Collana |
Biblioteca di Rassegna iberistica
Volume 24 | Miscellanea | Admiración del mundo
Admiración del mundo
Actas selectas del XIV Coloquio Internacional de la Asociación de Cervantistas
open access | peer reviewed-
a cura di
- Adrián J. Sáez - Università Ca’ Foscari Venezia, Italia - email
Abstract
En El licenciado Vidriera de Cervantes se halla un gran elogio de Venecia, que se define como «admiración del mundo antiguo» por «su riqueza infinita, su gobierno prudente» y otros muchos valores que solo la hacen paragonable a «la gran Méjico». Con esta invitación, el presente libro recoge las tres conferencias plenarias y una selección de las contribuciones presentadas al XIV Coloquio Internacional de la Asociación de Cervantistas (2-4 de octubre de 2019), que giran principalmente en torno al teatro, la recepción y las relaciones italianas de Cervantes. Al mismo tiempo, este volumen rinde homenaje a Donatella Pini y Carlos Romero Muñoz, organizadores de la clásica serie «Giornate cervantine».
Keywords Gender • Reception • Quijote • Amplificatio of the enunciative system • Exemplary Novels • Entremés • Spanish Court • Narratology • Orlando furioso • Linguistic deformation • Quintanar de la Orden • Picaresque • Tirante • Lie • Ludeña • Erotic crimes • Spanish novel • Spain • Individuality • Mainstreaming • Garcilaso • Truth • Veridiction • Hypothetical and narrative discourse • Inserted poetry • Novel • Poetry • Don Quijote • Revival • Recreation • Opera • Narrative frame • Dances • Law • Antonio de la Peña • Grammar • Elegiac dystic • Fiction • Intertextuality • Comparative study • Sergio Pitol • Theatre • Translation • Corography • Philology • Cervantes • English theatre • José Manuel Lucía Megías • La Mancha • Orlando innamorato • Music • Entremeses • Viaje del parnaso • Suicide • Poetics • Scipio • Honesto y entretenido sarao • Narrative perspective • Judgment • Quixote • Love • Testament • History • Narrative transition formulas • Golden Age theatre • Novelas ejemplares • Italy • Royal Court • Jorge García López • Cervantes theatre • María de Zayas • Tríptico del carnaval • Romantic irony • Metafiction • Jordi Gracia • Madness • Biography • Contemporary theatre • Quijote II, 74 • Posthumous fame • El Toboso • De senectute • Miguel de Cervantes • Parody • Fame • Galatea • Body • Pride • Anticipation • Melancholy • La Galatea • Lofraso • Timbrio and Silerio • Conception of speech • Avellaneda • Libretto • Authentication • Ortega Rosa • Theogenes • Individual • Voyage to Parnassus • Fielding • Interlacing • Persiles • Show • Classic • Error • Library • Villaseñor • Irony • Rubric • Scrutiny • Carla Perugini • Society • Clientelar relationship • Don Quixote • Shakespeare
Permalink http://doi.org/10.30687/978-88-6969-579-7 | e-ISBN 978-88-6969-579-7 | ISBN (PRINT) 978-88-6969-580-3 | Numero pagine 426 | Dimensioni 16x23cm | Pubblicato 01 Dicembre 2021 | Lingua es
Copyright © 2021 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Introducción
- Cervantes veneciano: introducción
- José Manuel Martín Morán, Adrián J. Sáez
- 01 Dicembre 2021
Conferencias plenarias
- Cervantes y el derecho: préstamos recíprocos
- Susan Byrne
- 01 Dicembre 2021
- Magias parciales de Cervantes: Garcilaso contra Avellaneda
- Clea Gerber
- 01 Dicembre 2021
- Las recreaciones teatrales en el examen de la recepción del Quijote
- Emilio Martínez Mata
- 01 Dicembre 2021
Comunicaciones
- El Escipión de La Numancia o el miedo a perder la Fama
- Jordi Aladro
- 01 Dicembre 2021
- El pasaje más oscuro del Quijote esclarecido
- Carlos Ansó
- 01 Dicembre 2021
- Nombre y renombre: el testamento de Alonso Quijano
- Gonzalo Díaz-Migoyo
- 01 Dicembre 2021
