MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Museum Catalogues • Portrait • Museum in Corbetta • Vincenzo Martinelli • Empire • William Wardell • Pope Benedict XIV • Valadier • Massa Lombarda • Angelo Venturoli • Museology • Restoration • Melbourne • Urban planning • Ravenna • Sculpture • Archaeology • Giorgio Vasari • Giuseppe Bacchelli • Bologna • Feasts • Gothic Revival style • Masquerades • Francesco Gandolfi • Masters • Adolfo Venturi • Pompeo Marchesi • Iconography • Genoa • Giovan Battista Piranesi • Cesare Beccaria • Corrado Ricci • Ruskin • Harding • Rome • Historicism • Galleria Nazionale di Parma • Andrea Appiani • Solomon Caesar Malan • Pupils • Photography • Railway station • Communication bridge • Accademia Clementina • Piazza San Giovanni • Antiquarium Forense • Catholic Church architecture • Ephemeral buildings • Architecture • Brera • Nineteenth-century Barcelona • Scenography • Tableaux vivants • Drawing • Revolutions • Australia • Stefano Della Bella • Jacques-Louis David • Aphorisms on Drawing • King Charles IV in Barcelona • Romanticism • Giovan Battista Bassi • Neoclassicism • Alfonso Rubbiani • Project • Royal palace • San Michele in Bosco • Carlo Dossi • Giuseppe Bossi • James Goold • Living Paintings • Set design • Art Criticism • Catania • Antoine-Jean Gros • Note azzurre • Nineteenth-century colonial architecture • Napoleon • Pinacoteca di Brera • Landscape • Giacomo Boni • Neoclassicism in Catalonia • Milan • Opera • Pictorial decoration

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Pubblicato 04 Dicembre 2023 | Lingua it, es, en

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