Journal | Rassegna iberistica
Journal issue | 38 | 104 | 2015
Research Article | New and Old Ruralities
Abstract
It is at least curious the fact that nowadays, in this urban society, Spanish documentaries that are focused on rurality are flourishing. This paper is an attempt to better understand this phenomenon that might have an anchoring point in the so called Nova Escola de Barcelona. It also seems to be a social but metaphysic new glance to the countryside highly related with the search of the personal identity and with the anxiety of the social trauma. Having done a general overview of the presence of rural features in Spanish fictional and non-fictional cinema, we have highlighted three films due to their influence in the present renaissance of this feature: Las Hurdes. Tierra sin pan (1933), El espíritu de la colmena (1973) and El cielo gira (2005). Then, we focus on some of the most significant documentaries related to this new tendency of subjective and rather symbolic gaze over the Spanish countryside.
Published Dec. 1, 2015 | Language: es
Keywords Movie-essay • Fiction • Iberian rurality • Documentary
Copyright © 2015 Aina Monferrer. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2037-6588/72p
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DC Field | Value |
---|---|
dc.identifier |
ECF_article_76 |
dc.title |
New and Old Ruralities. Observations on the Cinematic Representation of Spanish Rurality |
dc.contributor.author |
Monferrer Aina |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.type |
Research Article |
dc.language.iso |
es |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/rassegna-iberistica/2015/104/nuevas-y-viejas-ruralidades/ |
dc.description.abstract |
It is at least curious the fact that nowadays, in this urban society, Spanish documentaries that are focused on rurality are flourishing. This paper is an attempt to better understand this phenomenon that might have an anchoring point in the so called Nova Escola de Barcelona. It also seems to be a social but metaphysic new glance to the countryside highly related with the search of the personal identity and with the anxiety of the social trauma. Having done a general overview of the presence of rural features in Spanish fictional and non-fictional cinema, we have highlighted three films due to their influence in the present renaissance of this feature: Las Hurdes. Tierra sin pan (1933), El espíritu de la colmena (1973) and El cielo gira (2005). Then, we focus on some of the most significant documentaries related to this new tendency of subjective and rather symbolic gaze over the Spanish countryside. |
dc.relation.ispartof |
Rassegna iberistica |
dc.relation.ispartof |
Vol. 38 | Issue 104 | December 2015 |
dc.issued |
2015-12-01 |
dc.identifier.issn |
|
dc.identifier.eissn |
2037-6588 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.14277/2037-6588/72p |
dc.peer-review |
yes |
dc.subject |
Documentary |
dc.subject |
Documentary |
dc.subject |
Fiction |
dc.subject |
Fiction |
dc.subject |
Iberian rurality |
dc.subject |
Iberian rurality |
dc.subject |
Movie-essay |
dc.subject |
Movie-essay |
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