La poesia e la condizione del dispatrio: la traduzione culturale e la (in)adattabilità
open access | peer reviewed
-
a cura di
- Mônica Muniz de Souza Simas - Ca' Foscari University of Venice - email
- Ida Alves - Universidade Federal Fluminense - email
- Celia Pedrosa - Universidade Federal Fluminense - email
Abstract
La poesia e la condizione del dispatrio: la traduzione culturale e la (in)adattabilità is an edited volume arising from the international conference held at Ca’ Foscari University of Venice from 28 to 30 October 2024. The contributions examine contemporary poetry through the condition of foreignness in three interconnected dimensions: geographical displacement and migration; the estrangement inherent in poetic language; and the intellectual displacement associated with the poet’s position and the instability of poetry’s own identity. Drawing on works from different linguistic, cultural, and geopolitical contexts, with particular attention to Portuguese-language poetry, the volume approaches dispatrio as a critical category that goes beyond conventional notions of exile. It denotes an ongoing oscillation between languages, territories, temporalities, cultural systems, and forms of belonging. The essays address cultural and intersemiotic translation, Indigenous cosmopoetics, multilingualism, gender, migration, intermediality, the reconfiguration of literary traditions, and relations between human and non-human forms of life. Throughout the volume, poetry emerges as an expanded practice of translation capable of exposing asymmetries, challenging established identities, recovering erased knowledge, and interrogating the devices of power that regulate mobility, cultural legitimacy, and representation. Foreignness is thus understood not simply as an external condition but as a constitutive instability within language and subjectivity. Rather than reconciling differences, contemporary poetry intensifies tensions among spaces, times, bodies, and regimes of meaning, transforming permanent (in)adaptability into a source of aesthetic, ethical, and political experimentation.
Keywords Yanomami drawings • Critical reception • Intersemiotic relations • Luís Quintais • Makunaimî • Ontological difference • Contemporary Portuguese poetry • Illness • Generational constellation • Poets without a generation • Andromache • Exile • Brazilian contemporary poetry • Baudelaire • Immigrant • Contemporary Poetry • Test • Temporality • Poetic thought • Poetics of metamorphosis • Presence • Rodrigo Lobo Damasceno • Violence • Memory • Translation • Spatiality • Contemporary Brazilian poetry • Cultural oscillation • Patrícia Galvão • Translinguistics • Action of the Poem • Interspecies relationships in literature • Expedição: nebulosa • Linguistic hybridity • Literary canon • Luiza Romão • Dispatrio • Interculturality • Parque das ruínas • Yanomami cosmology • Aesthetic dissonance • Indigenous literature • Poetry and the environment • Marília Garcia • Angélica Freitas • Liminality • Lyricism • Cosmopolitanism • Orality • Corpus-repertoire • Intersemiotic experimentation • Imagination • Ana Cristina Cesar • Poetry • Women’s writing • Brazilian modernism • Foreignness • Writing • Ana Estaregui
Permalink http://doi.org/10.30687/979-12-5742-076-5 | e-ISBN 979-12-5742-076-5 | ISBN (PRINT) 979-12-5742-077-2 | Pubblicato 18 Settembre 2026 | Lingua pt, it, es
Copyright © 2026 Mônica Muniz de Souza Simas, Ida Alves, Celia Pedrosa. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.