Il paradosso dello ‘straniero di sé stesso’: la poesia «Natureza morta» di Solange Sohl
Abstract
The great paradox of Western capitalist modernity is that it has relegated the condition of women to a state of ‘foreignness’ from itself. Languages are maternal, but geopolitical territory is defined by the concept of homeland. The purpose of this paper is to analyze the condition of otherness in Patrícia Galvão’s work within modern Brazilian literature; to this end, I will use the reading of a poem whose authorship has been established through one of her pseudonyms, Solange Sohl. It is the poem “Natureza morta”, published in the Literary Supplement of the Diário de São Paulo (1948).
open access | peer reviewed
Presentato: 06 Febbraio 2026 | Accettato: 30 Marzo 2026 | Pubblicato 18 Settembre 2026 | Lingua: it
Keywords Patrícia Galvão • Poetry • Women’s writing • Brazilian modernism • Foreignness
Copyright © 2026 Susana Scramim. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/979-12-5742-076-5/006