Arte relazionale alla Biennale di Venezia dal 1999 al 2017
This essay traces the presence of Relational Art at Venice Biennale, considering ten editions from 1999 to 2017, immediately following the publication of Esthétique relationelle by the critic Nicolas Bourriaud in 1998 and covers the most recent experiences. Analysing the past two decades, a variety of approaches relations are revealed, from the theme of human to the growing interest for involving people in artistic actions. Performances, installations, multimedia projects, workshops involve a heterogeneous public.
Keywords: Rirkrit Tiravanija • Venice Biennale • Relational Art