The Admiration of All Mankind
Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association
open access | peer reviewed-
edited by
- Adrián J. Sáez - Ca' Foscari University of Venice - email
Abstract
In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.
Keywords Fielding • Honesto y entretenido sarao • Orlando innamorato • Rubric • English theatre • Timbrio and Silerio • Testament • Narratology • Translation • Entremeses • Hypothetical and narrative discourse • Suicide • Theatre • Revival • Parody • Truth • Ortega Rosa • Madness • Italy • Novel • Recreation • Voyage to Parnassus • Quijote • Individual • Tirante • Romantic irony • Clientelar relationship • Entremés • Tríptico del carnaval • Carla Perugini • Cervantes • Posthumous fame • Elegiac dystic • Novelas ejemplares • Quixote • María de Zayas • Music • José Manuel Lucía Megías • Theogenes • Spanish novel • Metafiction • Fame • Error • Miguel de Cervantes • History • Mainstreaming • Orlando furioso • Individuality • Libretto • Melancholy • Garcilaso • Picaresque • Judgment • Linguistic deformation • Avellaneda • Biography • Ludeña • Royal Court • Anticipation • Dances • Sergio Pitol • Galatea • Poetics • Poetry • Irony • Show • Pride • Spain • De senectute • Don Quixote • Comparative study • Classic • Quijote II, 74 • Golden Age theatre • Narrative frame • Intertextuality • Library • Grammar • Fiction • Scrutiny • Erotic crimes • Contemporary theatre • Amplificatio of the enunciative system • Gender • Inserted poetry • Viaje del parnaso • Jordi Gracia • Shakespeare • La Galatea • Lofraso • Don Quijote • Interlacing • Cervantes theatre • Love • Quintanar de la Orden • Corography • Lie • Law • Authentication • Persiles • Society • Narrative perspective • Body • Spanish Court • Exemplary Novels • Philology • Opera • Reception • Conception of speech • El Toboso • La Mancha • Antonio de la Peña • Narrative transition formulas • Jorge García López • Veridiction • Villaseñor • Scipio
Thema codes DSK • DSG • 2ADS • 5TD-ES-A
Permalink http://doi.org/10.30687/978-88-6969-579-7 | e-ISBN 978-88-6969-579-7 | ISBN (PRINT) 978-88-6969-580-3 | Number of pages 426 | Dimensions 16x23cm | Published Dec. 1, 2021 | Language es
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