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The Merchant in Venice: Shakespeare in the Ghetto

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Abstract

This book records the landmark performance of The Merchant of Venice in the Venetian Ghetto in 2016, the 400th anniversary of Shakespeare’s death and the 500th anniversary of the Jewish quarter that gave the world the word ‘ghetto’. Practitioners and critics discuss how this multi-ethnic production and its radical choice to cast five actors as Shylock provided the opportunity to respond creatively to Europe’s legacy of antisemitism, racism and difference. They observe how the place and play stand as ambivalent documents of civilization: instruments of intolerance but also sites of cultural exchange.

Keywords Compagnia de’ ColombariMusicMurray AbrahamShakespeare’s trial scenesAdrian BeechamAntisemitismReynaldo HahnJessicaActors on ShakespeareAdaptationFictionHolocaustRehearsalSite-specific performanceMock Trial: Shylock vTheatre designCostume designDirecting ShakespeareChromaticismCiro PinsutiLancelot GobboSite-specific designAestheticismMario Castelnuovo-TedescoHumanitiesMock Appeal: Shylock vAntonioChildren reading ShakespeareJosef BGhettoMercyAdapting ShakespeareVeniceHistoryThe Merchant of VeniceRuth Bader GinsburgOtto TaubmannSite specific performanceSite-specific ShakespeareNarrativizationThe Merchant of Venice in the GhettoGratianoKarin CoonrodLorenzoJewsChildren’s literatureMemoryLaurence OlivierPortiaMusic designThe quality of mercyAldo FinziTranslationShylockFoersterLighting designShakespeare’s comedies of loveFCharles and Mary LambOperaDesigning ShakespeareThe Merchant in the GhettoHeritageLewis CarrollPerforming ShakespeareGeorge Braque and ShakespeareBassanio

Thema codes DSGATD5PX-GB-S1DST-IT-NVE

Permalink http://doi.org/10.30687/978-88-6969-503-2 | e-ISBN 978-88-6969-503-2 | ISBN (PRINT) 978-88-6969-504-9 | Numero pagine 238 | Dimensioni 16x23cm | Pubblicato 10 Giugno 2021 | Lingua en