La Lézarde (1958) et Malemort (1975) d’Édouard Glissant : dire…

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Campo DC	Valore
dc.identifier	ECF_article_9809
dc.title	La Lézarde (1958) et Malemort (1975) d’Édouard Glissant : dire l’esthétique archipélique depuis la Martinique et l’aire des Caraïbes
dc.contributor.author	Rhimi Mohamed Lamine
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.type	Articolo
dc.language.iso	fr
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/il-tolomeo/2022/1/la-lezarde-1958-et-malemort-1975-dedouard-glissant/
dc.description.abstract	In this work, we will mainly focus on Edouard Glissant’s archipelago aesthetics. Indeed, the West Indian novelist-orator uses in La Lézarde (1958) and Malemort (1975) a kind of rhetoric which reflects not only the history of the slave trade, but also the Caribbean island landscape. This is how the writer cultivates Caribbean ethnopoetics, without falling into the trap of standardisation or reductionism. In others words, the fiery indictment that the writer has drawn up against the oppressors is inextricably linked to a plea made to defend the cause of West Indian culture, by exhorting the Caribbean people to recover their historical memory and to take their destiny into their own hands. It is specifically in that context that the Edouard Glissant’s romantic epic and sublime beauty are fully in line with his archipelago aesthetics.
dc.relation.ispartof	Il Tolomeo
dc.relation.ispartof	Vol. 24 \| Dicembre 2022
dc.issued	2022-12-19
dc.dateAccepted	2022-09-29
dc.dateSubmitted	2022-07-07
dc.identifier.issn
dc.identifier.eissn	2499-5975
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/Tol/2499-5975/2022/01/018
dc.peer-review	yes
dc.subject	Archipelago aesthetics
dc.subject	Caribbean ethnopoetics
dc.subject	Edouard Glissant
dc.subject	La Lézarde
dc.subject	Malemort
dc.subject	Romantic epic
dc.subject	Sublime beauty

Articolo
open access peer reviewed

La Lézarde (1958) et Malemort (1975) d’Édouard Glissant : dire l’esthétique archipélique depuis la Martinique et l’aire des Caraïbes

Mohamed Lamine Rhimi University of Tunis, Tunisia

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abstract

In this work, we will mainly focus on Edouard Glissant’s archipelago aesthetics. Indeed, the West Indian novelist-orator uses in La Lézarde (1958) and Malemort (1975) a kind of rhetoric which reflects not only the history of the slave trade, but also the Caribbean island landscape. This is how the writer cultivates Caribbean ethnopoetics, without falling into the trap of standardisation or reductionism. In others words, the fiery indictment that the writer has drawn up against the oppressors is inextricably linked to a plea made to defend the cause of West Indian culture, by exhorting the Caribbean people to recover their historical memory and to take their destiny into their own hands. It is specifically in that context that the Edouard Glissant’s romantic epic and sublime beauty are fully in line with his archipelago aesthetics.

Pubblicato

19 Dicembre 2022

Accettato

29 Settembre 2022

Presentato

07 Luglio 2022

Lingua

Keywords: Edouard Glissant • Archipelago aesthetics • La Lézarde • Malemort • Sublime beauty • Caribbean ethnopoetics • Romantic epic

permalink http://doi.org/10.30687/Tol/2499-5975/2022/01/018

Copyright: © 2022 Mohamed Lamine Rhimi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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