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Quadri viventi e mascherate romane nelle fotografie di fine Ottocento

Attilio Simonetti, Henri Le Lieure e i fratelli Primoli

Edoardo Maggi    Sapienza Università di Roma, Italia    

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abstract

This paper aims to investigate the intriguing phenomenon of costumed parties held in Rome between 1880 and 1900 through the study of photographic material. In particular, the essay focuses on two main iconographic aspects: the carnival masquerades, conceived in most cases by the painter and antiquarian Attilio Simonetti and interpreted by some members of the International Artistic Association; and the tableaux vivants, the so-called living pictures, which were figurative compositions usually set up in the patrician residences, including that of the counts Giuseppe and Luigi Primoli, who were an active part in their creation. A crucial role was also played by Henri Le Lieure, a professional photographer of French origin who was responsible for much of the visual documentation of the time.

Pubblicato
04 Dicembre 2023
Accettato
22 Maggio 2023
Presentato
12 Giugno 2022
Lingua
IT

Keywords: Living PaintingsPhotographyMasqueradesRomeFeastsTableaux vivants

Copyright: © 2023 Edoardo Maggi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.