America: il racconto di un continente | América: el relato de un continente

America: il racconto di un continente | América: el relato de un continente

Scarica PDF gratuito

  pdf
Views 3
Downloads 0

Tema
chevron_rightStudi linguistici

Lingua
es

ISBN (print)
978-88-6969-320-5

ISBN (ebook)
978-88-6969-319-9

ISSN
chevron_right2610-8844

e-ISSN
chevron_right2610-9360

Data pubblicazione
14 Mag 2019

Condividi

Metadati

Biblioteca di Rassegna iberistica

Texto e imagen en La Quijotita y su prima, de Fernández de Lizardi
Las cenizas de la imaginación

Amanda Salvioni
Università di Macerata, Italia
amandasalvioni@yahoo.com

DOI 10.30687/978-88-6969-319-9/021

Submitted 06 Feb 2019
Accepted 05 Mar 2019

Abstract

La Quijotita y su prima, by the Mexican writer J.J. Fernández de Lizardi, was first published in 1818, and then re-edited throughout the 19th century, with several illustrations. The presence of the images in the book influences the relationship between the text and the reader, modifying the time and gesture of the reading itself. The image determines that the written text is not the exclusive repository of meaning, influences the forms of reception, and contributes to the construction of the meaning of the text, which is historically determined. From these premises, the essay analyses not only the different functions of the images in relation to the text, but also the way in which their presence evolves, from the eve of Independence to the fullness of the Nation.

Keywords
Fernández de Lizardi. Novel. Illustrations. History of reading. History of women.


Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

Sommario
×
Campo DC Valore

dc.contributor.author

Salvioni Amanda

dc.title

Texto e imagen en La Quijotita y su prima, de Fernández de Lizardi

dc.type

Book Chapter

dc.language.iso

es

dc.description.abstract

La Quijotita y su prima, by the Mexican writer J.J. Fernández de Lizardi, was first published in 1818, and then re-edited throughout the 19th century, with several illustrations. The presence of the images in the book influences the relationship between the text and the reader, modifying the time and gesture of the reading itself. The image determines that the written text is not the exclusive repository of meaning, influences the forms of reception, and contributes to the construction of the meaning of the text, which is historically determined. From these premises, the essay analyses not only the different functions of the images in relation to the text, but also the way in which their presence evolves, from the eve of Independence to the fullness of the Nation.

dc.relation.ispartof

Biblioteca di Rassegna iberistica

dc.publisher

Edizioni Ca’ Foscari - Digital Publishing

dc.date.issued

2019-05-14

dc.dateAccepted

2019-02-06

dc.dateSubmitted

2019-03-05

dc.identifier.uri

http://doi.org/10.14277/978-88-6969-319-9/021

dc.identifier.issn

2610-8844

dc.identifier.eissn

2610-9360

dc.identifier.isbn

978-88-6969-320-5

dc.identifier.eisbn

978-88-6969-319-9

dc.rights

Creative Commons 4.0 Attribution alone

dc.rights.uri

http://creativecommons.org/licenses/by/4.0/

item.fulltext

with fulltext

item.grantfulltext

open

dc.subject

Fernández de Lizardi

dc.subject

Novel

dc.subject

Illustrations

dc.subject

History of reading

dc.subject

History of women

Download

×

America: il racconto di un continente | América: el relato de un continente

Sommario