Series |
Studi e ricerche
Edited book | The Merchant in Venice: Shakespeare in the Ghetto
Chapter | Gathering Strangers
Gathering Strangers
- Karin Coonrod - Director -
- Davina Moss - Dramaturg -
Abstract
In this conversation with her dramaturg Davina Moss, director Karin Coonrod lays out her vision for directing The Merchant of Venice in the Ghetto. She discusses production strategies, casting choices – including her decision to cast five actors as Shylock – and how her own personal aesthetic influenced the production. The script was adapted for this site-specific production, and Moss explores the decisions made to edit and rearrange the text to tell the story that more interested Coonrod. Finally, the two reflect on how this work experience affected them personally, as Shakespeareans, as Jews (by birth or marriage), and as artists.
Published June 10, 2021 | Language: en
Keywords Compagnia de’ Colombari • The Merchant of Venice • Karin Coonrod • Adapting Shakespeare • Site-specific Shakespeare • Directing Shakespeare • Shylock
Copyright © 2021 Karin Coonrod, Davina Moss. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-503-2/002
- Introduction
- Shaul Bassi, Carol Chillington Rutter
- June 10, 2021
Part 1. Making The Merchant in the Ghetto
- “Shylock is Dead”: Shakespeare In and Beyond the Ghetto
- Shaul Bassi
- June 10, 2021
- Gathering Strangers
- Karin Coonrod, Davina Moss
- June 10, 2021
- Collaborative Spectacle: Designing The Merchant in the Ghetto
- Frank London, Stefano Nicolao, Peter Ksander
- June 10, 2021
- The Actors Speak
- Michele Athos Guidi, Jenni Lea-Jones, Linda Powell, Paul Spera, Francesca Sarah Toich, Michelle Uranowitz
- June 10, 2021
- Playing the Angles: Finding Shylock and Gratiano
- Sorab Wadia
- June 10, 2021
Part 2. Taking The Merchant Beyond the Ghetto
- The Merchant ‘in’ Venice and The Shylock Project: Fiction, History, and the Humanities
- Kent Cartwright
- June 10, 2021
- Shylock, Our Contemporary
- Clive Sinclair
- June 10, 2021
- Shylock’s Mock Appeal
- Howard Jacobson
- June 10, 2021
- Trying Portia
- Carol Chillington Rutter
- June 10, 2021
- Composing the Jew’s Soundscape in Operatic Versions of The Merchant of Venice
- Judah Cohen
- June 10, 2021
- “Antonio, il mercante della nostra storia”: Adapting The Merchant of Venice for Italian Children
- Laura Tosi
- June 10, 2021
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DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_5828 |
dc.contributor.author |
Coonrod Karin |
dc.contributor.author |
Moss Davina |
dc.title |
Gathering Strangers |
dc.type |
Chapter |
dc.language.iso |
en |
dc.description.abstract |
In this conversation with her dramaturg Davina Moss, director Karin Coonrod lays out her vision for directing The Merchant of Venice in the Ghetto. She discusses production strategies, casting choices – including her decision to cast five actors as Shylock – and how her own personal aesthetic influenced the production. The script was adapted for this site-specific production, and Moss explores the decisions made to edit and rearrange the text to tell the story that more interested Coonrod. Finally, the two reflect on how this work experience affected them personally, as Shakespeareans, as Jews (by birth or marriage), and as artists. |
dc.relation.ispartof |
Studi e ricerche |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
dc.issued |
2021-06-10 |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-504-9/gathering-strangers/ |
dc.identifier.doi |
10.30687/978-88-6969-503-2/002 |
dc.identifier.issn |
2610-993X |
dc.identifier.eissn |
2610-9123 |
dc.identifier.isbn |
978-88-6969-504-9 |
dc.identifier.eisbn |
978-88-6969-503-2 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
no |
dc.subject |
Adapting Shakespeare |
dc.subject |
Adapting Shakespeare |
dc.subject |
Compagnia de’ Colombari |
dc.subject |
Compagnia de’ Colombari |
dc.subject |
Directing Shakespeare |
dc.subject |
Directing Shakespeare |
dc.subject |
Karin Coonrod |
dc.subject |
Karin Coonrod |
dc.subject |
Shylock |
dc.subject |
Shylock |
dc.subject |
Site-specific Shakespeare |
dc.subject |
Site-specific Shakespeare |
dc.subject |
The Merchant of Venice |
dc.subject |
The Merchant of Venice |
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