Journal | Annali di Ca’ Foscari. Serie orientale
Journal issue | 59 | 2023
59 | 2023
open access | peer reviewedKeywords Early modern travel • Short story “Medicine” • Elite women in Modern Korea • Persian poetry • Tensho embassy • Elena Ferrante in China • Asian religions in Italy • Kofun Period • Egypt • Sixteenth century • Sociolinguistic variation • Ḥurūf-i qāfiya • Safavid envoys • Diplomatic history • Muslim Brotherhood • Portrait • Kanji • Ossetic • Yi lü ma • Socio-cultural signs • Cai Wei • Poetics of ‘propensity’ • Technology • Fragments d’un discours amoureux • British colonial rule • Workers’ poetry • Translation analysis • Intertextuality • Kawakami Hiromi • Window • Signifier • Memories • Environment • Eastern Iranian Languages • Devotional literature • Japanese compounds • Cultural references • Islamicate Manichaeism • Ise • Jesus in Chinese literature • Hope and despair • Literary translation • Medieval reuses • Colonial Korea • Japanese archaeology • Colonial subject • Kakari-musubi • Kyūshū • Neoclassical compounds • Rewriting history • Politics • Bao Tianxiao • Ritual • Etymology • Manichaean texts • Armenian church • Ernst Haeckel • Dystopian novel • Japanese female photography • Xiaolu Guo • Identity • Japanese case particles • Adolescents • Gendered language • History of photography • Donors • A Lover’s Discourse • Impact assessment • Gandhara • Venice • Colour as a sign • Onomasiological approach • Late Middle Japanese • Labour • Independence movement • Lai Hsiang-yin • Persian language • Safavid-Venetian relations • Jesuit • Korean New Women • Contemporary Chinese literature • Appositive compounds • Japanese photography • Migrant workers’ poetry • Binomens • Armenian translation • Women • Literature and poetical imagery • Christianity in Chinese literature • Spolia • Khachkar • Qie ming bo • Ishiuchi Miyako • Christianisation processes • Venice Art Biennale • Khojas • Sima Qian • Education • Materiality • Decorated tombs • Nasserism • Syrian novel • Women photographers • Boat symbolism • Lu Xun • Art • Archaeology • Early new Persian • Buddhism • Marsiya • Nausicaa episode • Religious change • Ceremony • Roland Barthes • Collective sphere • Mandarin Ducks and butterflies • Manichaean alphabet • Sociology of literature • International student • James Joyce • Ecolinguistics • Ghost narrative • Lee Wai Yi • Ulysses • Rhyme • Salim Barakat • Translation strategies • Ideology • Signified • Japan • Intercultural communication • Republican Era literature • Islamic movements • Gushi Xinbian • Protohistoric art • Dictatorship • Individuality • Ch’oe Yŏngsuk (Choi Young-Sook) • Ᾱghā khān • Chinese • Political Islam • Takao Suzuki • Chinese literature • Women artists • Buke Kojitsu • Contemporary Arabic literature • Toraakirabon • Conceptual combination • Manners • Urartian inscriptions • Posthuman existences • Zaynab al-Ghazālī al-Ǧabīlī • Neoliberalism and Consumerism • Sinophone literature • Compounding • Imām Ḥusayn • Yanagi Miwa • Šams-i Qays • Indo-European Languages • Kyōgen
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Published Aug. 29, 2023 | Language it, fr, en
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