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The Merchant in Venice: Shakespeare in the Ghetto

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Abstract

This book records the landmark performance of The Merchant of Venice in the Venetian Ghetto in 2016, the 400th anniversary of Shakespeare’s death and the 500th anniversary of the Jewish quarter that gave the world the word ‘ghetto’. Practitioners and critics discuss how this multi-ethnic production and its radical choice to cast five actors as Shylock provided the opportunity to respond creatively to Europe’s legacy of antisemitism, racism and difference. They observe how the place and play stand as ambivalent documents of civilization: instruments of intolerance but also sites of cultural exchange.

Keywords Children reading ShakespeareShakespeare’s trial scenesLewis CarrollAestheticismRuth Bader GinsburgChromaticismThe Merchant in the GhettoJewsLorenzoMusic designMercyLancelot GobboNarrativizationMemoryCostume designRehearsalThe Merchant of Venice in the GhettoChildren’s literatureFSite-specific performanceShylockThe Merchant of VeniceCharles and Mary LambMock Appeal: Shylock vGratianoFictionMusicBassanioOperaPortiaReynaldo HahnMurray AbrahamKarin CoonrodCompagnia de’ ColombariAdaptationHistoryAntisemitismAdrian BeechamHolocaustShakespeare’s comedies of loveSite specific performanceAdapting ShakespeareAntonioJessicaActors on ShakespeareCiro PinsutiGeorge Braque and ShakespeareThe quality of mercyVeniceHumanitiesLaurence OlivierDirecting ShakespeareLighting designHeritageOtto TaubmannAldo FinziTheatre designMock Trial: Shylock vPerforming ShakespeareSite-specific designTranslationMario Castelnuovo-TedescoFoersterSite-specific ShakespeareDesigning ShakespeareGhettoJosef B

Thema codes DSGATD5PX-GB-S1DST-IT-NVE

Permalink http://doi.org/10.30687/978-88-6969-503-2 | e-ISBN 978-88-6969-503-2 | ISBN (PRINT) 978-88-6969-504-9 | Numero pagine 238 | Dimensioni 16x23cm | Pubblicato 10 Giugno 2021 | Lingua en