America: il racconto di un continente | América: el relato de un continente

America: il racconto di un continente | América: el relato de un continente

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chevron_rightStudi linguistici

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es

ISBN (print)
978-88-6969-320-5

ISBN (ebook)
978-88-6969-319-9

ISSN
chevron_right2610-8844

e-ISSN
chevron_right2610-9360

Data pubblicazione
14 Mag 2019

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Biblioteca di Rassegna iberistica

Narrar la distancia
Una lectura de los cuentos de Samanta Schweblin

Emanuela Jossa
Università della Calabria, Italia
emanuela.jossa@unical.it

DOI 10.30687/978-88-6969-319-9/035

Submitted 06 Feb 2019
Accepted 26 Feb 2019

Abstract

This paper will focus on the reiterated presence of the notion of ‘distance’ in Samanta Schweblin’s three collections of short stories (El núcleo del disturbio, 2007; Pájaros en la boca, 2009; Siete casas vacías, 2015). Such distance seems to be represented in different ways and from diverse perspectives, as Schweblin’s characters experience the distance from other family members, the distance between health and sickness, and between reality and imagination. The paper will argue that there is a significant difference between Schweblin’s first and last stories, and that such difference is related precisely to the representation of distance, which is featured through discursive modalities in which the depiction of space and its objects has a specific function.

Keywords
Contemporary Argentinian literature. Samanta Schweblin. Narrative space. Objects.


Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

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Campo DC Valore

dc.contributor.author

Jossa Emanuela

dc.title

Narrar la distancia

dc.type

Book Chapter

dc.language.iso

es

dc.description.abstract

This paper will focus on the reiterated presence of the notion of ‘distance’ in Samanta Schweblin’s three collections of short stories (El núcleo del disturbio, 2007; Pájaros en la boca, 2009; Siete casas vacías, 2015). Such distance seems to be represented in different ways and from diverse perspectives, as Schweblin’s characters experience the distance from other family members, the distance between health and sickness, and between reality and imagination. The paper will argue that there is a significant difference between Schweblin’s first and last stories, and that such difference is related precisely to the representation of distance, which is featured through discursive modalities in which the depiction of space and its objects has a specific function.

dc.relation.ispartof

Biblioteca di Rassegna iberistica

dc.publisher

Edizioni Ca’ Foscari - Digital Publishing

dc.date.issued

2019-05-14

dc.dateAccepted

2019-02-06

dc.dateSubmitted

2019-02-26

dc.identifier.uri

http://doi.org/10.14277/978-88-6969-319-9/035

dc.identifier.issn

2610-8844

dc.identifier.eissn

2610-9360

dc.identifier.isbn

978-88-6969-320-5

dc.identifier.eisbn

978-88-6969-319-9

dc.rights

Creative Commons 4.0 Attribution alone

dc.rights.uri

http://creativecommons.org/licenses/by/4.0/

item.fulltext

with fulltext

item.grantfulltext

open

dc.subject

Contemporary Argentinian literature

dc.subject

Samanta Schweblin

dc.subject

Narrative space

dc.subject

Objects

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America: il racconto di un continente | América: el relato de un continente

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