MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Alfonso Rubbiani • Art Criticism • Pictorial decoration • Giovan Battista Bassi • Jacques-Louis David • Genoa • King Charles IV in Barcelona • Carlo Dossi • Andrea Appiani • Giorgio Vasari • Stefano Della Bella • Giovan Battista Piranesi • Empire • Antoine-Jean Gros • Nineteenth-century Barcelona • Galleria Nazionale di Parma • Sculpture • Australia • Solomon Caesar Malan • Communication bridge • Living Paintings • Massa Lombarda • Neoclassicism in Catalonia • Melbourne • Aphorisms on Drawing • Giacomo Boni • Giuseppe Bacchelli • Iconography • Neoclassicism • Francesco Gandolfi • Museology • Pope Benedict XIV • Catholic Church architecture • Pinacoteca di Brera • Catania • Romanticism • Urban planning • San Michele in Bosco • Adolfo Venturi • Royal palace • Historicism • Masquerades • Milan • Giuseppe Bossi • Restoration • Antiquarium Forense • Rome • Note azzurre • Photography • Masters • Cesare Beccaria • Opera • Architecture • Revolutions • Drawing • Corrado Ricci • Landscape • Ravenna • Tableaux vivants • Bologna • Nineteenth-century colonial architecture • Feasts • Ephemeral buildings • Brera • Pupils • Angelo Venturoli • Napoleon • James Goold • Gothic Revival style • Project • Museum Catalogues • Vincenzo Martinelli • Portrait • Accademia Clementina • Harding • Piazza San Giovanni • Set design • Pompeo Marchesi • William Wardell • Railway station • Museum in Corbetta • Valadier • Ruskin • Scenography • Archaeology

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Published Dec. 4, 2023 | Language es, en, it

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