Studi e ricerche

Series | Studi e ricerche
Volume 25 | Edited book | The Merchant in Venice: Shakespeare in the Ghetto

The Merchant in Venice: Shakespeare in the Ghetto

open access
    edited by
  • Shaul Bassi - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Carol Chillington Rutter - University of Warwick, UK - email

Abstract

This book records the landmark performance of The Merchant of Venice in the Venetian Ghetto in 2016, the 400th anniversary of Shakespeare’s death and the 500th anniversary of the Jewish quarter that gave the world the word ‘ghetto’. Practitioners and critics discuss how this multi-ethnic production and its radical choice to cast five actors as Shylock provided the opportunity to respond creatively to Europe’s legacy of antisemitism, racism and difference. They observe how the place and play stand as ambivalent documents of civilization: instruments of intolerance but also sites of cultural exchange.

Keywords Site-specific performance • The Merchant in the Ghetto • Performing Shakespeare • Charles and Mary Lamb • Adapting Shakespeare • Ghetto • Mock Trial: Shylock v • Site-specific Shakespeare • Children’s literature • Ciro Pinsuti • Foerster • Mercy • History • Laurence Olivier • Designing Shakespeare • Adaptation • The quality of mercy • Rehearsal • Lewis Carroll • Bassanio • F • Aldo Finzi • Lorenzo • Jews • Otto Taubmann • George Braque and Shakespeare • Karin Coonrod • Costume design • Translation • Gratiano • Opera • Aestheticism • Fiction • Shakespeare’s comedies of love • The Merchant of Venice • Directing Shakespeare • Humanities • Adrian Beecham • Music design • Josef B • Ruth Bader Ginsburg • Mario Castelnuovo-Tedesco • Reynaldo Hahn • Murray Abraham • Children reading Shakespeare • Antisemitism • The Merchant of Venice in the Ghetto • Compagnia de’ Colombari • Holocaust • Memory • Site-specific design • Narrativization • Theatre design • Site specific performance • Heritage • Shylock • Shakespeare’s trial scenes • Venice • Actors on Shakespeare • Lighting design • Music • Mock Appeal: Shylock v • Portia • Jessica • Chromaticism • Antonio • Lancelot Gobbo

Permalink http://doi.org/10.30687/978-88-6969-503-2 | e-ISBN 978-88-6969-503-2 | ISBN (PRINT) 978-88-6969-504-9 | Number of pages 238 | Dimensions 16x23cm | Published June 10, 2021 | Language en

Copyright © 2021 Shaul Bassi, Carol Chillington Rutter. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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