Rivista | Rassegna iberistica
Fascicolo | 38 | 104 | 2015
Articolo | Nuevas y viejas ruralidades
Abstract
It is at least curious the fact that nowadays, in this urban society, