MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Bologna • Empire • Gothic Revival style • Giacomo Boni • Revolutions • Stefano Della Bella • Francesco Gandolfi • King Charles IV in Barcelona • Massa Lombarda • Nineteenth-century colonial architecture • Giorgio Vasari • Galleria Nazionale di Parma • Napoleon • Valadier • Museology • Giovan Battista Bassi • Note azzurre • Ravenna • Archaeology • Project • Scenography • Accademia Clementina • Iconography • Tableaux vivants • Alfonso Rubbiani • William Wardell • Railway station • Museum Catalogues • Australia • Romanticism • Pope Benedict XIV • Sculpture • Giuseppe Bossi • Solomon Caesar Malan • Feasts • Giovan Battista Piranesi • Photography • Vincenzo Martinelli • Pompeo Marchesi • Landscape • Drawing • San Michele in Bosco • Corrado Ricci • Living Paintings • Harding • James Goold • Pictorial decoration • Architecture • Ephemeral buildings • Historicism • Andrea Appiani • Restoration • Angelo Venturoli • Rome • Antiquarium Forense • Masters • Urban planning • Set design • Communication bridge • Neoclassicism in Catalonia • Carlo Dossi • Neoclassicism • Adolfo Venturi • Brera • Milan • Genoa • Aphorisms on Drawing • Museum in Corbetta • Pinacoteca di Brera • Antoine-Jean Gros • Masquerades • Portrait • Catholic Church architecture • Jacques-Louis David • Pupils • Cesare Beccaria • Melbourne • Giuseppe Bacchelli • Catania • Piazza San Giovanni • Royal palace • Art Criticism • Opera • Ruskin • Nineteenth-century Barcelona

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Published Dec. 4, 2023 | Language en, it, es

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