MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Giovan Battista Piranesi • Set design • Melbourne • Nineteenth-century Barcelona • Masquerades • Note azzurre • William Wardell • James Goold • Genoa • Neoclassicism in Catalonia • Portrait • Andrea Appiani • Restoration • Museum Catalogues • Museology • Living Paintings • Catholic Church architecture • Ravenna • Rome • Solomon Caesar Malan • Empire • Giovan Battista Bassi • Brera • Giuseppe Bossi • Drawing • Giacomo Boni • Catania • Tableaux vivants • Australia • Pictorial decoration • Aphorisms on Drawing • Sculpture • Massa Lombarda • Francesco Gandolfi • Vincenzo Martinelli • Opera • Architecture • Ephemeral buildings • Railway station • Antiquarium Forense • Iconography • Romanticism • Adolfo Venturi • Pope Benedict XIV • Angelo Venturoli • Historicism • Revolutions • Neoclassicism • Pinacoteca di Brera • Royal palace • Piazza San Giovanni • Giuseppe Bacchelli • Urban planning • Art Criticism • Jacques-Louis David • Milan • Carlo Dossi • San Michele in Bosco • Communication bridge • Alfonso Rubbiani • Scenography • Giorgio Vasari • Masters • Valadier • Cesare Beccaria • Archaeology • Pompeo Marchesi • Gothic Revival style • Museum in Corbetta • Feasts • Ruskin • Pupils • Harding • Landscape • Stefano Della Bella • Accademia Clementina • Corrado Ricci • Galleria Nazionale di Parma • Nineteenth-century colonial architecture • Bologna • Project • Photography • Napoleon • King Charles IV in Barcelona • Antoine-Jean Gros

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Pubblicato 04 Dicembre 2023 | Lingua es, en, it

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