Storie della Biennale di Venezia

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Campo DC	Valore
dc.identifier	ECF_book_397
dc.creator	Portinari Stefania
dc.creator	Stringa Nico
dc.title	Storie della Biennale di Venezia
dc.type	Miscellanea
dc.language.iso	it, en
dc.description.abstract	Atlante delle biennali intende essere un portolano per attraversare la storia e il presente di mostre che diventano epicentri di incontro e confronto anche tra nazioni e identità, che come mappe complesse e mesmerizzanti segnalano molteplici prospettive e punti cardinali. Uno sguardo widestream sul sistema dell’arte inizia puntando il periscopio su delle nuove Storie della Biennale di Venezia: rivelando altri intrecci di questa istituzione, ma interpretando pure le sorprendenti rotte che percorrono i padiglioni, in un gioco combinatorio che conduce verso avventure curatoriali e sorprendenti immaginari.
dc.relation.ispartof	Storie dell’arte contemporanea
dc.relation.ispartof	Atlante delle Biennali
dc.identifier.doi	10.30687/978-88-6969-366-3
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2019-12-18
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-367-0/
dc.identifier.issn	2610-9905
dc.identifier.eissn	2610-9891
dc.identifier.isbn	978-88-6969-367-0
dc.identifier.eisbn	978-88-6969-366-3
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	1895-1912
dc.subject	1895-1912
dc.subject	1895-1912
dc.subject	1928
dc.subject	1928
dc.subject	1928
dc.subject	ASAC
dc.subject	ASAC
dc.subject	ASAC
dc.subject	Achille Bonito Oliva
dc.subject	Achille Bonito Oliva
dc.subject	Achille Bonito Oliva
dc.subject	Advertising
dc.subject	Advertising
dc.subject	Advertising
dc.subject	Albania
dc.subject	Albania
dc.subject	Albania
dc.subject	Antonio Fradeletto
dc.subject	Antonio Fradeletto
dc.subject	Antonio Fradeletto
dc.subject	Antonio Fradeletto
dc.subject	Antonio Fradeletto
dc.subject	Aperto ’90
dc.subject	Aperto ’90
dc.subject	Aperto ’90
dc.subject	Aperto ’93
dc.subject	Aperto ’93
dc.subject	Aperto ’93
dc.subject	Argentina
dc.subject	Argentina
dc.subject	Argentina
dc.subject	Arsenale
dc.subject	Arsenale
dc.subject	Arsenale
dc.subject	Art Biennial
dc.subject	Art Biennial
dc.subject	Art Biennial
dc.subject	Art market
dc.subject	Art market
dc.subject	Art market
dc.subject	BAW/TAF
dc.subject	BAW/TAF
dc.subject	BAW/TAF
dc.subject	BBPR
dc.subject	BBPR
dc.subject	BBPR
dc.subject	Bangkok
dc.subject	Bangkok
dc.subject	Bangkok
dc.subject	Biennale
dc.subject	Biennale
dc.subject	Biennale
dc.subject	Biennale
dc.subject	Biennale
dc.subject	Biennale
dc.subject	Biennale
dc.subject	Biennale 1990
dc.subject	Biennale 1990
dc.subject	Biennale 1990
dc.subject	Biennale Photo-Cinéma
dc.subject	Biennale Photo-Cinéma
dc.subject	Biennale Photo-Cinéma
dc.subject	Biennale archive
dc.subject	Biennale archive
dc.subject	Biennale archive
dc.subject	Biennale della Fotografia Venezia
dc.subject	Biennale della Fotografia Venezia
dc.subject	Biennale della Fotografia Venezia
dc.subject	Biennale di Venezia 1914
dc.subject	Biennale di Venezia 1914
dc.subject	Biennale di Venezia 1914
dc.subject	Biennale library
dc.subject	Biennale library
dc.subject	Biennale library
dc.subject	Border
dc.subject	Border
dc.subject	Border
dc.subject	Border Art
dc.subject	Border Art
dc.subject	Border Art
dc.subject	Carlo Scarpa
dc.subject	Carlo Scarpa
dc.subject	Carlo Scarpa
dc.subject	Communication
dc.subject	Communication
dc.subject	Communication
dc.subject	Contemporary African Art
dc.subject	Contemporary African Art
dc.subject	Contemporary African Art
dc.subject	Contemporary art
dc.subject	Contemporary art
dc.subject	Contemporary art
dc.subject	Dak’Art
dc.subject	Dak’Art
dc.subject	Dak’Art
dc.subject	Discursive biennials
dc.subject	Discursive biennials
dc.subject	Discursive biennials
dc.subject	Domenico Varagnolo
dc.subject	Domenico Varagnolo
dc.subject	Domenico Varagnolo
dc.subject	Francesco Bonami
dc.subject	Francesco Bonami
dc.subject	Francesco Bonami
dc.subject	Galileo Chini
dc.subject	Galileo Chini
dc.subject	Galileo Chini
dc.subject	Galleria Nazionale d’Arte Moderna di Roma (GNAM)
dc.subject	Galleria Nazionale d’Arte Moderna di Roma (GNAM)
dc.subject	Galleria Nazionale d’Arte Moderna di Roma (GNAM)
dc.subject	Galleria del Cavallino
dc.subject	Galleria del Cavallino
dc.subject	Galleria del Cavallino
dc.subject	Gender art
dc.subject	Gender art
dc.subject	Gender art
dc.subject	General Release
dc.subject	General Release
dc.subject	General Release
dc.subject	Graphics
dc.subject	Graphics
dc.subject	Graphics
dc.subject	Historical revision
dc.subject	Historical revision
dc.subject	Historical revision
dc.subject	Identity
