Library of Rassegna iberistica

The Admiration of All Mankind

Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association

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open access | peer reviewed

Abstract

In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.

Keywords Quijote • Lofraso • Clientelar relationship • Garcilaso • Intertextuality • Villaseñor • Italy • Spanish Court • Miguel de Cervantes • Persiles • Truth • Fiction • Avellaneda • Grammar • Don Quijote • Erotic crimes • Tirante • Inserted poetry • Parody • Golden Age theatre • Contemporary theatre • Rubric • Poetics • Entremés • Scrutiny • María de Zayas • Show • Music • Tríptico del carnaval • Antonio de la Peña • Royal Court • Poetry • De senectute • Opera • Spain • Libretto • Carla Perugini • Classic • Quijote II, 74 • José Manuel Lucía Megías • Quixote • Entremeses • Galatea • Lie • Amplificatio of the enunciative system • Library • Judgment • Society • Voyage to Parnassus • La Galatea • Love • Metafiction • Ludeña • Posthumous fame • Narratology • Picaresque • Biography • Theatre • Veridiction • Melancholy • Authentication • Cervantes • Pride • Irony • Orlando innamorato • Don Quixote • Narrative transition formulas • Individuality • Body • Comparative study • Honesto y entretenido sarao • Theogenes • Elegiac dystic • Fame • Mainstreaming • Recreation • El Toboso • Conception of speech • Romantic irony • Translation • Spanish novel • Quintanar de la Orden • Viaje del parnaso • Sergio Pitol • Linguistic deformation • Corography • Anticipation • Hypothetical and narrative discourse • Interlacing • Cervantes theatre • Revival • English theatre • History • Error • Law • Novel • Reception • Madness • Jorge García López • Suicide • Narrative perspective • Timbrio and Silerio • Fielding • Dances • Gender • Shakespeare • Jordi Gracia • Individual • Philology • Novelas ejemplares • La Mancha • Narrative frame • Exemplary Novels • Scipio • Ortega Rosa • Testament • Orlando furioso

Thema codes DSK • DSG • 2ADS • 5TD-ES-A

Permalink http://doi.org/10.30687/978-88-6969-579-7 | e-ISBN 978-88-6969-579-7 | ISBN (PRINT) 978-88-6969-580-3 | Number of pages 426 | Dimensions 16x23cm | Published Dec. 1, 2021 | Language es

Copyright © 2021 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.