MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Pictorial decoration • Jacques-Louis David • Museum Catalogues • Melbourne • Pinacoteca di Brera • Photography • Genoa • King Charles IV in Barcelona • Pupils • Iconography • Accademia Clementina • Ravenna • Napoleon • Revolutions • Vincenzo Martinelli • Angelo Venturoli • Romanticism • Tableaux vivants • Giorgio Vasari • Museology • Giacomo Boni • Giovan Battista Piranesi • Carlo Dossi • Catholic Church architecture • Stefano Della Bella • Solomon Caesar Malan • Bologna • Galleria Nazionale di Parma • Adolfo Venturi • Nineteenth-century Barcelona • San Michele in Bosco • Masters • Pompeo Marchesi • Piazza San Giovanni • Alfonso Rubbiani • Railway station • Landscape • Drawing • William Wardell • Antiquarium Forense • Empire • Communication bridge • Neoclassicism in Catalonia • Ephemeral buildings • Massa Lombarda • Andrea Appiani • Urban planning • Giuseppe Bossi • Living Paintings • Art Criticism • Note azzurre • Sculpture • Giovan Battista Bassi • Museum in Corbetta • Portrait • Royal palace • Opera • Brera • Harding • James Goold • Antoine-Jean Gros • Ruskin • Catania • Nineteenth-century colonial architecture • Feasts • Giuseppe Bacchelli • Archaeology • Australia • Rome • Aphorisms on Drawing • Architecture • Corrado Ricci • Restoration • Project • Neoclassicism • Cesare Beccaria • Francesco Gandolfi • Pope Benedict XIV • Historicism • Gothic Revival style • Scenography • Valadier • Milan • Masquerades • Set design

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Published Dec. 4, 2023 | Language es, en, it

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