MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Nineteenth-century colonial architecture • Brera • Neoclassicism • Museology • Project • Railway station • Feasts • Valadier • Restoration • Catania • Catholic Church architecture • Angelo Venturoli • Architecture • Napoleon • Giuseppe Bossi • Romanticism • Drawing • Gothic Revival style • Scenography • Francesco Gandolfi • Stefano Della Bella • Urban planning • Giuseppe Bacchelli • Revolutions • Andrea Appiani • Bologna • Melbourne • Sculpture • Australia • Historicism • Portrait • Rome • Milan • Pictorial decoration • San Michele in Bosco • Harding • William Wardell • Giacomo Boni • Giovan Battista Bassi • Genoa • James Goold • Solomon Caesar Malan • Ephemeral buildings • Antiquarium Forense • Jacques-Louis David • Giovan Battista Piranesi • Note azzurre • Pupils • Landscape • Aphorisms on Drawing • Carlo Dossi • Corrado Ricci • Galleria Nazionale di Parma • Museum in Corbetta • Alfonso Rubbiani • Accademia Clementina • Adolfo Venturi • Massa Lombarda • Living Paintings • Ruskin • Set design • Museum Catalogues • Empire • Photography • Nineteenth-century Barcelona • Art Criticism • Giorgio Vasari • Antoine-Jean Gros • King Charles IV in Barcelona • Piazza San Giovanni • Ravenna • Tableaux vivants • Opera • Pompeo Marchesi • Iconography • Royal palace • Pope Benedict XIV • Neoclassicism in Catalonia • Cesare Beccaria • Communication bridge • Archaeology • Masquerades • Masters • Vincenzo Martinelli • Pinacoteca di Brera

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Pubblicato 04 Dicembre 2023 | Lingua en, es, it

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