Rinascita/Revival | Rebirth/Revival II
open access | peer reviewedKeywords Stefano Bardini • Cesare dell’Acqua • Italian Risorgimento • Architects • Royal Gallery of Turin • Florence • Academy of Fine Arts • Wilhelm Bendz • Marco Minghetti • South Kensington Museum • Training of artists • Projects • Stefano Borgia • Andalusia (Spain) • Albert Küchler • Pompeo Pozzi • Fortuna • École Stroganov • Conventionalism • Engraving • Art industriel • Giovanni Morelli • Provenances • 19th century Milan • Iconography • Historical Romanticism • Revival • Portugal • Art photography • History Painting • Renaissance • Merchants • Natalis Rondot • Romanticism • Giorgione • Luigi Valeriano Pozzi • Erudition • Adolfo Venturi • Pedro de Sousa Holstein • Dmitry Grigorovitch • Parisian Salons • Musée d’art industriel • Antonio Canova • Société d’encouragement des arts • Arts décoratifs • Photography • Genre painting • Civil function of the museum • Danish Golden Age • Carlo Amoretti • Corrado Ricci • Musée d’art et d’industrie • Markets • Antiquarian history • Art publishing • Giovanni Gherardo De Rossi • Genio dell’Indipendenza Nazionale • Henrik Hertz • Alexandre de Sousa Holstein • Connoisseurship • Greek vases • Editors • Ditlev Blunck • Seroux d’Agincourt • Dutch Golden Age • Antiquities market • Art market • Ceramics • Raphael • Galleria De Cristoforis • Collecting • Frederik Christian Sibbern • Milano • Travel diaries • Lombard primitives • History of architecture • Musée d’échantillons • Historical Painting
Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Published Oct. 24, 2022 | Language es, en, it, fr, pt
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