La ironía y la parodia en las novelas cervantinas como

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DC Field	Value
dc.identifier	ECF_chapter_5647
dc.contributor.author	Rodríguez Álamo Francisco de Borja
dc.title	La ironía y la parodia en las novelas cervantinas como respuesta al género picaresco
dc.type	Chapter
dc.language.iso	es
dc.description.abstract	One of the main characteristics of Cervantes’s novel is irony, which appears perhaps in all his texts. Irony and parody are not exclusive to the Cervantine novel, even to the picaresque novel, although they make here one of their first great appearances in the genre of the novel. Which is crucial for the latter’s development and subsequent consolidation. Irony is a search for a new way of understanding literature. In the present work, an analysis of one of the positions that Cervantes adopts before the competition and stimulation that the morphological proposals of picaresque, from Lazarillo to Guzmán, through his novels, from the praise to freedom, is intended of the picaresque life of the illustrious mop; the moment in which Rincon and Cortado laugh at the devotion of the brotherhoods of Monipodio thinking that they would be saved from their crimes, or from the linguistic mistakes of the brothers; against the digressions of the Guzman in the mouth of Cipión, or the mere conversion of the rogues into dog-men, without forgetting the words of Ginés de Pasamonte about autobiography.
dc.relation.ispartof	Library of Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.issued	2021-12-01
dc.dateAccepted	2021-03-08
dc.dateSubmitted	2021-02-08
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-580-3/la-ironia-y-la-parodia-en-las-novelas-cervantinas/
dc.identifier.doi	10.30687/978-88-6969-579-7/016
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-580-3
dc.identifier.eisbn	978-88-6969-579-7
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Cervantes
dc.subject	Cervantes
dc.subject	Irony
dc.subject	Irony
dc.subject	Novel
dc.subject	Novel
dc.subject	Parody
dc.subject	Parody
dc.subject	Picaresque
dc.subject	Picaresque

Chapter
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La ironía y la parodia en las novelas cervantinas como respuesta al género picaresco

Francisco de Borja Rodríguez Álamo IES Pablo Neruda, Leganés, España

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abstract

One of the main characteristics of Cervantes’s novel is irony, which appears perhaps in all his texts. Irony and parody are not exclusive to the Cervantine novel, even to the picaresque novel, although they make here one of their first great appearances in the genre of the novel. Which is crucial for the latter’s development and subsequent consolidation. Irony is a search for a new way of understanding literature. In the present work, an analysis of one of the positions that Cervantes adopts before the competition and stimulation that the morphological proposals of picaresque, from Lazarillo to Guzmán, through his novels, from the praise to freedom, is intended of the picaresque life of the illustrious mop; the moment in which Rincon and Cortado laugh at the devotion of the brotherhoods of Monipodio thinking that they would be saved from their crimes, or from the linguistic mistakes of the brothers; against the digressions of the Guzman in the mouth of Cipión, or the mere conversion of the rogues into dog-men, without forgetting the words of Ginés de Pasamonte about autobiography.

Published

Dec. 1, 2021

Accepted

March 8, 2021

Submitted

Feb. 8, 2021

Language

ISBN (PRINT)

978-88-6969-580-3

ISBN (EBOOK)

978-88-6969-579-7

Keywords: Picaresque • Novel • Parody • Cervantes • Irony

permalink: http://doi.org/10.30687/978-88-6969-579-7/016

Copyright: © 2021 Francisco de Borja Rodríguez Álamo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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