MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Antiquarium Forense • Pope Benedict XIV • Art Criticism • Nineteenth-century Barcelona • Masquerades • Set design • Vincenzo Martinelli • Museum Catalogues • Ephemeral buildings • Pupils • Feasts • Revolutions • Brera • Carlo Dossi • Historicism • Iconography • Architecture • Romanticism • Archaeology • Giovan Battista Piranesi • Rome • Ravenna • Living Paintings • Massa Lombarda • Pompeo Marchesi • Gothic Revival style • Giuseppe Bossi • Giacomo Boni • Nineteenth-century colonial architecture • Antoine-Jean Gros • Landscape • Harding • Giuseppe Bacchelli • Pictorial decoration • Portrait • Urban planning • Valadier • Neoclassicism • Opera • Giorgio Vasari • San Michele in Bosco • Accademia Clementina • Museum in Corbetta • Drawing • Giovan Battista Bassi • King Charles IV in Barcelona • Sculpture • Stefano Della Bella • Francesco Gandolfi • Cesare Beccaria • Empire • Pinacoteca di Brera • Scenography • Photography • Jacques-Louis David • Railway station • Australia • Note azzurre • Piazza San Giovanni • Adolfo Venturi • Aphorisms on Drawing • Ruskin • Neoclassicism in Catalonia • Andrea Appiani • Melbourne • William Wardell • Catholic Church architecture • Galleria Nazionale di Parma • Bologna • Milan • James Goold • Solomon Caesar Malan • Museology • Catania • Corrado Ricci • Angelo Venturoli • Napoleon • Communication bridge • Restoration • Tableaux vivants • Genoa • Project • Royal palace • Masters • Alfonso Rubbiani

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Published Dec. 4, 2023 | Language it, es, en

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