MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Melbourne • Photography • Napoleon • Archaeology • Rome • Andrea Appiani • Iconography • Harding • Stefano Della Bella • Ruskin • Massa Lombarda • Living Paintings • Alfonso Rubbiani • Aphorisms on Drawing • William Wardell • Royal palace • Giovan Battista Piranesi • Pompeo Marchesi • Neoclassicism in Catalonia • Restoration • Railway station • Piazza San Giovanni • Milan • Ravenna • Galleria Nazionale di Parma • Adolfo Venturi • Urban planning • Set design • San Michele in Bosco • Nineteenth-century colonial architecture • Masters • Pictorial decoration • Vincenzo Martinelli • Opera • Sculpture • Project • Brera • Genoa • Pinacoteca di Brera • Museum in Corbetta • Museum Catalogues • Bologna • Note azzurre • Scenography • Tableaux vivants • Gothic Revival style • Romanticism • Giacomo Boni • Catholic Church architecture • Corrado Ricci • Neoclassicism • Ephemeral buildings • Feasts • King Charles IV in Barcelona • Empire • Portrait • Drawing • Pope Benedict XIV • Solomon Caesar Malan • Carlo Dossi • Catania • Masquerades • Pupils • Cesare Beccaria • Landscape • Revolutions • Accademia Clementina • James Goold • Francesco Gandolfi • Historicism • Antiquarium Forense • Giovan Battista Bassi • Valadier • Giuseppe Bacchelli • Giuseppe Bossi • Angelo Venturoli • Architecture • Giorgio Vasari • Australia • Jacques-Louis David • Museology • Communication bridge • Art Criticism • Nineteenth-century Barcelona • Antoine-Jean Gros

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Published Dec. 4, 2023 | Language es, en, it

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