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The Merchant in Venice: Shakespeare in the Ghetto

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Abstract

This book records the landmark performance of The Merchant of Venice in the Venetian Ghetto in 2016, the 400th anniversary of Shakespeare’s death and the 500th anniversary of the Jewish quarter that gave the world the word ‘ghetto’. Practitioners and critics discuss how this multi-ethnic production and its radical choice to cast five actors as Shylock provided the opportunity to respond creatively to Europe’s legacy of antisemitism, racism and difference. They observe how the place and play stand as ambivalent documents of civilization: instruments of intolerance but also sites of cultural exchange.

Keywords AntonioMario Castelnuovo-TedescoCostume designSite-specific designShylockMusic designGeorge Braque and ShakespeareDirecting ShakespeareThe Merchant of VeniceChromaticismMurray AbrahamFictionLancelot GobboHolocaustChildren reading ShakespearePortiaDesigning ShakespeareHeritageCharles and Mary LambJosef BChildren’s literatureTranslationCompagnia de’ ColombariAdaptationAestheticismNarrativizationRuth Bader GinsburgOtto TaubmannJewsLaurence OlivierMock Trial: Shylock vBassanioSite-specific ShakespeareMock Appeal: Shylock vMercyAdrian BeechamGratianoJessicaSite specific performanceLighting designKarin CoonrodThe Merchant of Venice in the GhettoShakespeare’s comedies of loveMemoryPerforming ShakespeareMusicFoersterGhettoActors on ShakespeareRehearsalVeniceThe Merchant in the GhettoShakespeare’s trial scenesFHumanitiesCiro PinsutiLorenzoOperaSite-specific performanceTheatre designReynaldo HahnHistoryLewis CarrollAdapting ShakespeareThe quality of mercyAldo FinziAntisemitism

Thema codes DSGATD5PX-GB-S1DST-IT-NVE

Permalink http://doi.org/10.30687/978-88-6969-503-2 | e-ISBN 978-88-6969-503-2 | ISBN (PRINT) 978-88-6969-504-9 | Numero pagine 238 | Dimensioni 16x23cm | Pubblicato 10 Giugno 2021 | Lingua en