Rinascita/Revival | Rebirth/Revival II
open access | peer reviewedKeywords Genre painting • Art publishing • Galleria De Cristoforis • History Painting • Art photography • Henrik Hertz • Musée d’art industriel • Genio dell’Indipendenza Nazionale • Seroux d’Agincourt • South Kensington Museum • Art market • Cesare dell’Acqua • Greek vases • Art industriel • Romanticism • Merchants • Antiquities market • Musée d’art et d’industrie • Architects • Giovanni Gherardo De Rossi • Milano • 19th century Milan • Markets • Raphael • Provenances • Albert Küchler • Giorgione • Pompeo Pozzi • Stefano Bardini • École Stroganov • Travel diaries • Pedro de Sousa Holstein • Portugal • Société d’encouragement des arts • Marco Minghetti • Dutch Golden Age • Academy of Fine Arts • Italian Risorgimento • Musée d’échantillons • Corrado Ricci • Editors • Carlo Amoretti • Revival • Dmitry Grigorovitch • Conventionalism • Giovanni Morelli • Adolfo Venturi • Arts décoratifs • Collecting • Historical Painting • Stefano Borgia • Florence • Photography • Alexandre de Sousa Holstein • Antiquarian history • Fortuna • Lombard primitives • Frederik Christian Sibbern • History of architecture • Training of artists • Royal Gallery of Turin • Projects • Ditlev Blunck • Danish Golden Age • Parisian Salons • Antonio Canova • Civil function of the museum • Natalis Rondot • Historical Romanticism • Iconography • Connoisseurship • Engraving • Andalusia (Spain) • Ceramics • Wilhelm Bendz • Renaissance • Luigi Valeriano Pozzi • Erudition
Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Pubblicato 24 Ottobre 2022 | Lingua en, it, fr, pt, es
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