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DC Field	Value
dc.identifier	ECF_article_214
dc.title	Despiece peatonal \| Respiración continua by Julio Reija. A (Not Exclusively) Double Book
dc.contributor.author	Mistrorigo Alessandro
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Research Article
dc.language.iso	es
dc.identifier.uri	http://edizionicafoscari.unive.it/en/edizioni4/riviste/rassegna-iberistica/2015/104/despiece-peatonal-respiracion-continua-de-julio-re/
dc.description.abstract	The last poetry book of Julio Reija combines two different poetry collections in the same object though a very peculiar layout designed by the same author. Far from looking for a mere rhetorical effect, the specific layout of the book is constitutive of the way Reija understands poetry: his practice of poetry is a continuous exercise in which words are literally and desperately disjointed, fragmented, took apart in a writing that is always searching for a new form. Julio Reija’s writing combines the derridian deconstruction of logos (language and though) with an ethical posture against the overwhelming power of mass media in contemporary world.
dc.relation.ispartof	Rassegna iberistica
dc.relation.ispartof	Vol. 38 \| Issue 104 \| December 2015
dc.issued	2015-12-01
dc.identifier.issn
dc.identifier.eissn	2037-6588
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.14277/2037-6588/77p
dc.peer-review	yes
dc.subject	Book-object
dc.subject	Book-object
dc.subject	Deconstruction
dc.subject	Deconstruction
dc.subject	Mass media
dc.subject	Mass media
dc.subject	Visual poetry
dc.subject	Visual poetry

Research Article
open access peer reviewed

Despiece peatonal | Respiración continua by Julio Reija

A (Not Exclusively) Double Book

Alessandro Mistrorigo Università Ca’ Foscari Venezia, Italia

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abstract

The last poetry book of Julio Reija combines two different poetry collections in the same object though a very peculiar layout designed by the same author. Far from looking for a mere rhetorical effect, the specific layout of the book is constitutive of the way Reija understands poetry: his practice of poetry is a continuous exercise in which words are literally and desperately disjointed, fragmented, took apart in a writing that is always searching for a new form. Julio Reija’s writing combines the derridian deconstruction of logos (language and though) with an ethical posture against the overwhelming power of mass media in contemporary world.

Published

Dec. 1, 2015

Language

Keywords: Visual poetry • Mass media • Deconstruction • Book-object

permalink http://doi.org/10.14277/2037-6588/77p

Copyright: © 2015 Alessandro Mistrorigo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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