Library of Rassegna iberistica

Series | Library of Rassegna iberistica
Volume 24 | Edited book | The Admiration of All Mankind

The Admiration of All Mankind

Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association
open access | peer reviewed
    edited by
  • Adrián J. Sáez - Università Ca’ Foscari Venezia, Italia - email

Abstract

In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.

Keywords Lie • Revival • Spanish novel • José Manuel Lucía Megías • Libretto • Body • Grammar • Mainstreaming • Timbrio and Silerio • Comparative study • Individual • Persiles • Fielding • Amplificatio of the enunciative system • Inserted poetry • Truth • María de Zayas • Scipio • Theatre • Parody • Anticipation • Novelas ejemplares • Gender • Lofraso • Conception of speech • Posthumous fame • Jorge García López • History • Dances • Metafiction • Cervantes theatre • Italy • Law • Society • Judgment • Sergio Pitol • Poetry • Narrative perspective • Viaje del parnaso • Elegiac dystic • Honesto y entretenido sarao • Clientelar relationship • Interlacing • Entremeses • Hypothetical and narrative discourse • Don Quijote • La Galatea • De senectute • Poetics • Spanish Court • Intertextuality • Erotic crimes • Quijote • Quixote • Carla Perugini • Shakespeare • Ortega Rosa • Novel • Linguistic deformation • Spain • Music • Jordi Gracia • Translation • Narrative transition formulas • Tríptico del carnaval • Picaresque • Classic • Avellaneda • Ludeña • El Toboso • Show • Antonio de la Peña • Galatea • Madness • Cervantes • Recreation • Fame • Golden Age theatre • Authentication • Contemporary theatre • Don Quixote • Orlando furioso • Veridiction • Royal Court • Villaseñor • Suicide • Opera • Philology • Pride • Miguel de Cervantes • Tirante • Voyage to Parnassus • Scrutiny • Reception • Narrative frame • Theogenes • Romantic irony • Love • Fiction • English theatre • Entremés • Biography • Individuality • Narratology • Library • Melancholy • La Mancha • Error • Garcilaso • Corography • Quijote II, 74 • Irony • Orlando innamorato • Exemplary Novels • Quintanar de la Orden • Rubric • Testament

Permalink http://doi.org/10.30687/978-88-6969-579-7 | e-ISBN 978-88-6969-579-7 | ISBN (PRINT) 978-88-6969-580-3 | Number of pages 426 | Dimensions 16x23cm | Published Dec. 1, 2021 | Language es

Copyright © 2021 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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