • Pompeo Pozzi • Merchants • Genre painting • Stefano Borgia • History of architecture • Pedro de Sousa Holstein • Alexandre de Sousa Holstein • Civil function of the museum
Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Published Oct. 24, 2022 | Language pt, es, fr, en, it
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