Rivista | Il Tolomeo
Fascicolo | 24 | 2022

24 | 2022

open access | peer reviewed

Keywords Gender • Memoirs • Reception of Haitian literature • Caribbean ethnopoetics • Migration • The Souls of Black Folk • Malemort • Sublime beauty • Post-colonial • spoliation • Trauma • Youssoupha • Postcolonialism • La discrétion • popular culture • Archipelago aesthetics • Empathy • Intermediality • Haitian literature • Affective focalization • Cinematography • Enactment • Narrativity • Cultural difference • Quebec literature • Literary journals • Du Bois • Sound studies • Transmedia narratology • Romantic epic • Rap music • exile • Global society • Italian translations • Healing • Transmediality • Intercultural communication • Definitional linguistic activity • Classics • Ennio Flaiano • Music • Patriarchy • The trafficking of Nigerian women • Spirituals • Faïza Guène • Négritude • Beur • Edouard Glissant • Postcolonial identity and subjectivity • Borders • La Lézarde • Multimodal mental imagery • Citizenship • Embodied cognition • Emotions • Aimé Césaire • Francophonie • Chika Unigwe • Double consciousness • Black Literature; Intersectionality; Displacement; • Missionary discourse • Diego Garcia

Permalink http://doi.org/10.30687/Tol/2499-5975/2022/01 | Pubblicato 19 Dicembre 2022 | Lingua pt, fr, it, en

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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