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The Admiration of All Mankind

Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association

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open access | peer reviewed

Abstract

In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.

Keywords Metafiction • Don Quixote • Truth • Pride • Lofraso • Jordi Gracia • Contemporary theatre • Fiction • Authentication • Narrative perspective • Garcilaso • Quijote • Ortega Rosa • Anticipation • Amplificatio of the enunciative system • Persiles • Lie • Romantic irony • Royal Court • María de Zayas • Rubric • Society • Don Quijote • Theatre • Voyage to Parnassus • Scipio • Narratology • Cervantes • Biography • Quintanar de la Orden • Suicide • Intertextuality • Parody • El Toboso • Body • Viaje del parnaso • Quixote • Music • Love • Veridiction • Poetics • Picaresque • Testament • Honesto y entretenido sarao • Novelas ejemplares • Orlando furioso • Cervantes theatre • Ludeña • Linguistic deformation • Comparative study • Erotic crimes • Individuality • Poetry • Miguel de Cervantes • Carla Perugini • Novel • Entremés • Reception • Conception of speech • Interlacing • Sergio Pitol • Dances • Italy • Fame • English theatre • Timbrio and Silerio • Classic • Shakespeare • Orlando innamorato • Golden Age theatre • Jorge García López • Quijote II, 74 • Fielding • Mainstreaming • Tirante • Villaseñor • Inserted poetry • La Galatea • Posthumous fame • Scrutiny • Library • Irony • Entremeses • José Manuel Lucía Megías • Narrative transition formulas • Show • Error • Clientelar relationship • Melancholy • Spain • Avellaneda • Antonio de la Peña • Theogenes • La Mancha • Individual • Revival • Recreation • Tríptico del carnaval • Elegiac dystic • Opera • Gender • Translation • De senectute • Hypothetical and narrative discourse • Philology • Corography • Narrative frame • Law • Libretto • Spanish novel • Madness • Spanish Court • History • Judgment • Exemplary Novels • Galatea • Grammar

Thema codes DSK • DSG • 2ADS • 5TD-ES-A

Permalink http://doi.org/10.30687/978-88-6969-579-7 | e-ISBN 978-88-6969-579-7 | ISBN (PRINT) 978-88-6969-580-3 | Number of pages 426 | Dimensions 16x23cm | Published Dec. 1, 2021 | Language es

Copyright © 2021 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.