Rinascita/Revival | Rebirth/Revival II
open access | peer reviewedKeywords History Painting • Art publishing • Art market • Travel diaries • Renaissance • Galleria De Cristoforis • Société d’encouragement des arts • Training of artists • Parisian Salons • Musée d’art industriel • École Stroganov • Revival • Markets • Ceramics • Natalis Rondot • Florence • Giorgione • Antiquarian history • Academy of Fine Arts • Genre painting • Milano • 19th century Milan • Adolfo Venturi • Arts décoratifs • Historical Painting • Iconography • Raphael • Corrado Ricci • Pedro de Sousa Holstein • Frederik Christian Sibbern • Luigi Valeriano Pozzi • Greek vases • Italian Risorgimento • Antonio Canova • History of architecture • Giovanni Gherardo De Rossi • Carlo Amoretti • Antiquities market • Erudition • Art photography • Dutch Golden Age • Photography • Historical Romanticism • Musée d’échantillons • South Kensington Museum • Conventionalism • Collecting • Provenances • Architects • Portugal • Stefano Borgia • Ditlev Blunck • Dmitry Grigorovitch • Alexandre de Sousa Holstein • Danish Golden Age • Engraving • Connoisseurship • Henrik Hertz • Seroux d’Agincourt • Pompeo Pozzi • Albert Küchler • Musée d’art et d’industrie • Editors • Giovanni Morelli • Romanticism • Art industriel • Cesare dell’Acqua • Lombard primitives • Projects • Genio dell’Indipendenza Nazionale • Wilhelm Bendz • Stefano Bardini • Merchants • Civil function of the museum • Marco Minghetti • Andalusia (Spain) • Royal Gallery of Turin • Fortuna
Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Pubblicato 24 Ottobre 2022 | Lingua pt, es, fr, en, it
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