El hombre que mató a don Quijote de Terry Gilliam

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DC Field	Value
dc.identifier	ECF_chapter_5639
dc.contributor.author	López Navia Santiago A.
dc.title	El hombre que mató a don Quijote de Terry Gilliam (2018) desde la transversalidad de la recreación
dc.type	Chapter
dc.language.iso	es
dc.description.abstract	In this study, I undertake an analysis of Terry Gilliam’s The Man Who Killed Don Quixote (2018), a cinematographic recreation of Cervantes’s Don Quixote. I will scrutinise its themes, formal resources, and characterization in relation to other ways of recreation (primarily, the literary and musical ones), while paying special attention to the identity of the protagonists, the metafictional procedures, and the strategies employed in order to reword some of the main episodes of the original novel. In this sense, this study allows for an understanding of the Cervantine text from a transversal perspective.
dc.relation.ispartof	Library of Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.issued	2021-12-01
dc.dateAccepted	2021-03-08
dc.dateSubmitted	2021-02-08
dc.identifier.uri	http://edizionicafoscari.unive.it/en/edizioni4/libri/978-88-6969-580-3/el-hombre-que-mato-a-don-quijote-de-terry-gilliam/
dc.identifier.doi	10.30687/978-88-6969-579-7/009
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-580-3
dc.identifier.eisbn	978-88-6969-579-7
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Cervantes
dc.subject	Cervantes
dc.subject	Don Quixote
dc.subject	Don Quixote
dc.subject	Mainstreaming
dc.subject	Mainstreaming
dc.subject	Metafiction
dc.subject	Metafiction
dc.subject	Recreation
dc.subject	Recreation

Chapter
open access peer reviewed

El hombre que mató a don Quijote de Terry Gilliam (2018) desde la transversalidad de la recreación

Santiago A. López Navia Universidad Internacional de La Rioja, España; Universidad SEK Chile, Chile

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abstract

In this study, I undertake an analysis of Terry Gilliam’s The Man Who Killed Don Quixote (2018), a cinematographic recreation of Cervantes’s Don Quixote. I will scrutinise its themes, formal resources, and characterization in relation to other ways of recreation (primarily, the literary and musical ones), while paying special attention to the identity of the protagonists, the metafictional procedures, and the strategies employed in order to reword some of the main episodes of the original novel. In this sense, this study allows for an understanding of the Cervantine text from a transversal perspective.

Published

Dec. 1, 2021

Accepted

March 8, 2021

Submitted

Feb. 8, 2021

Language

ISBN (PRINT)

978-88-6969-580-3

ISBN (EBOOK)

978-88-6969-579-7

Keywords: Mainstreaming • Cervantes • Don Quixote • Metafiction • Recreation

permalink: http://doi.org/10.30687/978-88-6969-579-7/009

Copyright: © 2021 Santiago A. López Navia. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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