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Il gioco di nessuno

La forma biennale tra Venezia e Parigi nella fotografia del dopoguerra fino agli anni Ottanta

Francesca Dolzani    

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abstract

The purpose of this article is to start mapping the trajectories of artistic dispositives, exhibiting formats and reciprocal cultural influences across Europe since its economic and political foundation in the 1950s, and up until the 1980s. Lines are drawn between Venice and Paris, two of the most visually identified cities on the continent, to explore the contribution given by photography and Biennales towards a European self-representation.

Pubblicato
18 Dicembre 2019
Lingua
IT
ISBN (PRINT)
978-88-6969-367-0
ISBN (EBOOK)
978-88-6969-366-3

Keywords: Biennale della Fotografia VeneziaBiennale Photo-CinémaVenezia ’79Mois de la Photo

Copyright: © 2019 Francesca Dolzani. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.