El cuento de nunca acabar y Visión de Nueva York de

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Campo DC	Valore
dc.identifier	ECF_chapter_220
dc.contributor.author	Pittarello Elide
dc.title	El cuento de nunca acabar y Visión de Nueva York de Carmen Martín Gaite
dc.type	Capitolo
dc.language.iso	it
dc.description.abstract	In the collages of her notebook Visión de Nueva York, which Carmen Martín Gaite made in New York in the fall of 1980, some compositions are a visual diary of the manuscript El cuento de nunca acabar, a metanarrative essay that the author was trying to finish among many doubts. Based on the recent hermeneutics of image, the intersemiotic relationships between the visual texts of some collages and the verbal text of the manuscript will be analysed. The medium of the collage, which is mounted with images coming from destroyed surfaces, needs a metavisual language in order to interpret its syntax of the fragment. It is a syntax similar to the structure of the manuscript de El cuento de nunca acabar. There is an iconic analogy between these collages and the literary subject that the author was deeply meditating: the difficulty of communicating the wholeness of experience through the order of verbal representations, always incompletes.
dc.relation.ispartof	Biblioteca di Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2016-04-01
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-080-8/el-cuento-de-nunca-acabar-y-vision-de-nueva-york-d/
dc.identifier.doi	10.14277/6969-068-6/RiB-1-23
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-080-8
dc.identifier.eisbn	978-88-6969-068-6
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Carmen Martín Gaite
dc.subject	Carmen Martín Gaite
dc.subject	Painting
dc.subject	Painting
dc.subject	Spanish novel
dc.subject	Spanish novel

Capitolo
open access

El cuento de nunca acabar y Visión de Nueva York de Carmen Martín Gaite

Elide Pittarello Università Ca’ Foscari Venezia, Italia

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abstract

In the collages of her notebook Visión de Nueva York, which Carmen Martín Gaite made in New York in the fall of 1980, some compositions are a visual diary of the manuscript El cuento de nunca acabar, a metanarrative essay that the author was trying to finish among many doubts. Based on the recent hermeneutics of image, the intersemiotic relationships between the visual texts of some collages and the verbal text of the manuscript will be analysed. The medium of the collage, which is mounted with images coming from destroyed surfaces, needs a metavisual language in order to interpret its syntax of the fragment. It is a syntax similar to the structure of the manuscript de El cuento de nunca acabar. There is an iconic analogy between these collages and the literary subject that the author was deeply meditating: the difficulty of communicating the wholeness of experience through the order of verbal representations, always incompletes.

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ISBN (PRINT)

978-88-6969-080-8

ISBN (EBOOK)

978-88-6969-068-6

Keywords: Spanish novel • Painting • Carmen Martín Gaite

permalink: http://doi.org/10.14277/6969-068-6/RiB-1-23

Copyright: © 2016 Elide Pittarello. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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