The Merchant ‘in’ Venice and The Shylock Project: Fiction, History,

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Campo DC	Valore
dc.identifier	ECF_chapter_5832
dc.contributor.author	Cartwright Kent
dc.title	The Merchant ‘in’ Venice and The Shylock Project: Fiction, History, and the Humanities
dc.type	Capitolo
dc.language.iso	en
dc.description.abstract	The 2016 production of The Merchant of Venice staged a comedy famous for its antisemitic expressions in a place of symbolic significance to Jews, whose tragic history has resulted from exactly such sentiments. How, then, do we reconcile the experience of fiction with the claims of history? Certain of the production’s values created the sense of an aesthetically self-contained artifact, yet the performance also took place against the looming, inescapable realism of the ghetto itself – a tension that can be felt, too, in activities related to the production. Illuminated here is the power of humanities public events to reinvigorate, through questioning, the life of the human community.
dc.relation.ispartof	Studi e ricerche
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.issued	2021-06-10
dc.identifier.uri	http://edizionicafoscari.unive.it/it/edizioni4/libri/978-88-6969-504-9/the-merchant-in-venice-and-the-shylock-project-fic/
dc.identifier.doi	10.30687/978-88-6969-503-2/006
dc.identifier.issn	2610-993X
dc.identifier.eissn	2610-9123
dc.identifier.isbn	978-88-6969-504-9
dc.identifier.eisbn	978-88-6969-503-2
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Aestheticism
dc.subject	Aestheticism
dc.subject	Antisemitism
dc.subject	Antisemitism
dc.subject	Fiction
dc.subject	Fiction
dc.subject	Ghetto
dc.subject	Ghetto
dc.subject	History
dc.subject	History
dc.subject	Humanities
dc.subject	Humanities
dc.subject	Mercy
dc.subject	Mercy

Capitolo
open access

The Merchant ‘in’ Venice and The Shylock Project: Fiction, History, and the Humanities

Kent Cartwright

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abstract

The 2016 production of The Merchant of Venice staged a comedy famous for its antisemitic expressions in a place of symbolic significance to Jews, whose tragic history has resulted from exactly such sentiments. How, then, do we reconcile the experience of fiction with the claims of history? Certain of the production’s values created the sense of an aesthetically self-contained artifact, yet the performance also took place against the looming, inescapable realism of the ghetto itself – a tension that can be felt, too, in activities related to the production. Illuminated here is the power of humanities public events to reinvigorate, through questioning, the life of the human community.

Pubblicato

10 Giugno 2021

Lingua

ISBN (PRINT)

978-88-6969-504-9

ISBN (EBOOK)

978-88-6969-503-2

Keywords: Mercy • History • Humanities • Ghetto • Fiction • Antisemitism • Aestheticism

permalink: http://doi.org/10.30687/978-88-6969-503-2/006

Copyright: © 2021 Kent Cartwright. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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