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The Merchant in Venice: Shakespeare in the Ghetto

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Abstract

This book records the landmark performance of The Merchant of Venice in the Venetian Ghetto in 2016, the 400th anniversary of Shakespeare’s death and the 500th anniversary of the Jewish quarter that gave the world the word ‘ghetto’. Practitioners and critics discuss how this multi-ethnic production and its radical choice to cast five actors as Shylock provided the opportunity to respond creatively to Europe’s legacy of antisemitism, racism and difference. They observe how the place and play stand as ambivalent documents of civilization: instruments of intolerance but also sites of cultural exchange.

Keywords Costume designHistoryAdaptationAntisemitismChildren reading ShakespeareHeritagePerforming ShakespeareCharles and Mary LambNarrativizationThe quality of mercyFoersterAestheticismPortiaHumanitiesShakespeare’s trial scenesChromaticismLighting designOtto TaubmannJosef BAdapting ShakespeareSite-specific ShakespeareHolocaustReynaldo HahnChildren’s literatureCompagnia de’ ColombariMock Trial: Shylock vFictionLancelot GobboMock Appeal: Shylock vAldo FinziMusicBassanioMemoryShylockLaurence OlivierThe Merchant of Venice in the GhettoJewsActors on ShakespeareAntonioRuth Bader GinsburgKarin CoonrodSite-specific performanceGeorge Braque and ShakespeareGhettoShakespeare’s comedies of loveSite specific performanceTheatre designVeniceAdrian BeechamMario Castelnuovo-TedescoRehearsalOperaFMurray AbrahamLorenzoLewis CarrollSite-specific designMusic designCiro PinsutiMercyGratianoThe Merchant in the GhettoTranslationDirecting ShakespeareThe Merchant of VeniceDesigning ShakespeareJessica

Thema codes DSGATD5PX-GB-S1DST-IT-NVE

Permalink http://doi.org/10.30687/978-88-6969-503-2 | e-ISBN 978-88-6969-503-2 | ISBN (PRINT) 978-88-6969-504-9 | Numero pagine 238 | Dimensioni 16x23cm | Pubblicato 10 Giugno 2021 | Lingua en