59 | 2023
open access | peer reviewedKeywords Xiaolu Guo • Lu Xun • Devotional literature • Signifier • Colonial subject • Donors • Archaeology • Japanese case particles • Neoclassical compounds • Collective sphere • Bao Tianxiao • Translation strategies • Jesuit • Contemporary Arabic literature • Dictatorship • Safavid-Venetian relations • Lai Hsiang-yin • Ecolinguistics • Women photographers • Jesus in Chinese literature • Early modern travel • Kyūshū • Khachkar • Ch’oe Yŏngsuk (Choi Young-Sook) • Intercultural communication • Literary translation • Zaynab al-Ghazālī al-Ǧabīlī • Japanese photography • Adolescents • Yanagi Miwa • Japanese female photography • Muslim Brotherhood • Ritual • Nasserism • Migrant workers’ poetry • Venice Art Biennale • Japanese archaeology • Appositive compounds • Chinese • Gandhara • James Joyce • Portrait • Roland Barthes • Ideology • Safavid envoys • Materiality • Ise • Armenian translation • Sinophone literature • Environment • Neoliberalism and Consumerism • Ernst Haeckel • Elena Ferrante in China • Religious change • Contemporary Chinese literature • Decorated tombs • Gushi Xinbian • Qie ming bo • Intertextuality • Compounding • Marsiya • Imām Ḥusayn • Venice • Christianisation processes • Egypt • Lee Wai Yi • Workers’ poetry • Labour • Short story “Medicine” • Mandarin Ducks and butterflies • Rhyme • Translation analysis • Kanji • Late Middle Japanese • Buke Kojitsu • Identity • Cultural references • Persian poetry • Persian language • Socio-cultural signs • Gendered language • Ossetic • Etymology • Women artists • Toraakirabon • Impact assessment • Technology • Syrian novel • Sociology of literature • Diplomatic history • Ulysses • Ᾱghā khān • Medieval reuses • Poetics of ‘propensity’ • Cai Wei • Urartian inscriptions • Ḥurūf-i qāfiya • Colonial Korea • Elite women in Modern Korea • Politics • Literature and poetical imagery • Salim Barakat • Nausicaa episode • Takao Suzuki • Korean New Women • Independence movement • Japan • Dystopian novel • Manichaean alphabet • Asian religions in Italy • A Lover’s Discourse • Protohistoric art • Sociolinguistic variation • Rewriting history • Art • Yi lü ma • Women • Hope and despair • Conceptual combination • Sima Qian • Khojas • Armenian church • Ishiuchi Miyako • Boat symbolism • Binomens • Christianity in Chinese literature • Individuality • Republican Era literature • British colonial rule • Sixteenth century • History of photography • Islamicate Manichaeism • Signified • Early new Persian • Memories • Window • Kakari-musubi • Kyōgen • Indo-European Languages • Spolia • Chinese literature • Education • International student • Japanese compounds • Fragments d’un discours amoureux • Political Islam • Kawakami Hiromi • Buddhism • Eastern Iranian Languages • Tensho embassy • Islamic movements • Kofun Period • Manichaean texts • Manners • Šams-i Qays • Onomasiological approach • Ceremony • Colour as a sign • Ghost narrative • Posthuman existences
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Published Aug. 29, 2023 | Language it, fr, en
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