Series | Library of Rassegna iberistica
Edited book | The Admiration of All Mankind
Chapter | Panorama y efectos del entrelazamiento en el Quijote
Abstract
In addition to offering a great variety of narrative transition formulas, in Don Quixote interlacing has a triple function: a balancing instrument in the making of the story; a strategy for the construction of diegesis; and an opportunity to expand the space and functions of the enunciative system. By means of this triple function of interlacing, Cervantes distances himself from his triple intertextual model (the two Orlandos and Amadís), to lay the foundations for a new way to conceive narrative.
Submitted: Feb. 8, 2021 | Accepted: Feb. 28, 2021 | Published Dec. 1, 2021 | Language: es
Keywords Orlando furioso • Interlacing • Romantic irony • Amplificatio of the enunciative system • Don Quixote • Orlando innamorato • Narrative transition formulas
Copyright © 2021 José Manuel Martín Morán. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-579-7/010
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DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_5641 |
dc.contributor.author |
Martín Morán José Manuel |
dc.title |
Panorama y efectos del entrelazamiento en el Quijote |
dc.type |
Chapter |
dc.language.iso |
es |
dc.description.abstract |
In addition to offering a great variety of narrative transition formulas, in Don Quixote interlacing has a triple function: a balancing instrument in the making of the story; a strategy for the construction of diegesis; and an opportunity to expand the space and functions of the enunciative system. By means of this triple function of interlacing, Cervantes distances himself from his triple intertextual model (the two Orlandos and Amadís), to lay the foundations for a new way to conceive narrative. |
dc.relation.ispartof |
Library of Rassegna iberistica |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
dc.issued |
2021-12-01 |
dc.dateAccepted |
2021-02-28 |
dc.dateSubmitted |
2021-02-08 |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-580-3/panorama-y-efectos-del-entrelazamiento-en-el-quijo/ |
dc.identifier.doi |
10.30687/978-88-6969-579-7/010 |
dc.identifier.issn |
2610-8844 |
dc.identifier.eissn |
2610-9360 |
dc.identifier.isbn |
978-88-6969-580-3 |
dc.identifier.eisbn |
978-88-6969-579-7 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
yes |
dc.subject |
Amplificatio of the enunciative system |
dc.subject |
Amplificatio of the enunciative system |
dc.subject |
Don Quixote |
dc.subject |
Don Quixote |
dc.subject |
Interlacing |
dc.subject |
Interlacing |
dc.subject |
Narrative transition formulas |
dc.subject |
Narrative transition formulas |
dc.subject |
Orlando furioso |
dc.subject |
Orlando furioso |
dc.subject |
Orlando innamorato |
dc.subject |
Orlando innamorato |
dc.subject |
Romantic irony |
dc.subject |
Romantic irony |
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