MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Giacomo Boni • Opera • Rome • Antiquarium Forense • Jacques-Louis David • Bologna • Iconography • Pope Benedict XIV • Carlo Dossi • Ruskin • King Charles IV in Barcelona • Sculpture • Museum in Corbetta • Archaeology • Communication bridge • Royal palace • Photography • Angelo Venturoli • Catania • Nineteenth-century colonial architecture • Pompeo Marchesi • Living Paintings • Restoration • Historicism • Neoclassicism • James Goold • Adolfo Venturi • Giovan Battista Piranesi • Pinacoteca di Brera • Project • Museum Catalogues • Accademia Clementina • Catholic Church architecture • Set design • Drawing • Empire • Pictorial decoration • Gothic Revival style • Ravenna • San Michele in Bosco • Valadier • Napoleon • Solomon Caesar Malan • Ephemeral buildings • Urban planning • Landscape • Massa Lombarda • Melbourne • Aphorisms on Drawing • Antoine-Jean Gros • Australia • Masquerades • Museology • Tableaux vivants • Cesare Beccaria • William Wardell • Genoa • Giuseppe Bossi • Piazza San Giovanni • Architecture • Note azzurre • Neoclassicism in Catalonia • Masters • Portrait • Milan • Francesco Gandolfi • Feasts • Stefano Della Bella • Nineteenth-century Barcelona • Pupils • Corrado Ricci • Romanticism • Harding • Railway station • Revolutions • Brera • Giuseppe Bacchelli • Vincenzo Martinelli • Art Criticism • Andrea Appiani • Giovan Battista Bassi • Scenography • Alfonso Rubbiani • Galleria Nazionale di Parma • Giorgio Vasari

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Published Dec. 4, 2023 | Language it, en, es

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