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Trauma, Multimodal Mental Imagery and Intermediality in Arundhati Roy’s The God of Small Things

Paola Carmagnani    Università degli Studi di Torino, Italia    

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abstract

Arundhati Roy’s The God of Small Things has been effectively described by N. Rokotnitz as a narrative that accesses and arouses sensory modes of reception and perception, infiltrating reader’s preconscious and subconscious levels of understanding and thus enhancing the vividness of immersion in a text that ultimately renders its moral code physically tangible. This use of multimodal mental imagery, which per se vouches for a transmedia understanding of narrative as a “multimedia construct” (Ryan 2004), is an integral part of a literary representation of trauma that also integrates explicit reference to other media, namely cinema and traditional dance performance. The essay addresses the role of these media within the socio-cultural frame of Roy’s novel and interrogates their function in shaping the literary narrative of trauma and healing, integrating the writing’s multimodal imagery and contributing to the reader’s emotional and intellectual responses.

Pubblicato
19 Dicembre 2022
Accettato
15 Ottobre 2022
Presentato
30 Luglio 2022
Lingua
EN

Keywords: IntermedialityEnactmentEmbodied cognitionMultimodal mental imageryHealingTraumaAffective focalizationEmpathy

Copyright: © 2022 Paola Carmagnani. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.