The Merchant in Venice: Shakespeare in the Ghetto

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Campo DC	Valore
dc.identifier	ECF_book_486
dc.creator	Bassi Shaul
dc.creator	Chillington Rutter Carol
dc.title	The Merchant in Venice: Shakespeare in the Ghetto
dc.type	Miscellanea
dc.language.iso	en
dc.description.abstract	This book records the landmark performance of The Merchant of Venice in the Venetian Ghetto in 2016, the 400th anniversary of Shakespeare’s death and the 500th anniversary of the Jewish quarter that gave the world the word ‘ghetto’. Practitioners and critics discuss how this multi-ethnic production and its radical choice to cast five actors as Shylock provided the opportunity to respond creatively to Europe’s legacy of antisemitism, racism and difference. They observe how the place and play stand as ambivalent documents of civilization: instruments of intolerance but also sites of cultural exchange.
dc.relation.ispartof	Studi e ricerche
dc.identifier.doi	10.30687/978-88-6969-503-2
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.issued	2021-06-10
dc.identifier.uri	http://edizionicafoscari.unive.it/it/edizioni4/libri/978-88-6969-504-9/
dc.identifier.issn	2610-993X
dc.identifier.eissn	2610-9123
dc.identifier.isbn	978-88-6969-504-9
dc.identifier.eisbn	978-88-6969-503-2
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Actors on Shakespeare
dc.subject	Actors on Shakespeare
dc.subject	Actors on Shakespeare
dc.subject	Actors on Shakespeare
dc.subject	Actors on Shakespeare
dc.subject	Adaptation
dc.subject	Adaptation
dc.subject	Adaptation
dc.subject	Adaptation
dc.subject	Adaptation
dc.subject	Adapting Shakespeare
dc.subject	Adapting Shakespeare
dc.subject	Adapting Shakespeare
dc.subject	Adrian Beecham
dc.subject	Adrian Beecham
dc.subject	Adrian Beecham
dc.subject	Aestheticism
dc.subject	Aestheticism
dc.subject	Aestheticism
dc.subject	Aldo Finzi
dc.subject	Aldo Finzi
dc.subject	Aldo Finzi
dc.subject	Antisemitism
dc.subject	Antisemitism
dc.subject	Antisemitism
dc.subject	Antisemitism
dc.subject	Antisemitism
dc.subject	Antonio
dc.subject	Antonio
dc.subject	Antonio
dc.subject	Antonio
dc.subject	Antonio
dc.subject	Bassanio
dc.subject	Bassanio
dc.subject	Bassanio
dc.subject	Charles and Mary Lamb
dc.subject	Charles and Mary Lamb
dc.subject	Charles and Mary Lamb
dc.subject	Children reading Shakespeare
dc.subject	Children reading Shakespeare
dc.subject	Children reading Shakespeare
dc.subject	Children’s literature
dc.subject	Children’s literature
dc.subject	Children’s literature
dc.subject	Chromaticism
dc.subject	Chromaticism
dc.subject	Chromaticism
dc.subject	Ciro Pinsuti
dc.subject	Ciro Pinsuti
dc.subject	Ciro Pinsuti
dc.subject	Compagnia de’ Colombari
dc.subject	Compagnia de’ Colombari
dc.subject	Compagnia de’ Colombari
dc.subject	Compagnia de’ Colombari
dc.subject	Compagnia de’ Colombari
dc.subject	Costume design
dc.subject	Costume design
dc.subject	Costume design
dc.subject	Designing Shakespeare
dc.subject	Designing Shakespeare
dc.subject	Designing Shakespeare
dc.subject	Directing Shakespeare
dc.subject	Directing Shakespeare
dc.subject	Directing Shakespeare
dc.subject	F
dc.subject	Fiction
dc.subject	Fiction
dc.subject	Fiction
dc.subject	Foerster
dc.subject	Foerster
dc.subject	Foerster
dc.subject	George Braque and Shakespeare
dc.subject	George Braque and Shakespeare
dc.subject	George Braque and Shakespeare
dc.subject	Ghetto
dc.subject	Ghetto
dc.subject	Ghetto
dc.subject	Ghetto
dc.subject	Ghetto
dc.subject	Gratiano
dc.subject	Gratiano
dc.subject	Gratiano
dc.subject	Heritage
dc.subject	Heritage
dc.subject	Heritage
dc.subject	History
dc.subject	History
dc.subject	History
dc.subject	Holocaust
dc.subject	Holocaust
dc.subject	Holocaust
dc.subject	Humanities
dc.subject	Humanities
dc.subject	Humanities
dc.subject	Jessica
dc.subject	Jessica
dc.subject	Jessica
dc.subject	Jews
dc.subject	Jews
dc.subject	Jews
dc.subject	Josef B
dc.subject	Josef B
dc.subject	Josef B
