MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords William Wardell • Accademia Clementina • Historicism • Revolutions • Railway station • Royal palace • Angelo Venturoli • Restoration • Andrea Appiani • Architecture • Communication bridge • Drawing • Australia • Pompeo Marchesi • Piazza San Giovanni • Giacomo Boni • Corrado Ricci • Giovan Battista Bassi • Milan • Melbourne • Sculpture • Adolfo Venturi • Project • Neoclassicism • Iconography • Masters • Landscape • Antoine-Jean Gros • San Michele in Bosco • Empire • Alfonso Rubbiani • Antiquarium Forense • Museology • Massa Lombarda • Genoa • Vincenzo Martinelli • Ephemeral buildings • Nineteenth-century colonial architecture • Neoclassicism in Catalonia • Romanticism • Archaeology • Stefano Della Bella • Tableaux vivants • Harding • Valadier • Feasts • Pictorial decoration • Cesare Beccaria • Set design • Carlo Dossi • King Charles IV in Barcelona • Pope Benedict XIV • Portrait • James Goold • Masquerades • Bologna • Solomon Caesar Malan • Museum in Corbetta • Opera • Francesco Gandolfi • Catholic Church architecture • Ravenna • Nineteenth-century Barcelona • Art Criticism • Pupils • Urban planning • Brera • Giuseppe Bacchelli • Jacques-Louis David • Rome • Ruskin • Pinacoteca di Brera • Napoleon • Galleria Nazionale di Parma • Scenography • Aphorisms on Drawing • Note azzurre • Giorgio Vasari • Giuseppe Bossi • Catania • Photography • Living Paintings • Giovan Battista Piranesi • Gothic Revival style • Museum Catalogues

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Published Dec. 4, 2023 | Language es, en, it

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