Studi e ricerche

The Merchant in Venice: Shakespeare in the Ghetto

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open access
    a cura di
  • Shaul Bassi - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Carol Chillington Rutter - University of Warwick, UK - email

Abstract

This book records the landmark performance of The Merchant of Venice in the Venetian Ghetto in 2016, the 400th anniversary of Shakespeare’s death and the 500th anniversary of the Jewish quarter that gave the world the word ‘ghetto’. Practitioners and critics discuss how this multi-ethnic production and its radical choice to cast five actors as Shylock provided the opportunity to respond creatively to Europe’s legacy of antisemitism, racism and difference. They observe how the place and play stand as ambivalent documents of civilization: instruments of intolerance but also sites of cultural exchange.

Keywords Shakespeare’s comedies of loveJosef BGhettoAdapting ShakespeareLancelot GobboMusic designMock Trial: Shylock vFictionNarrativizationJewsCompagnia de’ ColombariLorenzoAntonioHumanitiesRehearsalRuth Bader GinsburgVeniceFoersterMurray AbrahamChromaticismCostume designMusicShylockThe quality of mercyBassanioCharles and Mary LambGeorge Braque and ShakespeareCiro PinsutiChildren’s literaturePerforming ShakespeareAldo FinziReynaldo HahnJessicaThe Merchant of VeniceTheatre designLaurence OlivierGratianoShakespeare’s trial scenesSite specific performanceAdrian BeechamMercyFKarin CoonrodOtto TaubmannSite-specific performanceLighting designMemoryThe Merchant in the GhettoAntisemitismSite-specific ShakespeareThe Merchant of Venice in the GhettoAdaptationMario Castelnuovo-TedescoMock Appeal: Shylock vHeritagePortiaDesigning ShakespeareDirecting ShakespeareHolocaustTranslationOperaActors on ShakespeareAestheticismLewis CarrollSite-specific designChildren reading ShakespeareHistory

Permalink http://doi.org/10.30687/978-88-6969-503-2 | e-ISBN 978-88-6969-503-2 | ISBN (PRINT) 978-88-6969-504-9 | Numero pagine 238 | Dimensioni 16x23cm | Pubblicato 10 Giugno 2021 | Lingua en