dc.subject	Karin Coonrod
dc.subject	Karin Coonrod
dc.subject	Karin Coonrod
dc.subject	Lancelot Gobbo
dc.subject	Lancelot Gobbo
dc.subject	Lancelot Gobbo
dc.subject	Laurence Olivier
dc.subject	Laurence Olivier
dc.subject	Laurence Olivier
dc.subject	Lewis Carroll
dc.subject	Lewis Carroll
dc.subject	Lewis Carroll
dc.subject	Lighting design
dc.subject	Lighting design
dc.subject	Lighting design
dc.subject	Lorenzo
dc.subject	Lorenzo
dc.subject	Lorenzo
dc.subject	Mario Castelnuovo-Tedesco
dc.subject	Mario Castelnuovo-Tedesco
dc.subject	Mario Castelnuovo-Tedesco
dc.subject	Memory
dc.subject	Memory
dc.subject	Memory
dc.subject	Mercy
dc.subject	Mercy
dc.subject	Mercy
dc.subject	Mock Appeal: Shylock v
dc.subject	Mock Appeal: Shylock v
dc.subject	Mock Appeal: Shylock v
dc.subject	Mock Trial: Shylock v
dc.subject	Mock Trial: Shylock v
dc.subject	Mock Trial: Shylock v
dc.subject	Murray Abraham
dc.subject	Murray Abraham
dc.subject	Murray Abraham
dc.subject	Music
dc.subject	Music
dc.subject	Music
dc.subject	Music design
dc.subject	Music design
dc.subject	Music design
dc.subject	Narrativization
dc.subject	Narrativization
dc.subject	Narrativization
dc.subject	Opera
dc.subject	Opera
dc.subject	Opera
dc.subject	Otto Taubmann
dc.subject	Otto Taubmann
dc.subject	Otto Taubmann
dc.subject	Performing Shakespeare
dc.subject	Performing Shakespeare
dc.subject	Performing Shakespeare
dc.subject	Performing Shakespeare
dc.subject	Performing Shakespeare
dc.subject	Portia
dc.subject	Portia
dc.subject	Portia
dc.subject	Portia
dc.subject	Portia
dc.subject	Portia
dc.subject	Portia
dc.subject	Rehearsal
dc.subject	Rehearsal
dc.subject	Rehearsal
dc.subject	Rehearsal
dc.subject	Rehearsal
dc.subject	Reynaldo Hahn
dc.subject	Reynaldo Hahn
dc.subject	Reynaldo Hahn
dc.subject	Ruth Bader Ginsburg
dc.subject	Ruth Bader Ginsburg
dc.subject	Ruth Bader Ginsburg
dc.subject	Shakespeare’s comedies of love
dc.subject	Shakespeare’s comedies of love
dc.subject	Shakespeare’s comedies of love
dc.subject	Shakespeare’s trial scenes
dc.subject	Shakespeare’s trial scenes
dc.subject	Shakespeare’s trial scenes
dc.subject	Shylock
dc.subject	Shylock
dc.subject	Shylock
dc.subject	Shylock
dc.subject	Shylock
dc.subject	Shylock
dc.subject	Shylock
dc.subject	Shylock
dc.subject	Shylock
dc.subject	Shylock
dc.subject	Shylock
dc.subject	Shylock
dc.subject	Shylock
dc.subject	Shylock
dc.subject	Shylock
dc.subject	Site-specific design
dc.subject	Site-specific design
dc.subject	Site-specific design
dc.subject	Site specific performance
dc.subject	Site specific performance
dc.subject	Site specific performance
dc.subject	Site-specific performance
dc.subject	Site-specific performance
dc.subject	Site-specific performance
dc.subject	Site-specific Shakespeare
dc.subject	Site-specific Shakespeare
dc.subject	Site-specific Shakespeare
dc.subject	Theatre design
dc.subject	Theatre design
dc.subject	Theatre design
dc.subject	The Merchant in the Ghetto
dc.subject	The Merchant in the Ghetto
dc.subject	The Merchant of Venice
dc.subject	The Merchant of Venice
dc.subject	The Merchant of Venice
dc.subject	The Merchant of Venice
dc.subject	The Merchant of Venice
dc.subject	The Merchant of Venice
dc.subject	The Merchant of Venice
dc.subject	The Merchant of Venice
dc.subject	The Merchant of Venice
dc.subject	The Merchant of Venice
dc.subject	The Merchant of Venice
dc.subject	The Merchant of Venice
dc.subject	The Merchant of Venice
dc.subject	The Merchant of Venice
dc.subject	The Merchant of Venice
dc.subject	The Merchant of Venice
dc.subject	The Merchant of Venice
dc.subject	The Merchant of Venice in the Ghetto
dc.subject	The Merchant of Venice in the Ghetto
dc.subject	The Merchant of Venice in the Ghetto
dc.subject	The quality of mercy
dc.subject	The quality of mercy
dc.subject	The quality of mercy
dc.subject	Translation
dc.subject	Translation
dc.subject	Translation
dc.subject	Venice
dc.subject	Venice
dc.subject	Venice
dc.subject	Venice
dc.subject	Venice

