Studi e ricerche

The Merchant in Venice: Shakespeare in the Ghetto

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open access
    a cura di
  • Shaul Bassi - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Carol Chillington Rutter - University of Warwick, UK - email

Abstract

This book records the landmark performance of The Merchant of Venice in the Venetian Ghetto in 2016, the 400th anniversary of Shakespeare’s death and the 500th anniversary of the Jewish quarter that gave the world the word ‘ghetto’. Practitioners and critics discuss how this multi-ethnic production and its radical choice to cast five actors as Shylock provided the opportunity to respond creatively to Europe’s legacy of antisemitism, racism and difference. They observe how the place and play stand as ambivalent documents of civilization: instruments of intolerance but also sites of cultural exchange.

Keywords Adrian BeechamDirecting ShakespeareGratianoAldo FinziMock Appeal: Shylock vRuth Bader GinsburgChildren’s literatureLorenzoShakespeare’s trial scenesOtto TaubmannSite specific performanceMemoryAntisemitismKarin CoonrodSite-specific designHumanitiesMusic designShakespeare’s comedies of loveTheatre designCiro PinsutiMock Trial: Shylock vPerforming ShakespeareHistoryRehearsalAntonioThe Merchant of Venice in the GhettoLighting designFoersterMercyCharles and Mary LambSite-specific ShakespeareMurray AbrahamGeorge Braque and ShakespeareHolocaustPortiaBassanioLewis CarrollJessicaLaurence OlivierVeniceJewsCostume designFTranslationCompagnia de’ ColombariReynaldo HahnGhettoSite-specific performanceActors on ShakespeareAdapting ShakespeareDesigning ShakespeareLancelot GobboMario Castelnuovo-TedescoChildren reading ShakespeareNarrativizationAestheticismMusicOperaThe Merchant of VeniceFictionShylockJosef BHeritageThe quality of mercyThe Merchant in the GhettoAdaptationChromaticism

Permalink http://doi.org/10.30687/978-88-6969-503-2 | e-ISBN 978-88-6969-503-2 | ISBN (PRINT) 978-88-6969-504-9 | Numero pagine 238 | Dimensioni 16x23cm | Pubblicato 10 Giugno 2021 | Lingua en