MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Opera • Rome • Restoration • Corrado Ricci • William Wardell • Photography • Bologna • Alfonso Rubbiani • Gothic Revival style • Pompeo Marchesi • King Charles IV in Barcelona • Note azzurre • Museology • Urban planning • Napoleon • Francesco Gandolfi • Portrait • Giuseppe Bacchelli • Historicism • Iconography • Romanticism • Massa Lombarda • Giovan Battista Piranesi • Architecture • Giovan Battista Bassi • Milan • Railway station • Living Paintings • James Goold • Catania • Museum Catalogues • Museum in Corbetta • Antoine-Jean Gros • Giacomo Boni • Art Criticism • Angelo Venturoli • Archaeology • Galleria Nazionale di Parma • Set design • Carlo Dossi • Pictorial decoration • Vincenzo Martinelli • Scenography • Jacques-Louis David • Royal palace • Piazza San Giovanni • Aphorisms on Drawing • Project • Catholic Church architecture • Nineteenth-century colonial architecture • Adolfo Venturi • Harding • Valadier • San Michele in Bosco • Landscape • Sculpture • Melbourne • Empire • Communication bridge • Feasts • Masters • Ravenna • Brera • Nineteenth-century Barcelona • Tableaux vivants • Pinacoteca di Brera • Pupils • Cesare Beccaria • Stefano Della Bella • Giorgio Vasari • Ruskin • Andrea Appiani • Australia • Antiquarium Forense • Giuseppe Bossi • Genoa • Neoclassicism • Solomon Caesar Malan • Revolutions • Neoclassicism in Catalonia • Accademia Clementina • Ephemeral buildings • Pope Benedict XIV • Drawing • Masquerades

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Published Dec. 4, 2023 | Language en, es, it

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