dc.subject	Identity
dc.subject	Identity
dc.subject	Identity issue
dc.subject	Identity issue
dc.subject	Identity issue
dc.subject	Immigration
dc.subject	Immigration
dc.subject	Immigration
dc.subject	Ivan Mestrovic
dc.subject	Ivan Mestrovic
dc.subject	Ivan Mestrovic
dc.subject	Japanese artists
dc.subject	Japanese artists
dc.subject	Japanese artists
dc.subject	Jeff Koons
dc.subject	Jeff Koons
dc.subject	Jeff Koons
dc.subject	Korean Pavilion
dc.subject	Korean Pavilion
dc.subject	Korean Pavilion
dc.subject	Korean contemporary art
dc.subject	Korean contemporary art
dc.subject	Korean contemporary art
dc.subject	Korean identity
dc.subject	Korean identity
dc.subject	Korean identity
dc.subject	La Biennale di Venezia
dc.subject	La Biennale di Venezia
dc.subject	La Biennale di Venezia
dc.subject	Latin America
dc.subject	Latin America
dc.subject	Latin America
dc.subject	Leopold Sedar Senghor
dc.subject	Leopold Sedar Senghor
dc.subject	Leopold Sedar Senghor
dc.subject	Library
dc.subject	Library
dc.subject	Library
dc.subject	Lucio Fontana
dc.subject	Lucio Fontana
dc.subject	Lucio Fontana
dc.subject	Mexico Pavilion
dc.subject	Mexico Pavilion
dc.subject	Mexico Pavilion
dc.subject	Mois de la Photo
dc.subject	Mois de la Photo
dc.subject	Mois de la Photo
dc.subject	Narcissus Garden
dc.subject	Narcissus Garden
dc.subject	Narcissus Garden
dc.subject	National pavilions
dc.subject	Nazional pavilions
dc.subject	Nazional pavilions
dc.subject	On Translation
dc.subject	On Translation
dc.subject	On Translation
dc.subject	Organization of exhibitions
dc.subject	Organization of exhibitions
dc.subject	Organization of exhibitions
dc.subject	Pablo Picasso
dc.subject	Pablo Picasso
dc.subject	Pablo Picasso
dc.subject	Padiglione del Libro
dc.subject	Padiglione del Libro
dc.subject	Padiglione del Libro
dc.subject	Palma Bucarelli
dc.subject	Palma Bucarelli
dc.subject	Palma Bucarelli
dc.subject	Performance
dc.subject	Performance
dc.subject	Performance
dc.subject	Post-socialist art
dc.subject	Post-socialist art
dc.subject	Post-socialist art
dc.subject	Posters
dc.subject	Posters
dc.subject	Posters
dc.subject	Press review
dc.subject	Press review
dc.subject	Press review
dc.subject	Relational Art
dc.subject	Relational Art
dc.subject	Relational Art
dc.subject	Rirkrit Tiravanija
dc.subject	Rirkrit Tiravanija
dc.subject	Rirkrit Tiravanija
dc.subject	Rodolfo Pallucchini
dc.subject	Rodolfo Pallucchini
dc.subject	Rodolfo Pallucchini
dc.subject	Scandal
dc.subject	Scandal
dc.subject	Scandal
dc.subject	Sculpture
dc.subject	Sculpture
dc.subject	Sculpture
dc.subject	Sculpture
dc.subject	Sculpture
dc.subject	Senegal
dc.subject	Senegal
dc.subject	Senegal
dc.subject	Seventies
dc.subject	Seventies
dc.subject	Seventies
dc.subject	Site-specificity
dc.subject	Site-specificity
dc.subject	Site-specificity
dc.subject	South America
dc.subject	South America
dc.subject	South America
dc.subject	Space
dc.subject	Space
dc.subject	Space
dc.subject	Spanish Pavilion
dc.subject	Spanish Pavilion
dc.subject	Spanish Pavillion
dc.subject	Spanish Pavillion
dc.subject	Spanish Pavillion
dc.subject	Spanish Pavillion
dc.subject	Spanish Pavillion
dc.subject	Twentieth century Mexican Art
dc.subject	Twentieth century Mexican Art
dc.subject	Twentieth century Mexican Art
dc.subject	Twenty-first century Mexican Art
dc.subject	Twenty-first century Mexican Art
dc.subject	Twenty-first century Mexican Art
dc.subject	Umbro Apollonio
dc.subject	Umbro Apollonio
dc.subject	Umbro Apollonio
dc.subject	Venetian artists
dc.subject	Venetian artists
dc.subject	Venetian artists
dc.subject	Venetian painting
dc.subject	Venetian painting
dc.subject	Venetian painting
dc.subject	Venezia ’79
dc.subject	Venezia ’79
dc.subject	Venezia ’79
dc.subject	Venice
dc.subject	Venice
dc.subject	Venice
dc.subject	Venice Biennale
dc.subject	Venice Biennale
dc.subject	Venice Biennale
dc.subject	Venice Biennale
dc.subject	Venice Biennale
dc.subject	Venice Biennale
dc.subject	Venice Biennale
dc.subject	Venice Biennale
dc.subject	Venice Biennale
dc.subject	Venice Biennale
dc.subject	Venice Biennale
dc.subject	Venice Biennale
dc.subject	Venice Biennale
dc.subject	Venice Biennale
dc.subject	Venice Biennale
dc.subject	Venice Biennale
dc.subject	Venice Biennale
dc.subject	Venice Biennale
dc.subject	Venice Biennale
dc.subject	Venice Biennale
dc.subject	Venice Biennale
dc.subject	Venice Biennale
dc.subject	Venice Biennale
dc.subject	Women artists
dc.subject	Women artists
dc.subject	Women artists
dc.subject	Yayoi Kusama
dc.subject	Yayoi Kusama
dc.subject	Yayoi Kusama
dc.subject	Young British Artists
dc.subject	Young British Artists
dc.subject	Young British Artists

