MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Pompeo Marchesi • Cesare Beccaria • Masters • Rome • Giovan Battista Piranesi • Set design • Architecture • Alfonso Rubbiani • Milan • Romanticism • Gothic Revival style • Andrea Appiani • Giuseppe Bacchelli • Jacques-Louis David • Scenography • Aphorisms on Drawing • Opera • Pope Benedict XIV • Nineteenth-century Barcelona • Antoine-Jean Gros • Living Paintings • Napoleon • King Charles IV in Barcelona • Accademia Clementina • Sculpture • Massa Lombarda • William Wardell • Drawing • Adolfo Venturi • Museum Catalogues • Antiquarium Forense • Carlo Dossi • Project • Feasts • Angelo Venturoli • San Michele in Bosco • Brera • Portrait • Genoa • Bologna • Note azzurre • Photography • Australia • Neoclassicism • Iconography • Communication bridge • Archaeology • Galleria Nazionale di Parma • Ephemeral buildings • Catania • Restoration • Museum in Corbetta • Giuseppe Bossi • James Goold • Melbourne • Historicism • Revolutions • Vincenzo Martinelli • Corrado Ricci • Nineteenth-century colonial architecture • Ruskin • Railway station • Harding • Valadier • Empire • Pictorial decoration • Ravenna • Solomon Caesar Malan • Giacomo Boni • Piazza San Giovanni • Museology • Royal palace • Francesco Gandolfi • Giovan Battista Bassi • Stefano Della Bella • Catholic Church architecture • Urban planning • Tableaux vivants • Masquerades • Pupils • Art Criticism • Giorgio Vasari • Neoclassicism in Catalonia • Landscape • Pinacoteca di Brera

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Pubblicato 04 Dicembre 2023 | Lingua it, es, en

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