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The Merchant in Venice: Shakespeare in the Ghetto

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Abstract

This book records the landmark performance of The Merchant of Venice in the Venetian Ghetto in 2016, the 400th anniversary of Shakespeare’s death and the 500th anniversary of the Jewish quarter that gave the world the word ‘ghetto’. Practitioners and critics discuss how this multi-ethnic production and its radical choice to cast five actors as Shylock provided the opportunity to respond creatively to Europe’s legacy of antisemitism, racism and difference. They observe how the place and play stand as ambivalent documents of civilization: instruments of intolerance but also sites of cultural exchange.

Keywords Children reading ShakespeareGratianoAdaptationMario Castelnuovo-TedescoAldo FinziJosef BThe quality of mercyActors on ShakespeareAdapting ShakespeareLewis CarrollPerforming ShakespeareMurray AbrahamMusicChromaticismAdrian BeechamShakespeare’s comedies of loveHeritageLorenzoFictionMock Trial: Shylock vOperaMemoryMercyPortiaCompagnia de’ ColombariThe Merchant of VeniceCiro PinsutiGhettoThe Merchant of Venice in the GhettoSite specific performanceLancelot GobboRuth Bader GinsburgThe Merchant in the GhettoGeorge Braque and ShakespeareKarin CoonrodCostume designJewsMusic designFTranslationHumanitiesAntisemitismLaurence OlivierVeniceFoersterMock Appeal: Shylock vShakespeare’s trial scenesDesigning ShakespeareHolocaustRehearsalSite-specific ShakespeareOtto TaubmannChildren’s literatureNarrativizationAestheticismCharles and Mary LambDirecting ShakespeareShylockSite-specific performanceHistorySite-specific designTheatre designAntonioJessicaLighting designReynaldo HahnBassanio

Thema codes DSGATD5PX-GB-S1DST-IT-NVE

Permalink http://doi.org/10.30687/978-88-6969-503-2 | e-ISBN 978-88-6969-503-2 | ISBN (PRINT) 978-88-6969-504-9 | Number of pages 238 | Dimensions 16x23cm | Published June 10, 2021 | Language en