Journal |
MDCCC 1800
Journal issue | 12 | 2023
12 | 2023
open access | peer reviewedKeywords Revolutions • James Goold • Napoleon • Galleria Nazionale di Parma • Solomon Caesar Malan • Adolfo Venturi • Masters • Accademia Clementina • Archaeology • Pictorial decoration • Museology • Masquerades • Scenography • Brera • Giuseppe Bacchelli • Vincenzo Martinelli • Historicism • Royal palace • Opera • Set design • Valadier • Melbourne • King Charles IV in Barcelona • Ravenna • Neoclassicism in Catalonia • Bologna • Giovan Battista Piranesi • Sculpture • Catholic Church architecture • Feasts • Gothic Revival style • Communication bridge • Corrado Ricci • Project • Landscape • Milan • Piazza San Giovanni • Note azzurre • Andrea Appiani • Photography • Catania • Antiquarium Forense • Francesco Gandolfi • Australia • Pompeo Marchesi • Empire • Railway station • Nineteenth-century colonial architecture • Giuseppe Bossi • Art Criticism • Massa Lombarda • Portrait • Carlo Dossi • Nineteenth-century Barcelona • Giovan Battista Bassi • Alfonso Rubbiani • Pinacoteca di Brera • Harding • Architecture • Giorgio Vasari • Cesare Beccaria • Jacques-Louis David • Stefano Della Bella • San Michele in Bosco • Rome • Romanticism • Pope Benedict XIV • Neoclassicism • Angelo Venturoli • Giacomo Boni • Antoine-Jean Gros • Restoration • Living Paintings • Ephemeral buildings • Iconography • Genoa • Ruskin • Tableaux vivants • Urban planning • Drawing • Aphorisms on Drawing • Museum in Corbetta • William Wardell • Pupils • Museum Catalogues
Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Published Dec. 4, 2023 | Language it, en, es
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