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Capitolo | El Don Chisciotte in Sierra Morena de Apostolo Zeno y Pietro Pariati: del Quijote al libreto
Abstract
Zeno and Pariati are the authors of the libretto Don Chisciotte in Sierra Morena, composed by Francesco Conti and represented for the first time in 1719 at the court of Charles VI in Vienna. The episode has a central position in the First Part of Don Quixote, and offers several themes and a set of characters that hinder any reduction other literary genres. Apart from some changes due both to the requirements of opera poetry and the taste of the time, the analysis of the text of the libretto reveals a faithful relationship with the corresponding chapters of the Spanish work. However, when analysing the development of the reception of the themes and characters of Quixote, starting from the date of its publication (1605), it is possible to verify how much seventeenth-century rewritings influenced some of the choices made by librettists.
Presentato: 08 Febbraio 2021 | Accettato: 09 Giugno 2021 | Pubblicato 01 Dicembre 2021 | Lingua: es
Keywords Opera • Love • Quixote • Madness • Libretto
Copyright © 2021 Maria Caterina Ruta. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-579-7/019
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DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_5651 |
dc.contributor.author |
Ruta Maria Caterina |
dc.title |
El Don Chisciotte in Sierra Morena de Apostolo Zeno y Pietro Pariati: del Quijote al libreto |
dc.type |
Capitolo |
dc.language.iso |
es |
dc.description.abstract |
Zeno and Pariati are the authors of the libretto Don Chisciotte in Sierra Morena, composed by Francesco Conti and represented for the first time in 1719 at the court of Charles VI in Vienna. The episode has a central position in the First Part of Don Quixote, and offers several themes and a set of characters that hinder any reduction other literary genres. Apart from some changes due both to the requirements of opera poetry and the taste of the time, the analysis of the text of the libretto reveals a faithful relationship with the corresponding chapters of the Spanish work. However, when analysing the development of the reception of the themes and characters of Quixote, starting from the date of its publication (1605), it is possible to verify how much seventeenth-century rewritings influenced some of the choices made by librettists. |
dc.relation.ispartof |
Biblioteca di Rassegna iberistica |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
dc.issued |
2021-12-01 |
dc.dateAccepted |
2021-06-09 |
dc.dateSubmitted |
2021-02-08 |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-580-3/el-don-chisciotte-in-sierra-morena-de-apostolo-zen/ |
dc.identifier.doi |
10.30687/978-88-6969-579-7/019 |
dc.identifier.issn |
2610-8844 |
dc.identifier.eissn |
2610-9360 |
dc.identifier.isbn |
978-88-6969-580-3 |
dc.identifier.eisbn |
978-88-6969-579-7 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
yes |
dc.subject |
Libretto |
dc.subject |
Libretto |
dc.subject |
Love |
dc.subject |
Love |
dc.subject |
Madness |
dc.subject |
Madness |
dc.subject |
Opera |
dc.subject |
Opera |
dc.subject |
Quixote |
dc.subject |
Quixote |
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