Journal |
Il Tolomeo
Journal issue | 24 | 2022
Keywords Aimé Césaire • Reception of Haitian literature • La Lézarde • Migration • Quebec literature • Music • Enactment • Citizenship • Multimodal mental imagery • Double consciousness • Transmedia narratology • Rap music • Romantic epic • Trauma • Caribbean ethnopoetics • Emotions • Cultural difference • Intermediality • Literary journals • Négritude • spoliation • La discrétion • Francophonie • Post-colonial • exile • Cinematography • Youssoupha • Spirituals • Healing • Patriarchy • Embodied cognition • Affective focalization • The Souls of Black Folk • Narrativity • Sublime beauty • Global society • The trafficking of Nigerian women • Postcolonialism • Faïza Guène • Chika Unigwe • Definitional linguistic activity • Sound studies • Italian translations • Diego Garcia • Du Bois • Black Literature; Intersectionality; Displacement; • Borders • Transmediality • Empathy • popular culture • Haitian literature • Missionary discourse • Classics • Postcolonial identity and subjectivity • Gender • Archipelago aesthetics • Intercultural communication • Memoirs • Ennio Flaiano • Malemort • Edouard Glissant • Beur
Permalink http://doi.org/10.30687/Tol/2499-5975/2022/01 | Published Dec. 19, 2022 | Language it, en, fr, pt
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Testi Creativi | Creative Works | Créations
Dossier. Transmedialità postcoloniali | Postcolonial Transmediality | Transmédialité postcoloniale
Varia
Interviste | Interviews | Interviews
Recensioni | Reviews | Comptes rendus
Necrologi | Obituaries | Nécrologies
DC Field | Value |
---|---|
dc.identifier |
ECF_issue_247 |
dc.title |
Vol. 24 | December 2022 |
dc.publisher |
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari |
dc.type |
Journal issue |
dc.language.iso |
en |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/il-tolomeo/2022/1/ |
dc.relation.ispartof |
Il Tolomeo |
dc.issued |
2022-12-19 |
dc.identifier.issn |
|
dc.identifier.eissn |
2499-5975 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.30687/Tol/2499-5975/2022/01 |
dc.peer-review |
yes |
dc.subject |
Affective focalization |
dc.subject |
Aimé Césaire |
dc.subject |
Archipelago aesthetics |
dc.subject |
Beur |
dc.subject |
Black Literature; Intersectionality; Displacement; |
dc.subject |
Borders |
dc.subject |
Caribbean ethnopoetics |
dc.subject |
Chika Unigwe |
dc.subject |
Cinematography |
dc.subject |
Citizenship |
dc.subject |
Classics |
dc.subject |
Cultural difference |
dc.subject |
Definitional linguistic activity |
dc.subject |
Diego Garcia |
dc.subject |
Double consciousness |
dc.subject |
Du Bois |
dc.subject |
Edouard Glissant |
dc.subject |
Embodied cognition |
dc.subject |
Emotions |
dc.subject |
Empathy |
dc.subject |
Enactment |
dc.subject |
Ennio Flaiano |
dc.subject |
Faïza Guène |
dc.subject |
Francophonie |
dc.subject |
Gender |
dc.subject |
Global society |
dc.subject |
Haitian literature |
dc.subject |
Healing |
dc.subject |
Intercultural communication |
dc.subject |
Intermediality |
dc.subject |
Italian translations |
dc.subject |
La Lézarde |
dc.subject |
La discrétion |
dc.subject |
Literary journals |
dc.subject |
Malemort |
dc.subject |
Memoirs |
dc.subject |
Migration |
dc.subject |
Missionary discourse |
dc.subject |
Multimodal mental imagery |
dc.subject |
Music |
dc.subject |
Narrativity |
dc.subject |
Négritude |
dc.subject |
Patriarchy |
dc.subject |
Post-colonial |
dc.subject |
Postcolonial identity and subjectivity |
dc.subject |
Postcolonialism |
dc.subject |
Quebec literature |
dc.subject |
Rap music |
dc.subject |
Reception of Haitian literature |
dc.subject |
Romantic epic |
dc.subject |
Sound studies |
dc.subject |
Spirituals |
dc.subject |
Sublime beauty |
dc.subject |
The Souls of Black Folk |
dc.subject |
The trafficking of Nigerian women |
dc.subject |
Transmedia narratology |
dc.subject |
Transmediality |
dc.subject |
Trauma |
dc.subject |
Youssoupha |
dc.subject |
exile |
dc.subject |
popular culture |
dc.subject |
spoliation |
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