Il Tolomeo

Rivista di studi postcoloniali | A Postcolonial Studies Journal | Journal d’études postcoloniales | Revista de estudos pós-coloniais

Journal | Il Tolomeo
Journal issue | 24 | 2022

24 | 2022

open access | peer reviewed

Keywords Sublime beauty • Haitian literature • Postcolonial identity and subjectivity • Missionary discourse • Rap music • Reception of Haitian literature • Italian translations • Archipelago aesthetics • Affective focalization • Spirituals • Edouard Glissant • Diego Garcia • Emotions • Sound studies • Faïza Guène • Empathy • Classics • Music • popular culture • Chika Unigwe • Black Literature; Intersectionality; Displacement; • La Lézarde • Global society • Francophonie • Cultural difference • Du Bois • Youssoupha • Gender • Double consciousness • Patriarchy • Transmedia narratology • Aimé Césaire • Cinematography • La discrétion • Intermediality • spoliation • Narrativity • Beur • Borders • Quebec literature • The Souls of Black Folk • Trauma • Enactment • Migration • Post-colonial • Literary journals • The trafficking of Nigerian women • Memoirs • Definitional linguistic activity • Embodied cognition • exile • Malemort • Romantic epic • Intercultural communication • Multimodal mental imagery • Transmediality • Négritude • Healing • Citizenship • Ennio Flaiano • Postcolonialism • Caribbean ethnopoetics

Permalink http://doi.org/10.30687/Tol/2499-5975/2022/01 | Published Dec. 19, 2022 | Language en, fr, it, pt

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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