Rinascita/Revival | Rebirth/Revival II
open access | peer reviewedKeywords History of architecture • Genio dell’Indipendenza Nazionale • Henrik Hertz • Giovanni Gherardo De Rossi • Arts décoratifs • Photography • Dmitry Grigorovitch • Dutch Golden Age • Historical Painting • History Painting • Civil function of the museum • Portugal • Art photography • Fortuna • Art market • Antiquities market • Training of artists • Travel diaries • Iconography • Frederik Christian Sibbern • Renaissance • Antonio Canova • Alexandre de Sousa Holstein • Academy of Fine Arts • Musée d’échantillons • Projects • Antiquarian history • Ceramics • Revival • Natalis Rondot • Lombard primitives • Milano • Seroux d’Agincourt • Albert Küchler • Stefano Borgia • Royal Gallery of Turin • Collecting • Florence • Genre painting • Parisian Salons • Art industriel • Raphael • Connoisseurship • Corrado Ricci • Luigi Valeriano Pozzi • Pompeo Pozzi • Architects • Wilhelm Bendz • Romanticism • Galleria De Cristoforis • École Stroganov • Pedro de Sousa Holstein • Provenances • Markets • Art publishing • Conventionalism • Ditlev Blunck • Société d’encouragement des arts • Cesare dell’Acqua • South Kensington Museum • Italian Risorgimento • Giovanni Morelli • Adolfo Venturi • Greek vases • Giorgione • Marco Minghetti • Carlo Amoretti • Engraving • Musée d’art et d’industrie • Danish Golden Age • Erudition • Historical Romanticism • Stefano Bardini • 19th century Milan • Editors • Andalusia (Spain) • Musée d’art industriel • Merchants
Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Pubblicato 24 Ottobre 2022 | Lingua es, pt, en, it, fr
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