Miscellanea
open access

The Merchant in Venice: Shakespeare in the Ghetto

a cura di

Shaul Bassi Università Ca’ Foscari Venezia, Italia

Carol Chillington Rutter University of Warwick, UK

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abstract

This book records the landmark performance of The Merchant of Venice in the Venetian Ghetto in 2016, the 400th anniversary of Shakespeare’s death and the 500th anniversary of the Jewish quarter that gave the world the word ‘ghetto’. Practitioners and critics discuss how this multi-ethnic production and its radical choice to cast five actors as Shylock provided the opportunity to respond creatively to Europe’s legacy of antisemitism, racism and difference. They observe how the place and play stand as ambivalent documents of civilization: instruments of intolerance but also sites of cultural exchange.

Pubblicato

10 Giugno 2021

Lingua

ISBN (PRINT)

978-88-6969-504-9

ISBN (EBOOK)

978-88-6969-503-2

Numero pagine

238

Dimensioni

16x23 cm

Keywords

Adrian Beecham • The Merchant of Venice in the Ghetto • Costume design • Humanities • Adapting Shakespeare • Mock Appeal: Shylock v • Gratiano • Heritage • Shakespeare’s comedies of love • Lighting design • Lewis Carroll • Jews • Lancelot Gobbo • Mercy • Foerster • Antonio • Josef B • Designing Shakespeare • Music design • Aestheticism • Charles and Mary Lamb • Compagnia de’ Colombari • Children reading Shakespeare • George Braque and Shakespeare • Portia • Children’s literature • Otto Taubmann • Ghetto • Memory • Mario Castelnuovo-Tedesco • Mock Trial: Shylock v • Karin Coonrod • Jessica • Performing Shakespeare • Directing Shakespeare • Reynaldo Hahn • Shylock • Opera • Shakespeare’s trial scenes • The Merchant in the Ghetto • Chromaticism • Rehearsal • Aldo Finzi • Bassanio • The quality of mercy • Laurence Olivier • Fiction • Murray Abraham • Site-specific performance • The Merchant of Venice • Actors on Shakespeare • Translation • Ciro Pinsuti • Music • Lorenzo • Antisemitism • F • History • Narrativization • Site specific performance • Theatre design • Site-specific design • Adaptation • Venice • Holocaust • Site-specific Shakespeare • Ruth Bader Ginsburg

permalink http://doi.org/10.30687/978-88-6969-503-2

Copyright: © 2021 Shaul Bassi, Carol Chillington Rutter. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.