MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Historicism • Angelo Venturoli • Landscape • Pope Benedict XIV • Romanticism • Aphorisms on Drawing • Genoa • Ravenna • Catholic Church architecture • Brera • Pupils • Solomon Caesar Malan • Revolutions • Giuseppe Bossi • Iconography • Nineteenth-century colonial architecture • Francesco Gandolfi • Andrea Appiani • Giorgio Vasari • Masters • Harding • Melbourne • Antiquarium Forense • Royal palace • Museology • Galleria Nazionale di Parma • Australia • Milan • Communication bridge • Note azzurre • Accademia Clementina • Sculpture • Project • Scenography • Giacomo Boni • Carlo Dossi • Museum Catalogues • Pictorial decoration • Photography • Rome • Set design • Architecture • Napoleon • Railway station • Tableaux vivants • Neoclassicism • Alfonso Rubbiani • King Charles IV in Barcelona • Restoration • Jacques-Louis David • Feasts • James Goold • Neoclassicism in Catalonia • Catania • William Wardell • Drawing • Art Criticism • Massa Lombarda • Living Paintings • Piazza San Giovanni • Opera • Antoine-Jean Gros • Giovan Battista Bassi • Stefano Della Bella • Nineteenth-century Barcelona • Vincenzo Martinelli • Pompeo Marchesi • Bologna • Valadier • Archaeology • Corrado Ricci • Giuseppe Bacchelli • Adolfo Venturi • Cesare Beccaria • Urban planning • Ruskin • Empire • Masquerades • Ephemeral buildings • Giovan Battista Piranesi • Gothic Revival style • Museum in Corbetta • Portrait • San Michele in Bosco • Pinacoteca di Brera

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Pubblicato 04 Dicembre 2023 | Lingua it, es, en

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