MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Andrea Appiani • Portrait • Cesare Beccaria • Restoration • Corrado Ricci • San Michele in Bosco • Pupils • Urban planning • Pictorial decoration • Scenography • Note azzurre • Adolfo Venturi • Masquerades • Tableaux vivants • Valadier • King Charles IV in Barcelona • Nineteenth-century colonial architecture • Art Criticism • Brera • Neoclassicism in Catalonia • Giuseppe Bacchelli • Revolutions • Catholic Church architecture • Architecture • Empire • Photography • Australia • Living Paintings • Giacomo Boni • Project • Ephemeral buildings • Solomon Caesar Malan • Drawing • Alfonso Rubbiani • Sculpture • Giuseppe Bossi • Set design • Napoleon • Ruskin • Galleria Nazionale di Parma • Museum in Corbetta • Milan • Giovan Battista Bassi • Iconography • Ravenna • Historicism • Antiquarium Forense • Vincenzo Martinelli • Antoine-Jean Gros • Piazza San Giovanni • Landscape • Gothic Revival style • Melbourne • Neoclassicism • Stefano Della Bella • Carlo Dossi • Feasts • Harding • William Wardell • Museology • Francesco Gandolfi • Aphorisms on Drawing • Accademia Clementina • Archaeology • Pinacoteca di Brera • Masters • Communication bridge • Giorgio Vasari • Angelo Venturoli • Railway station • Jacques-Louis David • Bologna • Genoa • Opera • Rome • Pope Benedict XIV • Royal palace • Nineteenth-century Barcelona • Massa Lombarda • Catania • Pompeo Marchesi • Romanticism • Giovan Battista Piranesi • Museum Catalogues • James Goold

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Published Dec. 4, 2023 | Language es, en, it

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