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The Merchant in Venice: Shakespeare in the Ghetto

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Abstract

This book records the landmark performance of The Merchant of Venice in the Venetian Ghetto in 2016, the 400th anniversary of Shakespeare’s death and the 500th anniversary of the Jewish quarter that gave the world the word ‘ghetto’. Practitioners and critics discuss how this multi-ethnic production and its radical choice to cast five actors as Shylock provided the opportunity to respond creatively to Europe’s legacy of antisemitism, racism and difference. They observe how the place and play stand as ambivalent documents of civilization: instruments of intolerance but also sites of cultural exchange.

Keywords Theatre designOtto TaubmannCompagnia de’ ColombariHolocaustMock Appeal: Shylock vActors on ShakespeareChildren reading ShakespeareLaurence OlivierHumanitiesLorenzoGhettoShakespeare’s comedies of loveSite-specific designThe quality of mercyTranslationAestheticismAdaptationAntisemitismHistoryPortiaCostume designKarin CoonrodBassanioLighting designAdapting ShakespeareRehearsalDesigning ShakespeareMusicAldo FinziSite-specific ShakespeareFictionThe Merchant in the GhettoCiro PinsutiMock Trial: Shylock vMercyLewis CarrollReynaldo HahnJessicaJosef BSite specific performanceDirecting ShakespeareFCharles and Mary LambMario Castelnuovo-TedescoJewsMemoryThe Merchant of Venice in the GhettoChromaticismChildren’s literatureVeniceThe Merchant of VenicePerforming ShakespeareShylockSite-specific performanceHeritageGeorge Braque and ShakespeareAntonioAdrian BeechamFoersterMurray AbrahamNarrativizationRuth Bader GinsburgLancelot GobboShakespeare’s trial scenesMusic designOperaGratiano

Thema codes DSGATD5PX-GB-S1DST-IT-NVE

Permalink http://doi.org/10.30687/978-88-6969-503-2 | e-ISBN 978-88-6969-503-2 | ISBN (PRINT) 978-88-6969-504-9 | Numero pagine 238 | Dimensioni 16x23cm | Pubblicato 10 Giugno 2021 | Lingua en