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El hombre que mató a don Quijote de Terry Gilliam (2018) desde la transversalidad de la recreación

Santiago A. López Navia    Universidad Internacional de La Rioja, España; Universidad SEK Chile, Chile    

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abstract

In this study, I undertake an analysis of Terry Gilliam’s The Man Who Killed Don Quixote (2018), a cinematographic recreation of Cervantes’s Don Quixote. I will scrutinise its themes, formal resources, and characterization in relation to other ways of recreation (primarily, the literary and musical ones), while paying special attention to the identity of the protagonists, the metafictional procedures, and the strategies employed in order to reword some of the main episodes of the original novel. In this sense, this study allows for an understanding of the Cervantine text from a transversal perspective.

Published
Dec. 1, 2021
Accepted
March 8, 2021
Submitted
Feb. 8, 2021
Language
ES
ISBN (PRINT)
978-88-6969-580-3
ISBN (EBOOK)
978-88-6969-579-7

Keywords: MetafictionCervantesDon QuixoteMainstreamingRecreation

Copyright: © 2021 Santiago A. López Navia. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.