Library of Rassegna iberistica

The Admiration of All Mankind

Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association

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open access | peer reviewed
    edited by
  • Adrián J. Sáez - Università Ca’ Foscari Venezia, Italia - email

Abstract

In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.

Keywords Poetics • La Mancha • Royal Court • Don Quijote • Philology • Intertextuality • Posthumous fame • Antonio de la Peña • Spanish Court • Judgment • Ludeña • English theatre • Golden Age theatre • Novel • Show • Elegiac dystic • Theatre • Novelas ejemplares • Biography • Villaseñor • Quijote II, 74 • Viaje del parnaso • Opera • Fielding • Grammar • José Manuel Lucía Megías • El Toboso • Tirante • Cervantes • Law • Veridiction • Erotic crimes • Error • Jorge García López • Corography • Garcilaso • Dances • Authentication • Carla Perugini • Fiction • Interlacing • Jordi Gracia • Libretto • Scrutiny • Persiles • Linguistic deformation • Truth • Library • Tríptico del carnaval • Reception • Exemplary Novels • Shakespeare • De senectute • Orlando innamorato • Madness • Narrative frame • Individual • Avellaneda • Poetry • Miguel de Cervantes • Narratology • Lie • Anticipation • Don Quixote • Mainstreaming • Recreation • Society • Quijote • Amplificatio of the enunciative system • Suicide • Narrative perspective • Inserted poetry • Classic • Sergio Pitol • La Galatea • Voyage to Parnassus • Parody • Galatea • Orlando furioso • Pride • Quixote • Revival • Italy • Body • Translation • Hypothetical and narrative discourse • Music • Spain • Contemporary theatre • Conception of speech • Melancholy • Clientelar relationship • Metafiction • Individuality • Lofraso • Rubric • History • Fame • María de Zayas • Irony • Timbrio and Silerio • Spanish novel • Scipio • Comparative study • Narrative transition formulas • Romantic irony • Quintanar de la Orden • Entremés • Picaresque • Ortega Rosa • Entremeses • Cervantes theatre • Love • Honesto y entretenido sarao • Testament • Theogenes • Gender

Permalink http://doi.org/10.30687/978-88-6969-579-7 | e-ISBN 978-88-6969-579-7 | ISBN (PRINT) 978-88-6969-580-3 | Number of pages 426 | Dimensions 16x23cm | Published Dec. 1, 2021 | Language es

Copyright © 2021 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.