Series |
Library of Rassegna iberistica
Volume 24 | Edited book | The Admiration of All Mankind
Abstract
In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.
Keywords Honesto y entretenido sarao • Revival • Jorge García López • Parody • Amplificatio of the enunciative system • History • Narrative transition formulas • Mainstreaming • Elegiac dystic • Irony • Entremeses • Erotic crimes • Golden Age theatre • Fiction • Fame • Veridiction • Don Quixote • Individuality • Garcilaso • Metafiction • Scrutiny • El Toboso • Philology • Error • Novelas ejemplares • Jordi Gracia • Tirante • Corography • Inserted poetry • Recreation • Body • Translation • Theatre • Ortega Rosa • Poetics • Royal Court • Judgment • Law • Quijote II, 74 • Antonio de la Peña • Avellaneda • Opera • Fielding • Shakespeare • Reception • Show • Narrative frame • Truth • Authentication • La Galatea • Novel • Classic • La Mancha • Love • Narrative perspective • Spain • Italy • Miguel de Cervantes • Persiles • Dances • Interlacing • Hypothetical and narrative discourse • Scipio • José Manuel Lucía Megías • Suicide • Libretto • Narratology • Viaje del parnaso • Pride • Melancholy • De senectute • Cervantes theatre • Comparative study • María de Zayas • Don Quijote • Poetry • Sergio Pitol • Posthumous fame • Carla Perugini • Lofraso • Library • Spanish Court • Anticipation • Madness • Quintanar de la Orden • Romantic irony • Gender • Orlando innamorato • Individual • Lie • Grammar • Music • Spanish novel • Rubric • Voyage to Parnassus • Orlando furioso • Theogenes • Clientelar relationship • Picaresque • Contemporary theatre • Exemplary Novels • Testament • Quijote • English theatre • Linguistic deformation • Villaseñor • Cervantes • Entremés • Biography • Timbrio and Silerio • Intertextuality • Society • Quixote • Ludeña • Conception of speech • Galatea • Tríptico del carnaval
Permalink http://doi.org/10.30687/978-88-6969-579-7 | e-ISBN 978-88-6969-579-7 | ISBN (PRINT) 978-88-6969-580-3 | Number of pages 426 | Dimensions 16x23cm | Published Dec. 1, 2021 | Language es
Copyright © 2021 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Introducción
Conferencias plenarias
Comunicaciones