Rinascita/Revival | Rebirth/Revival II

Keywords Genio dell’Indipendenza Nazionale • Fortuna • Florence • Lombard primitives • École Stroganov • Raphael • Projects • Renaissance • Andalusia (Spain) • Engraving • Ditlev Blunck • Luigi Valeriano Pozzi • Art industriel • Parisian Salons • Provenances • Connoisseurship • Greek vases • Marco Minghetti • Giovanni Morelli • Stefano Bardini • Travel diaries • Musée d’art industriel • Milano • Wilhelm Bendz • Galleria De Cristoforis • Alexandre de Sousa Holstein • Stefano Borgia • Antonio Canova • Seroux d’Agincourt • Musée d’échantillons • Art photography • Carlo Amoretti • Editors • Genre painting • Danish Golden Age • Markets • Merchants • Iconography • Romanticism • Historical Romanticism • Adolfo Venturi • Musée d’art et d’industrie • South Kensington Museum • Dutch Golden Age • Frederik Christian Sibbern • Training of artists • 19th century Milan • Conventionalism • Henrik Hertz • Antiquities market • Collecting • Art publishing • Italian Risorgimento • Revival • Royal Gallery of Turin • Société d’encouragement des arts • Antiquarian history • Architects • Natalis Rondot • Pompeo Pozzi • Academy of Fine Arts • Dmitry Grigorovitch • Arts décoratifs • Giovanni Gherardo De Rossi • Ceramics • History Painting • Corrado Ricci • Portugal • Art market • History of architecture • Erudition • Historical Painting • Cesare dell’Acqua • Giorgione • Albert Küchler • Civil function of the museum • Photography • Pedro de Sousa Holstein

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Pubblicato 24 Ottobre 2022 | Lingua es, pt, en, it, fr

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