Eurasian Studies Balkans, Anatolia, Iran, Caucasus and Central Asia Studies Notebooks

Series | Eurasian Studies
Volume 4 | Edited book | «A mari usque ad mare»

«A mari usque ad mare»

Visual and material culture from the Adriatic to India
open access
    edited by
  • Mattia Guidetti - Universität Wien, Österreich - email
  • Sara Mondini - Università Ca’ Foscari Venezia, Italia - email orcid profile

Abstract
This volume offers an academic homage to Professor Gianclaudio Macchiarella and is at the same time a gathering of close friends and colleagues in memory of a Maestro and a friend. 
A year after his death, the intention here is to bear witness to the scholar in all his versatility and complexity, with even informal tones that are befitting of a great affection: that of colleagues and friends who collaborated and participated in his missions, who clashed and confronted with him, and shared fragments of life, important for their training and growth. 
The title chosen for the volume 'A mari usque ad mare' is intended to evoke the spatial extent of the interventions of the authors who took part in this publication. A breadth that is a reflection of Gianclaudio Macchiarella's studies, which from an initial interest in the Italian early Middle Ages, then turned to the Christians of the East, then Islamic art and architecture, the restoration and preservation of cultural heritage, and finally, in recent years, India and the Balkans.

Keywords Bahmani • Despotate of Epirus • Foreign affairs • Yahya Kemal • Early medieval sculpture • Column capitals • Armory school • Siponto • Long manched lute saz • Artists’ signature • Haban faience • Byzantine architecture • Bekthasism • Albania • Adriatic culture • Ottoman ceramics • Ibn Arabi • Safavid painting • Bilingual inscriptions • Cultural heritage • Global Middle Ages • David magister • Inscriptions • Representation of architecture • Italian culture in the USA • Bidel • Stalin • Armenian Revolutionary Movement • Language, and computers • Pathos in painting • Spolia • Neoliberalism and academia • Hunting scenes • Islamic aesthetics • Ottoman inscriptions • Spiritual dimension • Medieval wall paintings • Balkans • Sertavul Han • Conservation • Armenian Genocide • Acceptus magister • Security • Iran • Late antiquity • Administration • Church of St • Photojournalism • Armenian art • Bathhouses decoration • Quran • Icons • Qur’an • Religious architecture • Gianclaudio Macchiarella • Albanian architecture • Montage • Theodoros Poulakis • Kingdom of Vaspurakan • Bathhouses • Marble • Orhan Pamuk • Islamic iconography • Ani • Candiana pottery • Paradise • Visual anthropology • Sufi commentary • Early Islam • Birds • Instituti i Monumenteve të Kulturës (IMK) • Rum Seljuk caravanserais • Sufi music • Heaven • Canosa • Dervishes lodges • Hierarchy • UNESCO • Symbolism • Gregory the Illuminator • Bektashi dervishes • Balkan art • Armenia • Poetry • Anti-seismic devices • Evliya Çelebi • Privateers • Ashik • Testing • Monte Sant’Angelo • Apulia • Turkey • Qusayr ‘Amra • Mendicant Orders • Representation of kings • Pedagogy • Italian-Ottoman relations • Armenian architecture • Communism • Database for monuments • Deccan • Restoration • Urartu • Tombstone

Permalink http://doi.org/10.14277/978-88-6969-085-3 | e-ISBN 978-88-6969-085-3 | ISBN (PRINT) 978-88-6969-086-0 | Published July 19, 2016 | Language it

Copyright © 2016 Mattia Guidetti, Sara Mondini. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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