Rivista |
MDCCC 1800
Fascicolo | 11 | 2022
Rinascita/Revival | Rebirth/Revival II
open access | peer reviewedKeywords Alexandre de Sousa Holstein • Société d’encouragement des arts • Civil function of the museum • Antonio Canova • Henrik Hertz • Adolfo Venturi • Giovanni Morelli • Musée d’échantillons • Editors • Andalusia (Spain) • Marco Minghetti • Provenances • Ditlev Blunck • Engraving • École Stroganov • Danish Golden Age • Greek vases • History Painting • Arts décoratifs • Cesare dell’Acqua • Romanticism • Galleria De Cristoforis • Ceramics • Milano • Stefano Borgia • Giorgione • Italian Risorgimento • Art publishing • History of architecture • Florence • Natalis Rondot • Merchants • Travel diaries • Antiquarian history • Corrado Ricci • Iconography • Conventionalism • Genre painting • Musée d’art industriel • Training of artists • Frederik Christian Sibbern • Historical Romanticism • Projects • Fortuna • Pedro de Sousa Holstein • Historical Painting • Musée d’art et d’industrie • Portugal • Renaissance • Antiquities market • Photography • Carlo Amoretti • Wilhelm Bendz • Albert Küchler • Academy of Fine Arts • Luigi Valeriano Pozzi • Dmitry Grigorovitch • South Kensington Museum • Raphael • Art market • Seroux d’Agincourt • Pompeo Pozzi • Architects • Lombard primitives • Connoisseurship • Parisian Salons • 19th century Milan • Collecting • Genio dell’Indipendenza Nazionale • Art photography • Erudition • Markets • Dutch Golden Age • Royal Gallery of Turin • Revival • Stefano Bardini • Art industriel • Giovanni Gherardo De Rossi
Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Pubblicato 24 Ottobre 2022 | Lingua es, en, fr, pt, it
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