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open access peer reviewed

Vol. 11 | Luglio 2022

Rinascita/Revival | Rebirth/Revival II

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Lingua: pt, es, fr, it, en

Pubblicato: 24 Ottobre 2022

Keywords

Seroux d’Agincourt • Danish Golden Age • Florence • Musée d’art et d’industrie • Andalusia (Spain) • Ditlev Blunck • Fortuna • Provenances • Art publishing • Henrik Hertz • Genio dell’Indipendenza Nazionale • Iconography • Training of artists • Markets • Musée d’échantillons • Projects • Parisian Salons • Historical Romanticism • Romanticism • Architects • Ceramics • Editors • Collecting • Genre painting • Arts décoratifs • Pompeo Pozzi • Historical Painting • Frederik Christian Sibbern • History of architecture • Milano • Albert Küchler • Giovanni Gherardo De Rossi • South Kensington Museum • Antiquities market • Giovanni Morelli • Greek vases • Adolfo Venturi • Photography • Carlo Amoretti • Art photography • Raphael • Stefano Bardini • Natalis Rondot • Revival • Corrado Ricci • Travel diaries • Dmitry Grigorovitch • Civil function of the museum • Royal Gallery of Turin • Pedro de Sousa Holstein • Merchants • Erudition • Lombard primitives • Academy of Fine Arts • Art industriel • Musée d’art industriel • Cesare dell’Acqua • Alexandre de Sousa Holstein • Portugal • Antiquarian history • Antonio Canova • Engraving • École Stroganov • 19th century Milan • Luigi Valeriano Pozzi • Giorgione • Italian Risorgimento • Stefano Borgia • Wilhelm Bendz • Dutch Golden Age • Galleria De Cristoforis • Société d’encouragement des arts • Marco Minghetti • Connoisseurship • Renaissance • Conventionalism • Art market • History Painting

permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11

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