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The Merchant in Venice: Shakespeare in the Ghetto

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Abstract

This book records the landmark performance of The Merchant of Venice in the Venetian Ghetto in 2016, the 400th anniversary of Shakespeare’s death and the 500th anniversary of the Jewish quarter that gave the world the word ‘ghetto’. Practitioners and critics discuss how this multi-ethnic production and its radical choice to cast five actors as Shylock provided the opportunity to respond creatively to Europe’s legacy of antisemitism, racism and difference. They observe how the place and play stand as ambivalent documents of civilization: instruments of intolerance but also sites of cultural exchange.

Keywords VeniceAldo FinziFoersterMemoryReynaldo HahnGhettoSite-specific designChildren’s literatureThe Merchant of Venice in the GhettoFictionJewsHumanitiesDirecting ShakespeareOperaCostume designLighting designThe Merchant of VeniceHeritageLaurence OlivierActors on ShakespearePerforming ShakespeareNarrativizationRehearsalChildren reading ShakespeareRuth Bader GinsburgAestheticismMusic designJessicaSite specific performanceAntisemitismShakespeare’s comedies of loveCharles and Mary LambJosef BLewis CarrollBassanioMusicAdapting ShakespeareSite-specific ShakespeareLorenzoThe Merchant in the GhettoMercyHolocaustAdaptationOtto TaubmannShylockSite-specific performanceMario Castelnuovo-TedescoPortiaCiro PinsutiThe quality of mercyHistoryCompagnia de’ ColombariMurray AbrahamGratianoShakespeare’s trial scenesChromaticismLancelot GobboTranslationMock Appeal: Shylock vDesigning ShakespeareAdrian BeechamTheatre designAntonioKarin CoonrodMock Trial: Shylock vGeorge Braque and ShakespeareF

Thema codes DSGATD5PX-GB-S1DST-IT-NVE

Permalink http://doi.org/10.30687/978-88-6969-503-2 | e-ISBN 978-88-6969-503-2 | ISBN (PRINT) 978-88-6969-504-9 | Numero pagine 238 | Dimensioni 16x23cm | Pubblicato 10 Giugno 2021 | Lingua en