Studi e ricerche

The Merchant in Venice: Shakespeare in the Ghetto

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open access
    a cura di
  • Shaul Bassi - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Carol Chillington Rutter - University of Warwick, UK - email

Abstract

This book records the landmark performance of The Merchant of Venice in the Venetian Ghetto in 2016, the 400th anniversary of Shakespeare’s death and the 500th anniversary of the Jewish quarter that gave the world the word ‘ghetto’. Practitioners and critics discuss how this multi-ethnic production and its radical choice to cast five actors as Shylock provided the opportunity to respond creatively to Europe’s legacy of antisemitism, racism and difference. They observe how the place and play stand as ambivalent documents of civilization: instruments of intolerance but also sites of cultural exchange.

Keywords LorenzoGratianoShakespeare’s trial scenesDesigning ShakespeareThe Merchant of Venice in the GhettoShylockAestheticismKarin CoonrodCostume designMock Trial: Shylock vFAdapting ShakespeareCharles and Mary LambAldo FinziLaurence OlivierRuth Bader GinsburgChildren reading ShakespeareMusic designOperaThe Merchant of VeniceAntonioTheatre designOtto TaubmannVeniceMusicAntisemitismLighting designHistoryAdaptationRehearsalHumanitiesCiro PinsutiGhettoDirecting ShakespeareJessicaLancelot GobboThe Merchant in the GhettoSite-specific ShakespeareMock Appeal: Shylock vSite-specific performanceActors on ShakespeareBassanioJosef BFoersterGeorge Braque and ShakespeareMercyAdrian BeechamFictionHolocaustShakespeare’s comedies of loveTranslationSite specific performanceThe quality of mercyMemoryMario Castelnuovo-TedescoCompagnia de’ ColombariPortiaReynaldo HahnHeritageChromaticismLewis CarrollPerforming ShakespeareSite-specific designJewsNarrativizationMurray AbrahamChildren’s literature

Permalink http://doi.org/10.30687/978-88-6969-503-2 | e-ISBN 978-88-6969-503-2 | ISBN (PRINT) 978-88-6969-504-9 | Numero pagine 238 | Dimensioni 16x23cm | Pubblicato 10 Giugno 2021 | Lingua en