Il Tolomeo

Rivista di studi postcoloniali | A Postcolonial Studies Journal | Journal d’études postcoloniales | Revista de estudos pós-coloniais

24 | 2022

open access | peer reviewed

Keywords Migration • Caribbean ethnopoetics • Trauma • Faïza Guène • Rap music • Empathy • Transmedia narratology • Literary journals • Négritude • Definitional linguistic activity • The trafficking of Nigerian women • exile • Italian translations • Du Bois • Multimodal mental imagery • Postcolonialism • Emotions • Postcolonial identity and subjectivity • Narrativity • Sublime beauty • Affective focalization • Missionary discourse • Quebec literature • Cultural difference • Archipelago aesthetics • Black Literature; Intersectionality; Displacement; • Cinematography • Gender • Intermediality • Embodied cognition • The Souls of Black Folk • spoliation • Aimé Césaire • Memoirs • Chika Unigwe • Global society • Borders • Haitian literature • La discrétion • Transmediality • Youssoupha • Diego Garcia • Malemort • La Lézarde • Reception of Haitian literature • Intercultural communication • Spirituals • Romantic epic • Post-colonial • Sound studies • Healing • Patriarchy • Citizenship • popular culture • Edouard Glissant • Enactment • Ennio Flaiano • Double consciousness • Music • Francophonie • Beur • Classics

Permalink http://doi.org/10.30687/Tol/2499-5975/2022/01 | Published Dec. 19, 2022 | Language fr, pt, en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.