The Admiration of All Mankind
Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association
edited by
abstract
In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.
Cervantes theatre • Gender • Body • Sergio Pitol • Entremés • Italy • Melancholy • Antonio de la Peña • Novel • Society • Testament • Tirante • Ortega Rosa • Scrutiny • Madness • Quintanar de la Orden • El Toboso • Error • Suicide • Villaseñor • Veridiction • Ludeña • Cervantes • Quixote • Metafiction • Biography • Tríptico del carnaval • Narrative frame • English theatre • Avellaneda • Lie • Parody • María de Zayas • Hypothetical and narrative discourse • Miguel de Cervantes • Poetics • Don Quixote • Corography • Recreation • Romantic irony • Jordi Gracia • Fame • Classic • Judgment • Individuality • Narrative perspective • Honesto y entretenido sarao • Grammar • Music • Truth • Show • Inserted poetry • La Galatea • Theatre • Opera • Reception • De senectute • Persiles • Narratology • Novelas ejemplares • Viaje del parnaso • Anticipation • Authentication • Spanish novel • Carla Perugini • Exemplary Novels • Libretto • Linguistic deformation • Timbrio and Silerio • Philology • Scipio • Clientelar relationship • Law • Galatea • Theogenes • Golden Age theatre • Elegiac dystic • Poetry • Narrative transition formulas • Spanish Court • Intertextuality • Fiction • Picaresque • Don Quijote • Jorge García López • Translation • Posthumous fame • Erotic crimes • Individual • Irony • Library • Royal Court • Spain • Amplificatio of the enunciative system • Orlando innamorato • Lofraso • Orlando furioso • Comparative study • Rubric • Fielding • Interlacing • Quijote II, 74 • Mainstreaming • Contemporary theatre • Pride • Conception of speech • José Manuel Lucía Megías • Dances • Quijote • Love • Voyage to Parnassus • Revival • History • Entremeses • Garcilaso • La Mancha • Shakespeare