MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Architecture • Neoclassicism in Catalonia • Piazza San Giovanni • Project • Andrea Appiani • Antoine-Jean Gros • Pope Benedict XIV • Set design • Urban planning • Nineteenth-century Barcelona • Carlo Dossi • Massa Lombarda • Giorgio Vasari • William Wardell • San Michele in Bosco • Landscape • Antiquarium Forense • Note azzurre • Neoclassicism • Scenography • Australia • Giacomo Boni • Ephemeral buildings • Feasts • James Goold • Museology • Portrait • Napoleon • Tableaux vivants • Pinacoteca di Brera • Iconography • Sculpture • Archaeology • Revolutions • Vincenzo Martinelli • Harding • King Charles IV in Barcelona • Pupils • Stefano Della Bella • Royal palace • Giovan Battista Piranesi • Galleria Nazionale di Parma • Corrado Ricci • Communication bridge • Drawing • Gothic Revival style • Giovan Battista Bassi • Museum in Corbetta • Bologna • Angelo Venturoli • Solomon Caesar Malan • Milan • Art Criticism • Francesco Gandolfi • Valadier • Ravenna • Alfonso Rubbiani • Jacques-Louis David • Nineteenth-century colonial architecture • Catholic Church architecture • Aphorisms on Drawing • Museum Catalogues • Genoa • Living Paintings • Photography • Giuseppe Bacchelli • Brera • Accademia Clementina • Historicism • Melbourne • Masters • Romanticism • Opera • Empire • Giuseppe Bossi • Masquerades • Adolfo Venturi • Ruskin • Rome • Pictorial decoration • Pompeo Marchesi • Restoration • Railway station • Cesare Beccaria • Catania

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Published Dec. 4, 2023 | Language es, en, it

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