Rinascita/Revival | Rebirth/Revival II
open access | peer reviewedKeywords Marco Minghetti • South Kensington Museum • 19th century Milan • Frederik Christian Sibbern • Historical Painting • Giovanni Gherardo De Rossi • History of architecture • Pompeo Pozzi • Revival • Fortuna • Alexandre de Sousa Holstein • Seroux d’Agincourt • Training of artists • Corrado Ricci • Greek vases • Andalusia (Spain) • Photography • Albert Küchler • Musée d’échantillons • Société d’encouragement des arts • Genre painting • Musée d’art industriel • Genio dell’Indipendenza Nazionale • Stefano Bardini • Parisian Salons • Ceramics • Antiquarian history • Wilhelm Bendz • Florence • Art market • Civil function of the museum • Antonio Canova • Carlo Amoretti • Henrik Hertz • Natalis Rondot • Cesare dell’Acqua • Galleria De Cristoforis • Danish Golden Age • Historical Romanticism • Giovanni Morelli • Arts décoratifs • Engraving • Luigi Valeriano Pozzi • Portugal • Connoisseurship • Royal Gallery of Turin • Dutch Golden Age • Merchants • Projects • Erudition • Art photography • Pedro de Sousa Holstein • Ditlev Blunck • Giorgione • Raphael • History Painting • Editors • Art industriel • Antiquities market • Collecting • Milano • Travel diaries • Renaissance • Musée d’art et d’industrie • Adolfo Venturi • Art publishing • Markets • Romanticism • Stefano Borgia • Conventionalism • Italian Risorgimento • Dmitry Grigorovitch • École Stroganov • Architects • Academy of Fine Arts • Lombard primitives • Iconography • Provenances
Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Pubblicato 24 Ottobre 2022 | Lingua it, en, fr, pt, es
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