El cardenal Espinosa y Mateo Vázquez de Leca: su influencia

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Campo DC	Valore
dc.identifier	ECF_chapter_5638
dc.contributor.author	Gonzalo Sánchez-Molero José Luis
dc.title	El cardenal Espinosa y Mateo Vázquez de Leca: su influencia en la actividad teatral de Miguel de Cervantes
dc.type	Capitolo
dc.language.iso	es
dc.description.abstract	When Cervantes returned from his captivity in Algiers, he began a prolific period as a theatrical playwright. It was then, between 1581 and 1591, that he wrote numerous comedies, tragedies, and sacramental autos. Cervantes’s theatrical training, however, is a mystery. He only remembers his youthful attendance of theatrical performances by Lope de Rueda, but he does not write anything about the Italian Commedia dell’arte, for example. In this article, I propose to study the influence of the ‘confessional’ politics of Cardinal Espinosa and Mateo Vázquez (1565-1591) on the theatrical conception of Miguel de Cervantes, as well as the influence of Juan López de Hoyos and Alonso Getino de Guzmán on his theatrical apprenticeship.
dc.relation.ispartof	Biblioteca di Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.issued	2021-12-01
dc.dateAccepted	2021-06-12
dc.dateSubmitted	2021-02-08
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-580-3/el-cardenal-espinosa-y-mateo-vazquez-de-leca-su-in/
dc.identifier.doi	10.30687/978-88-6969-579-7/008
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-580-3
dc.identifier.eisbn	978-88-6969-579-7
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Golden Age theatre
dc.subject	Golden Age theatre
dc.subject	Miguel de Cervantes
dc.subject	Miguel de Cervantes
dc.subject	Spanish Court
dc.subject	Spanish Court

Capitolo
open access peer reviewed

El cardenal Espinosa y Mateo Vázquez de Leca: su influencia en la actividad teatral de Miguel de Cervantes

José Luis Gonzalo Sánchez-Molero Universidad Complutense de Madrid, España

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abstract

When Cervantes returned from his captivity in Algiers, he began a prolific period as a theatrical playwright. It was then, between 1581 and 1591, that he wrote numerous comedies, tragedies, and sacramental autos. Cervantes’s theatrical training, however, is a mystery. He only remembers his youthful attendance of theatrical performances by Lope de Rueda, but he does not write anything about the Italian Commedia dell’arte, for example. In this article, I propose to study the influence of the ‘confessional’ politics of Cardinal Espinosa and Mateo Vázquez (1565-1591) on the theatrical conception of Miguel de Cervantes, as well as the influence of Juan López de Hoyos and Alonso Getino de Guzmán on his theatrical apprenticeship.

Pubblicato

01 Dicembre 2021

Accettato

12 Giugno 2021

Presentato

08 Febbraio 2021

Lingua

ISBN (PRINT)

978-88-6969-580-3

ISBN (EBOOK)

978-88-6969-579-7

Keywords: Spanish Court • Golden Age theatre • Miguel de Cervantes

permalink: http://doi.org/10.30687/978-88-6969-579-7/008

Copyright: © 2021 José Luis Gonzalo Sánchez-Molero. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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