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El cardenal Espinosa y Mateo Vázquez de Leca: su influencia en la actividad teatral de Miguel de Cervantes

José Luis Gonzalo Sánchez-Molero    Universidad Complutense de Madrid, España    

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abstract

When Cervantes returned from his captivity in Algiers, he began a prolific period as a theatrical playwright. It was then, between 1581 and 1591, that he wrote numerous comedies, tragedies, and sacramental autos. Cervantes’s theatrical training, however, is a mystery. He only remembers his youthful attendance of theatrical performances by Lope de Rueda, but he does not write anything about the Italian Commedia dell’arte, for example. In this article, I propose to study the influence of the ‘confessional’ politics of Cardinal Espinosa and Mateo Vázquez (1565-1591) on the theatrical conception of Miguel de Cervantes, as well as the influence of Juan López de Hoyos and Alonso Getino de Guzmán on his theatrical apprenticeship.

Pubblicato
01 Dicembre 2021
Accettato
12 Giugno 2021
Presentato
08 Febbraio 2021
Lingua
ES
ISBN (PRINT)
978-88-6969-580-3
ISBN (EBOOK)
978-88-6969-579-7