Miscellanea
open access

Storie della Biennale di Venezia

a cura di

Stefania Portinari Università Ca’ Foscari Venezia, Italia

Nico Stringa Università Ca’ Foscari Venezia, Italia

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abstract

Atlante delle biennali intende essere un portolano per attraversare la storia e il presente di mostre che diventano epicentri di incontro e confronto anche tra nazioni e identità, che come mappe complesse e mesmerizzanti segnalano molteplici prospettive e punti cardinali. Uno sguardo widestream sul sistema dell’arte inizia puntando il periscopio su delle nuove Storie della Biennale di Venezia: rivelando altri intrecci di questa istituzione, ma interpretando pure le sorprendenti rotte che percorrono i padiglioni, in un gioco combinatorio che conduce verso avventure curatoriali e sorprendenti immaginari.

Pubblicato

18 Dicembre 2019

Lingua

IT, EN

ISBN (PRINT)

978-88-6969-367-0

ISBN (EBOOK)

978-88-6969-366-3

Numero pagine

440

Dimensioni

16x23 cm

Keywords

Spanish Pavilion • Leopold Sedar Senghor • Identity • Contemporary art • Relational Art • Library • Contemporary African Art • Domenico Varagnolo • Art Biennial • Sculpture • Site-specificity • 1928 • Albania • ASAC • Women artists • Border Art • Pablo Picasso • Aperto ’90 • Organization of exhibitions • General Release • Yayoi Kusama • Galleria Nazionale d’Arte Moderna di Roma (GNAM) • Korean contemporary art • Mexico Pavilion • Press review • Galleria del Cavallino • Japanese artists • Post-socialist art • Biennale archive • Latin America • Venetian artists • Performance • Rodolfo Pallucchini • Biennale della Fotografia Venezia • Francesco Bonami • Lucio Fontana • On Translation • Umbro Apollonio • Ivan Mestrovic • Carlo Scarpa • Achille Bonito Oliva • BBPR • Biennale di Venezia 1914 • Biennale 1990 • Biennale library • Venice Biennale • Biennale • Advertising • Narcissus Garden • Space • Arsenale • Palma Bucarelli • BAW/TAF • Biennale Photo-Cinéma • Art market • Senegal • Padiglione del Libro • Venice • Scandal • Korean Pavilion • Spanish Pavillion • Bangkok • Korean identity • National pavilions • Venetian painting • Twenty-first century Mexican Art • Mois de la Photo • 1895-1912 • Historical revision • Argentina • Aperto ’93 • Graphics • La Biennale di Venezia • Communication • South America • Twentieth century Mexican Art • Gender art • Young British Artists • Jeff Koons • Border • Rirkrit Tiravanija • Dak’Art • Nazional pavilions • Discursive biennials • Venezia ’79 • Antonio Fradeletto • Immigration • Seventies • Identity issue • Galileo Chini • Posters

permalink http://doi.org/10.30687/978-88-6969-366-3

Copyright: © 2019 Stefania Portinari, Nico Stringa. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.