Library of Rassegna iberistica

The Admiration of All Mankind

Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association

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open access | peer reviewed
    edited by
  • Adrián J. Sáez - Università Ca’ Foscari Venezia, Italia - email

Abstract

In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.

Keywords Viaje del parnaso • Body • Judgment • Honesto y entretenido sarao • Hypothetical and narrative discourse • Intertextuality • Miguel de Cervantes • Voyage to Parnassus • Contemporary theatre • Rubric • Mainstreaming • Suicide • Parody • Avellaneda • Scipio • Quintanar de la Orden • Truth • Reception • Law • Don Quijote • Antonio de la Peña • Narrative transition formulas • Don Quixote • Elegiac dystic • Testament • Metafiction • Society • Irony • Galatea • Grammar • Novelas ejemplares • Conception of speech • Fielding • Royal Court • Sergio Pitol • Exemplary Novels • Jordi Gracia • Poetics • Carla Perugini • Orlando innamorato • Interlacing • Error • Opera • Spanish novel • La Mancha • English theatre • Entremeses • Individuality • Dances • De senectute • Narrative perspective • Entremés • Love • Madness • Gender • Ortega Rosa • Fame • Melancholy • History • Spain • María de Zayas • La Galatea • Linguistic deformation • Ludeña • Anticipation • Italy • Music • Authentication • Comparative study • Jorge García López • Veridiction • Fiction • Classic • Clientelar relationship • Philology • Library • Inserted poetry • Posthumous fame • Persiles • Garcilaso • Show • Lie • Poetry • Theatre • Theogenes • Cervantes theatre • Biography • Translation • Tirante • Novel • Cervantes • Shakespeare • Quijote II, 74 • Tríptico del carnaval • El Toboso • Scrutiny • Pride • Lofraso • Picaresque • Quijote • Libretto • Narrative frame • Spanish Court • Golden Age theatre • Recreation • Erotic crimes • Revival • Quixote • Amplificatio of the enunciative system • Villaseñor • Narratology • Orlando furioso • Timbrio and Silerio • Romantic irony • Corography • José Manuel Lucía Megías • Individual

Permalink http://doi.org/10.30687/978-88-6969-579-7 | e-ISBN 978-88-6969-579-7 | ISBN (PRINT) 978-88-6969-580-3 | Number of pages 426 | Dimensions 16x23cm | Published Dec. 1, 2021 | Language es

Copyright © 2021 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.