- Las deformaciones lingüísticas en los entremeses cervantinos
- Guillermo Fernández Rodríguez-Escalona
- 01 Dicembre 2021
- El cardenal Espinosa y Mateo Vázquez de Leca: su influencia en la actividad teatral de Miguel de Cervantes
- José Luis Gonzalo Sánchez-Molero
- 01 Dicembre 2021
- El hombre que mató a don Quijote de Terry Gilliam (2018) desde la transversalidad de la recreación
- Santiago A. López Navia
- 01 Dicembre 2021
- Panorama y efectos del entrelazamiento en el Quijote
- José Manuel Martín Morán
- 01 Dicembre 2021
- La fuerza de la sangre cervantina en el espejo de una novela de Kleist
- Wolfgang Matzat
- 01 Dicembre 2021
- «Nunca representados», siempre sobre las tablas: los Entremeses de Cervantes y la escena contemporánea
- Daniel Migueláñez
- 01 Dicembre 2021
- El arte de la novela de Cervantes a Zayas
- Emre Özmen
- 01 Dicembre 2021
- Hojeando algunas biografías recientes
- Donatella Pini
- 01 Dicembre 2021
- El Quijote, ‘The Prince of Purpoole’ y Gesta Grayorum
- Montserrat Reguant
- 01 Dicembre 2021
- La ironía y la parodia en las novelas cervantinas como respuesta al género picaresco
- Francisco de Borja Rodríguez Álamo
- 01 Dicembre 2021
- De nuevo sobre el epigrama latino del Viaje del Parnaso
- Fernando Romo Feito
- 01 Dicembre 2021
- Cervantes y la escritura de senectute (en torno al Viaje del parnaso)
- Pedro Ruiz Pérez
- 01 Dicembre 2021
- El Don Chisciotte in Sierra Morena de Apostolo Zeno y Pietro Pariati: del Quijote al libreto
- Maria Caterina Ruta
- 01 Dicembre 2021
- Las ciudades de Cervantes: corografías entre historia y ficción
- Adrián J. Sáez
- 01 Dicembre 2021
- Motivos quijotescos y metaficción cervantina en el «Tríptico del carnaval» de Sergio Pitol
- Luis Carlos Salazar Quintana
- 01 Dicembre 2021
-
Los Ludeña, regidores madrileños y familia hidalga principal de la Mancha
Una relación clientelar de Miguel de Cervantes - Jesús Sánchez Sánchez
- 01 Dicembre 2021
- Verdad, mentira y poesía en la historia de Timbrio y Silerio en La Galatea
- Sara Santa-Aguilar
- 01 Dicembre 2021
- El Quijote en la calle: historia de un espectáculo
- Pilar Serrano Sánchez de Menchén
- 01 Dicembre 2021
- Autentificando el discurso de la verdad en El casamiento engañoso y El coloquio de los perros
- Miguel Ángel Zamorano Heras
- 01 Dicembre 2021
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_book_485 |
|
dc.creator |
Sáez Adrián J. |
|
dc.title |
Admiración del mundo. Actas selectas del XIV Coloquio Internacional de la Asociación de Cervantistas |
|
dc.type |
Miscellanea |
|
dc.language.iso |
es |
|
dc.description.abstract |
En El licenciado Vidriera de Cervantes se halla un gran elogio de Venecia, que se define como «admiración del mundo antiguo» por «su riqueza infinita, su gobierno prudente» y otros muchos valores que solo la hacen paragonable a «la gran Méjico». Con esta invitación, el presente libro recoge las tres conferencias plenarias y una selección de las contribuciones presentadas al XIV Coloquio Internacional de la Asociación de Cervantistas (2-4 de octubre de 2019), que giran principalmente en torno al teatro, la recepción y las relaciones italianas de Cervantes. Al mismo tiempo, este volumen rinde homenaje a Donatella Pini y Carlos Romero Muñoz, organizadores de la clásica serie «Giornate cervantine». |
|
dc.relation.ispartof |
Biblioteca di Rassegna iberistica |
|
dc.identifier.doi |
10.30687/978-88-6969-579-7 |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
|
dc.issued |
2021-12-01 |
|
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-580-3/ |
|
dc.identifier.issn |
2610-8844 |
|
dc.identifier.eissn |
2610-9360 |
|
dc.identifier.isbn |
978-88-6969-580-3 |
|
