MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Iconography • Pompeo Marchesi • Harding • Solomon Caesar Malan • Giuseppe Bossi • Sculpture • Adolfo Venturi • Andrea Appiani • Revolutions • Project • Galleria Nazionale di Parma • William Wardell • Ephemeral buildings • Milan • Royal palace • Angelo Venturoli • Note azzurre • Neoclassicism in Catalonia • Accademia Clementina • Living Paintings • Nineteenth-century colonial architecture • Masquerades • Archaeology • Scenography • James Goold • Bologna • Restoration • Rome • Massa Lombarda • Museum in Corbetta • Pupils • Pinacoteca di Brera • Museology • Gothic Revival style • Aphorisms on Drawing • Giuseppe Bacchelli • Brera • Cesare Beccaria • Catholic Church architecture • Landscape • Vincenzo Martinelli • Set design • Giacomo Boni • Drawing • Photography • Australia • Communication bridge • Empire • King Charles IV in Barcelona • Antiquarium Forense • Nineteenth-century Barcelona • Neoclassicism • Napoleon • Melbourne • Architecture • Carlo Dossi • Genoa • Pictorial decoration • Art Criticism • San Michele in Bosco • Feasts • Giorgio Vasari • Valadier • Ruskin • Tableaux vivants • Pope Benedict XIV • Stefano Della Bella • Giovan Battista Piranesi • Historicism • Alfonso Rubbiani • Piazza San Giovanni • Railway station • Masters • Ravenna • Antoine-Jean Gros • Urban planning • Romanticism • Museum Catalogues • Catania • Opera • Jacques-Louis David • Giovan Battista Bassi • Francesco Gandolfi • Corrado Ricci • Portrait

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Pubblicato 04 Dicembre 2023 | Lingua it, en, es

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