Rivista | Il Tolomeo
Fascicolo | 24 | 2022

24 | 2022

open access | peer reviewed

Keywords popular culture • Black Literature; Intersectionality; Displacement; • Archipelago aesthetics • Post-colonial • Edouard Glissant • Rap music • Transmedia narratology • Citizenship • Négritude • Du Bois • Trauma • The trafficking of Nigerian women • Caribbean ethnopoetics • Beur • Global society • Haitian literature • Emotions • Italian translations • Music • Postcolonial identity and subjectivity • Empathy • La Lézarde • Borders • Diego Garcia • Romantic epic • Sound studies • Healing • Intercultural communication • Francophonie • Postcolonialism • Youssoupha • Quebec literature • Faïza Guène • Migration • Patriarchy • Affective focalization • Reception of Haitian literature • Aimé Césaire • Sublime beauty • Enactment • The Souls of Black Folk • Transmediality • Ennio Flaiano • Double consciousness • Spirituals • Cultural difference • Narrativity • Intermediality • Memoirs • Chika Unigwe • Definitional linguistic activity • Malemort • Gender • Literary journals • Multimodal mental imagery • Classics • exile • spoliation • Cinematography • Embodied cognition • Missionary discourse • La discrétion

Permalink http://doi.org/10.30687/Tol/2499-5975/2022/01 | Pubblicato 19 Dicembre 2022 | Lingua it, fr, en, pt

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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