dc.identifier.eisbn |
978-88-6969-579-7 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
yes |
|
dc.subject |
Amplificatio of the enunciative system |
|
dc.subject |
Amplificatio of the enunciative system |
|
dc.subject |
Anticipation |
|
dc.subject |
Anticipation |
|
dc.subject |
Antonio de la Peña |
|
dc.subject |
Antonio de la Peña |
|
dc.subject |
Authentication |
|
dc.subject |
Authentication |
|
dc.subject |
Avellaneda |
|
dc.subject |
Avellaneda |
|
dc.subject |
Biography |
|
dc.subject |
Biography |
|
dc.subject |
Body |
|
dc.subject |
Body |
|
dc.subject |
Carla Perugini |
|
dc.subject |
Carla Perugini |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes theatre |
|
dc.subject |
Cervantes theatre |
|
dc.subject |
Classic |
|
dc.subject |
Classic |
|
dc.subject |
Clientelar relationship |
|
dc.subject |
Clientelar relationship |
|
dc.subject |
Comparative study |
|
dc.subject |
Comparative study |
|
dc.subject |
Conception of speech |
|
dc.subject |
Conception of speech |
|
dc.subject |
Contemporary theatre |
|
dc.subject |
Contemporary theatre |
|
dc.subject |
Corography |
|
dc.subject |
Corography |
|
dc.subject |
Dances |
|
dc.subject |
Dances |
|
dc.subject |
De senectute |
|
dc.subject |
De senectute |
|
dc.subject |
Don Quijote |
|
dc.subject |
Don Quijote |
|
dc.subject |
Don Quixote |
|
dc.subject |
Don Quixote |
|
dc.subject |
Don Quixote |
|
dc.subject |
Don Quixote |
|
dc.subject |
Don Quixote |
|
dc.subject |
Don Quixote |
|
dc.subject |
Don Quixote |
|
dc.subject |
Don Quixote |
|
dc.subject |
Don Quixote |
|
dc.subject |
El Toboso |
|
dc.subject |
El Toboso |
|
dc.subject |
Elegiac dystic |
|
dc.subject |
Elegiac dystic |
|
dc.subject |
English theatre |
|
dc.subject |
English theatre |
|
dc.subject |
Entremeses |
|
dc.subject |
Entremeses |
|
dc.subject |
Entremés |
|
dc.subject |
Entremés |
|
dc.subject |
Erotic crimes |
|
dc.subject |
Erotic crimes |
|
dc.subject |
Error |
|
dc.subject |
Error |
|
dc.subject |
Exemplary Novels |
|
dc.subject |
Fame |
|
dc.subject |
Fame |
|
dc.subject |
Fiction |
|
dc.subject |
Fiction |
|
dc.subject |
Fielding |
|
dc.subject |
Fielding |
|
dc.subject |
Galatea |
|
dc.subject |
Garcilaso |
|
dc.subject |
Garcilaso |
|
dc.subject |
Gender |
|
dc.subject |
Gender |
|
dc.subject |
Golden Age theatre |
|
dc.subject |
Golden Age theatre |
|
dc.subject |
Grammar |
|
dc.subject |
Grammar |
|
dc.subject |
History |
|
dc.subject |
History |
|
dc.subject |
History |
|
dc.subject |
History |
|
dc.subject |
Honesto y entretenido sarao |
|
dc.subject |
Honesto y entretenido sarao |
|
dc.subject |
Hypothetical and narrative discourse |
|
dc.subject |
Hypothetical and narrative discourse |
|
dc.subject |
Individual |
|
dc.subject |
Individual |
|
dc.subject |
Individuality |
|
dc.subject |
Individuality |
|
dc.subject |
Inserted poetry |
|
dc.subject |
Inserted poetry |
|
dc.subject |
Interlacing |
|
dc.subject |
Interlacing |
|
dc.subject |
Intertextuality |
|
dc.subject |
Irony |
|
dc.subject |
Irony |
|
dc.subject |
Italy |
|
dc.subject |
Italy |
|
dc.subject |
Jordi Gracia |
|
dc.subject |
Jordi Gracia |
|
dc.subject |
Jorge García López |
|
dc.subject |
Jorge García López |
|
dc.subject |
José Manuel Lucía Megías |
|
dc.subject |
José Manuel Lucía Megías |
|
dc.subject |
Judgment |
|
dc.subject |
Judgment |
|
dc.subject |
La Galatea |
|
dc.subject |
La Galatea |
|
dc.subject |
La Mancha |
|
dc.subject |
La Mancha |
|
dc.subject |
Law |
|
dc.subject |
Law |
|
dc.subject |
Library |
|
dc.subject |
Library |
|
dc.subject |
Libretto |
|
dc.subject |
Libretto |
|
dc.subject |
Lie |
|
dc.subject |
Lie |
|
dc.subject |
Linguistic deformation |
|
dc.subject |
