Ma 間 e musica: il pieno e il vuoto

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Campo DC	Valore
dc.identifier	ECF_chapter_15803
dc.contributor.author	Galliano Luciana
dc.title	Ma 間 e musica: il pieno e il vuoto
dc.type	Capitolo
dc.language.iso	it
dc.description.abstract	The essay examines the concept of ma, a figure of Japanese aesthetic specificity, starting from the organisation of rhythm and meter in the music of Noh theater – which, before being a literary text and a performing art, is above all music. The elusiveness and complexity in the organisation of time, so linked to the breath and the mastery of the performers in their reciprocal musical relationships during the performance, will be considered in the light of specific statements by the great fourteenth-fifteenth century Noh theorist and author Zeami Motokiyo. The magic of the art of Noh is made real through that tense and contradictory timing in the music.
dc.relation.ispartof	Ca’ Foscari Japanese Studies
dc.relation.ispartof	Arts and Literature
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2023-04-21
dc.dateAccepted	2022-12-19
dc.dateSubmitted	2022-11-24
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-702-9/ma-e-musica-il-pieno-e-il-vuoto/
dc.identifier.doi	10.30687/978-88-6969-701-2/014
dc.identifier.issn	2610-8976
dc.identifier.eissn	2610-9395
dc.identifier.isbn	978-88-6969-702-9
dc.identifier.eisbn	978-88-6969-701-2
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Japan aesthetics
dc.subject	Ma
dc.subject	Noh music
dc.subject	Noh theater
dc.subject	Zeami Motokiyo

Capitolo
open access peer reviewed

Ma 間 e musica: il pieno e il vuoto

Luciana Galliano Ricercatore indipendente

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abstract

The essay examines the concept of ma, a figure of Japanese aesthetic specificity, starting from the organisation of rhythm and meter in the music of Noh theater – which, before being a literary text and a performing art, is above all music. The elusiveness and complexity in the organisation of time, so linked to the breath and the mastery of the performers in their reciprocal musical relationships during the performance, will be considered in the light of specific statements by the great fourteenth-fifteenth century Noh theorist and author Zeami Motokiyo. The magic of the art of Noh is made real through that tense and contradictory timing in the music.

Pubblicato

21 Aprile 2023

Accettato

19 Dicembre 2022

Presentato

24 Novembre 2022

Lingua

ISBN (PRINT)

978-88-6969-702-9

ISBN (EBOOK)

978-88-6969-701-2

Keywords: Noh theater • Noh music • Zeami Motokiyo • Ma • Japan aesthetics

permalink: http://doi.org/10.30687/978-88-6969-701-2/014

Copyright: © 2023 Luciana Galliano. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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