Rivista | MDCCC 1800
Fascicolo | 11 | 2022

Rinascita/Revival | Rebirth/Revival II

Keywords Wilhelm Bendz • Antonio Canova • Musée d’art industriel • 19th century Milan • Engraving • Carlo Amoretti • Genre painting • Parisian Salons • Luigi Valeriano Pozzi • Projects • Provenances • Danish Golden Age • Frederik Christian Sibbern • Merchants • Corrado Ricci • Romanticism • Stefano Borgia • Connoisseurship • Civil function of the museum • Lombard primitives • Giovanni Morelli • Fortuna • Ditlev Blunck • Dutch Golden Age • Iconography • Milano • Antiquarian history • Seroux d’Agincourt • Musée d’art et d’industrie • Henrik Hertz • Florence • École Stroganov • Academy of Fine Arts • History of architecture • Historical Painting • Arts décoratifs • Greek vases • Architects • Pompeo Pozzi • Société d’encouragement des arts • Stefano Bardini • Erudition • Cesare dell’Acqua • Royal Gallery of Turin • Musée d’échantillons • Pedro de Sousa Holstein • Art industriel • Editors • Adolfo Venturi • Albert Küchler • Raphael • Historical Romanticism • Andalusia (Spain) • South Kensington Museum • Alexandre de Sousa Holstein • Art market • Giorgione • Training of artists • Genio dell’Indipendenza Nazionale • Ceramics • Art photography • Conventionalism • Travel diaries • Photography • Renaissance • Art publishing • History Painting • Natalis Rondot • Markets • Giovanni Gherardo De Rossi • Portugal • Italian Risorgimento • Marco Minghetti • Antiquities market • Dmitry Grigorovitch • Collecting • Revival • Galleria De Cristoforis

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Pubblicato 24 Ottobre 2022 | Lingua it, pt, en, es, fr

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