Library of Rassegna iberistica

The Admiration of All Mankind

Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association

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open access | peer reviewed
    edited by
  • Adrián J. Sáez - Università Ca’ Foscari Venezia, Italia - email

Abstract

In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.

Keywords Recreation • Quijote II, 74 • Irony • Galatea • Miguel de Cervantes • Inserted poetry • Don Quixote • Scrutiny • Comparative study • El Toboso • Theatre • Garcilaso • History • Metafiction • Conception of speech • Cervantes • Grammar • La Galatea • Show • Timbrio and Silerio • Antonio de la Peña • Exemplary Novels • Parody • Contemporary theatre • Testament • Music • Jordi Gracia • Individual • Opera • La Mancha • Romantic irony • Veridiction • Translation • Mainstreaming • Madness • Quintanar de la Orden • Classic • Entremés • Revival • Anticipation • Linguistic deformation • Lofraso • Sergio Pitol • Ortega Rosa • Pride • Biography • Theogenes • Body • Novelas ejemplares • Orlando furioso • Love • Avellaneda • De senectute • Ludeña • Melancholy • Narratology • Spain • Honesto y entretenido sarao • Corography • Hypothetical and narrative discourse • Individuality • English theatre • Quixote • José Manuel Lucía Megías • Italy • Libretto • Entremeses • Library • Fielding • Poetry • Society • Shakespeare • Orlando innamorato • Viaje del parnaso • Erotic crimes • Amplificatio of the enunciative system • Cervantes theatre • Judgment • María de Zayas • Spanish novel • Narrative frame • Quijote • Rubric • Law • Royal Court • Tirante • Gender • Reception • Lie • Novel • Posthumous fame • Carla Perugini • Scipio • Clientelar relationship • Fiction • Narrative transition formulas • Don Quijote • Authentication • Truth • Suicide • Philology • Intertextuality • Spanish Court • Voyage to Parnassus • Narrative perspective • Picaresque • Dances • Persiles • Fame • Poetics • Golden Age theatre • Jorge García López • Tríptico del carnaval • Villaseñor • Interlacing • Elegiac dystic • Error

Permalink http://doi.org/10.30687/978-88-6969-579-7 | e-ISBN 978-88-6969-579-7 | ISBN (PRINT) 978-88-6969-580-3 | Number of pages 426 | Dimensions 16x23cm | Published Dec. 1, 2021 | Language es

Copyright © 2021 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.