MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Ephemeral buildings • Vincenzo Martinelli • Angelo Venturoli • Aphorisms on Drawing • Masters • Museum in Corbetta • Catholic Church architecture • Art Criticism • Pupils • Note azzurre • Pompeo Marchesi • Tableaux vivants • Alfonso Rubbiani • Living Paintings • Museum Catalogues • Photography • Nineteenth-century colonial architecture • Royal palace • Nineteenth-century Barcelona • Revolutions • Melbourne • Genoa • Giovan Battista Bassi • Neoclassicism • Architecture • Brera • Ravenna • Archaeology • Galleria Nazionale di Parma • Empire • Catania • Andrea Appiani • Adolfo Venturi • Urban planning • Restoration • Giuseppe Bossi • Bologna • Pictorial decoration • Gothic Revival style • Communication bridge • Antiquarium Forense • Railway station • Historicism • Australia • Opera • Francesco Gandolfi • Accademia Clementina • Project • Carlo Dossi • Piazza San Giovanni • Masquerades • San Michele in Bosco • Jacques-Louis David • Pope Benedict XIV • Harding • Milan • Set design • Corrado Ricci • Portrait • Sculpture • King Charles IV in Barcelona • Antoine-Jean Gros • Neoclassicism in Catalonia • Valadier • Romanticism • Massa Lombarda • Rome • Drawing • William Wardell • Pinacoteca di Brera • Solomon Caesar Malan • Museology • Giacomo Boni • Iconography • Giorgio Vasari • Scenography • Stefano Della Bella • Landscape • Cesare Beccaria • James Goold • Feasts • Giuseppe Bacchelli • Giovan Battista Piranesi • Napoleon • Ruskin

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Published Dec. 4, 2023 | Language es, it, en

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