Il Tolomeo

Rivista di studi postcoloniali | A Postcolonial Studies Journal | Journal d’études postcoloniales | Revista de estudos pós-coloniais

24 | 2022

open access | peer reviewed

Keywords Gender • Borders • Missionary discourse • Edouard Glissant • Ennio Flaiano • La discrétion • Diego Garcia • Citizenship • Multimodal mental imagery • spoliation • Narrativity • Italian translations • Postcolonial identity and subjectivity • Haitian literature • Chika Unigwe • Enactment • Cinematography • Embodied cognition • Francophonie • Malemort • Memoirs • Transmedia narratology • Youssoupha • Rap music • Intermediality • Quebec literature • Intercultural communication • Reception of Haitian literature • Romantic epic • Cultural difference • Spirituals • Transmediality • exile • Affective focalization • Definitional linguistic activity • Beur • Global society • Sound studies • The Souls of Black Folk • Négritude • popular culture • Aimé Césaire • Trauma • Sublime beauty • Postcolonialism • Emotions • Post-colonial • Archipelago aesthetics • Classics • Healing • La Lézarde • Literary journals • Double consciousness • The trafficking of Nigerian women • Patriarchy • Faïza Guène • Migration • Black Literature; Intersectionality; Displacement; • Caribbean ethnopoetics • Empathy • Du Bois • Music

Permalink http://doi.org/10.30687/Tol/2499-5975/2022/01 | Pubblicato 19 Dicembre 2022 | Lingua en, fr, pt, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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