MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Nineteenth-century Barcelona • Neoclassicism in Catalonia • Genoa • Catania • Photography • Andrea Appiani • Giuseppe Bossi • James Goold • Museum in Corbetta • Project • Masquerades • Urban planning • Revolutions • Neoclassicism • Empire • Pupils • Bologna • Masters • Harding • Iconography • Aphorisms on Drawing • Brera • Historicism • Ephemeral buildings • Feasts • Antiquarium Forense • Milan • Sculpture • Giuseppe Bacchelli • Landscape • Royal palace • Antoine-Jean Gros • Communication bridge • Accademia Clementina • Nineteenth-century colonial architecture • Galleria Nazionale di Parma • Alfonso Rubbiani • Stefano Della Bella • Angelo Venturoli • Living Paintings • William Wardell • Corrado Ricci • Napoleon • Melbourne • Romanticism • Drawing • Ruskin • Rome • Opera • Giorgio Vasari • Massa Lombarda • Tableaux vivants • Pinacoteca di Brera • Museology • Cesare Beccaria • Giacomo Boni • Catholic Church architecture • Restoration • Architecture • Jacques-Louis David • San Michele in Bosco • Archaeology • King Charles IV in Barcelona • Set design • Gothic Revival style • Valadier • Vincenzo Martinelli • Ravenna • Note azzurre • Art Criticism • Solomon Caesar Malan • Adolfo Venturi • Portrait • Pompeo Marchesi • Pope Benedict XIV • Carlo Dossi • Giovan Battista Bassi • Museum Catalogues • Francesco Gandolfi • Scenography • Australia • Giovan Battista Piranesi • Pictorial decoration • Piazza San Giovanni • Railway station

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Pubblicato 04 Dicembre 2023 | Lingua en, es, it

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