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The Merchant in Venice: Shakespeare in the Ghetto

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Abstract

This book records the landmark performance of The Merchant of Venice in the Venetian Ghetto in 2016, the 400th anniversary of Shakespeare’s death and the 500th anniversary of the Jewish quarter that gave the world the word ‘ghetto’. Practitioners and critics discuss how this multi-ethnic production and its radical choice to cast five actors as Shylock provided the opportunity to respond creatively to Europe’s legacy of antisemitism, racism and difference. They observe how the place and play stand as ambivalent documents of civilization: instruments of intolerance but also sites of cultural exchange.

Keywords Ciro PinsutiReynaldo HahnRehearsalJosef BHumanitiesMurray AbrahamChromaticismGeorge Braque and ShakespeareMock Trial: Shylock vShakespeare’s trial scenesDesigning ShakespeareCharles and Mary LambMario Castelnuovo-TedescoHeritageJewsSite-specific designSite-specific performanceBassanioPerforming ShakespeareHolocaustPortiaKarin CoonrodAdrian BeechamFictionRuth Bader GinsburgLaurence OlivierGhettoShylockThe Merchant in the GhettoThe quality of mercyJessicaTheatre designGratianoMock Appeal: Shylock vVeniceLighting designChildren’s literatureDirecting ShakespeareOtto TaubmannLewis CarrollMusicAdapting ShakespeareCostume designMercyMemoryAdaptationActors on ShakespeareHistoryCompagnia de’ ColombariFoersterThe Merchant of VeniceNarrativizationTranslationChildren reading ShakespeareAntonioShakespeare’s comedies of loveOperaThe Merchant of Venice in the GhettoLorenzoSite specific performanceLancelot GobboFAldo FinziSite-specific ShakespeareMusic designAntisemitismAestheticism

Thema codes DSGATD5PX-GB-S1DST-IT-NVE

Permalink http://doi.org/10.30687/978-88-6969-503-2 | e-ISBN 978-88-6969-503-2 | ISBN (PRINT) 978-88-6969-504-9 | Numero pagine 238 | Dimensioni 16x23cm | Pubblicato 10 Giugno 2021 | Lingua en