Admiración del mundo
Actas selectas del XIV Coloquio Internacional de la Asociación de Cervantistas
edited by
abstract
In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.
Irony • Law • Ludeña • Italy • Clientelar relationship • Contemporary theatre • Show • Individual • Judgment • Melancholy • Comparative study • Timbrio and Silerio • Quixote • Rubric • Avellaneda • Picaresque • Madness • Galatea • Lie • Reception • Pride • El Toboso • Hypothetical and narrative discourse • Sergio Pitol • Corography • Parody • Libretto • Fielding • Orlando furioso • Erotic crimes • Grammar • Conception of speech • Society • Spain • Suicide • Cervantes • Mainstreaming • Love • Gender • Recreation • La Galatea • Villaseñor • Elegiac dystic • Miguel de Cervantes • Narrative frame • Narrative transition formulas • Quijote II, 74 • Opera • Theogenes • Scrutiny • Library • Lofraso • Exemplary Novels • Theatre • Tirante • Translation • La Mancha • Entremés • Narrative perspective • Biography • José Manuel Lucía Megías • Revival • Truth • Poetry • Posthumous fame • Romantic irony • Metafiction • Jorge García López • Don Quijote • Viaje del parnaso • Novel • Authentication • María de Zayas • Spanish novel • Anticipation • Entremeses • Ortega Rosa • Philology • Don Quixote • Royal Court • Quintanar de la Orden • Novelas ejemplares • Honesto y entretenido sarao • Antonio de la Peña • Fame • Persiles • Amplificatio of the enunciative system • Spanish Court • History • Veridiction • Music • Voyage to Parnassus • Tríptico del carnaval • Narratology • Interlacing • Golden Age theatre • Intertextuality • Quijote • Orlando innamorato • Cervantes theatre • Poetics • Carla Perugini • English theatre • Testament • Individuality • Inserted poetry • Error • Dances • Shakespeare • Classic • Body • Garcilaso • Fiction • De senectute • Linguistic deformation • Scipio • Jordi Gracia