Linguistic deformation |
|
dc.subject |
Lofraso |
|
dc.subject |
Lofraso |
|
dc.subject |
Love |
|
dc.subject |
Love |
|
dc.subject |
Ludeña |
|
dc.subject |
Ludeña |
|
dc.subject |
Madness |
|
dc.subject |
Madness |
|
dc.subject |
Mainstreaming |
|
dc.subject |
Mainstreaming |
|
dc.subject |
María de Zayas |
|
dc.subject |
María de Zayas |
|
dc.subject |
Melancholy |
|
dc.subject |
Melancholy |
|
dc.subject |
Metafiction |
|
dc.subject |
Metafiction |
|
dc.subject |
Metafiction |
|
dc.subject |
Metafiction |
|
dc.subject |
Miguel de Cervantes |
|
dc.subject |
Miguel de Cervantes |
|
dc.subject |
Music |
|
dc.subject |
Music |
|
dc.subject |
Narrative frame |
|
dc.subject |
Narrative frame |
|
dc.subject |
Narrative perspective |
|
dc.subject |
Narrative perspective |
|
dc.subject |
Narrative transition formulas |
|
dc.subject |
Narrative transition formulas |
|
dc.subject |
Narratology |
|
dc.subject |
Narratology |
|
dc.subject |
Narratology |
|
dc.subject |
Narratology |
|
dc.subject |
Novel |
|
dc.subject |
Novel |
|
dc.subject |
Novelas ejemplares |
|
dc.subject |
Novelas ejemplares |
|
dc.subject |
Opera |
|
dc.subject |
Opera |
|
dc.subject |
Orlando furioso |
|
dc.subject |
Orlando furioso |
|
dc.subject |
Orlando innamorato |
|
dc.subject |
Orlando innamorato |
|
dc.subject |
Ortega Rosa |
|
dc.subject |
Ortega Rosa |
|
dc.subject |
Parody |
|
dc.subject |
Parody |
|
dc.subject |
Persiles |
|
dc.subject |
Philology |
|
dc.subject |
Philology |
|
dc.subject |
Picaresque |
|
dc.subject |
Picaresque |
|
dc.subject |
Picaresque |
|
dc.subject |
Picaresque |
|
dc.subject |
Poetics |
|
dc.subject |
Poetics |
|
dc.subject |
Poetry |
|
dc.subject |
Posthumous fame |
|
dc.subject |
Posthumous fame |
|
dc.subject |
Pride |
|
dc.subject |
Pride |
|
dc.subject |
Quijote |
|
dc.subject |
Quijote |
|
dc.subject |
Quijote II, 74 |
|
dc.subject |
Quijote II, 74 |
|
dc.subject |
Quintanar de la Orden |
|
dc.subject |
Quintanar de la Orden |
|
dc.subject |
Quixote |
|
dc.subject |
Quixote |
|
dc.subject |
Quixote |
|
dc.subject |
Quixote |
|
dc.subject |
Reception |
|
dc.subject |
Recreation |
|
dc.subject |
Recreation |
|
dc.subject |
Revival |
|
dc.subject |
Revival |
|
dc.subject |
Romantic irony |
|
dc.subject |
Romantic irony |
|
dc.subject |
Royal Court |
|
dc.subject |
Royal Court |
|
dc.subject |
Rubric |
|
dc.subject |
Rubric |
|
dc.subject |
Scipio |
|
dc.subject |
Scipio |
|
dc.subject |
Scrutiny |
|
dc.subject |
Scrutiny |
|
dc.subject |
Sergio Pitol |
|
dc.subject |
Sergio Pitol |
|
dc.subject |
Shakespeare |
|
dc.subject |
Shakespeare |
|
dc.subject |
Show |
|
dc.subject |
Show |
|
dc.subject |
Society |
|
dc.subject |
Society |
|
dc.subject |
Spain |
|
dc.subject |
Spain |
|
dc.subject |
Spanish Court |
|
dc.subject |
Spanish Court |
|
dc.subject |
Spanish novel |
|
dc.subject |
Spanish novel |
|
dc.subject |
Suicide |
|
dc.subject |
Suicide |
|
dc.subject |
Testament |
|
dc.subject |
Testament |
|
dc.subject |
Theatre |
|
dc.subject |
Theatre |
|
dc.subject |
Theatre |
|
dc.subject |
Theatre |
|
dc.subject |
Theogenes |
|
dc.subject |
Theogenes |
|
dc.subject |
Timbrio and Silerio |
|
dc.subject |
Timbrio and Silerio |
|
dc.subject |
Tirante |
|
dc.subject |
Tirante |
|
dc.subject |
Translation |
|
dc.subject |
Translation |
|
dc.subject |
Truth |
|
dc.subject |
Truth |
|
dc.subject |
Tríptico del carnaval |
|
dc.subject |
Tríptico del carnaval |
|
dc.subject |
Veridiction |
|
dc.subject |
Veridiction |
|
dc.subject |
Viaje del parnaso |
|
dc.subject |
Viaje del parnaso |
|
dc.subject |
Villaseñor |
|
dc.subject |
Villaseñor |
|
dc.subject |
Voyage to Parnassus |
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