Poéticas del dispatrio: oscilación, frontera y creación
Tres ejemplos: Vicente Soto, Almudena Vidorreta y Julio Plaza
Abstract
This article examines the notion of dispatrio as a critical framework for interpreting the works of Vicente Soto, Almudena Vidorreta, and Julio Plaza. Through narrative, poetry, and experimental art, these authors explore experiences of geographical and cultural displacement marked by estrangement, linguistic hybridity, and aesthetic transformation. By bringing into dialogue Francoist Spain, contemporary globalization, and Brazilian artistic avant-gardes, the study shows how dispatrio generates an oscillatory movement between diverse cultural poles, reshaping languages, forms, and creative practices.
open access | peer reviewed
Submitted: Feb. 20, 2026 | Accepted: May 13, 2026 | Published Sept. 18, 2026 | Language: es
Keywords Cultural oscillation • Liminality • Intersemiotic experimentation • Linguistic hybridity • Dispatrio
Copyright © 2026 Alessandro Mistrorigo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/979-12-5742-076-5/002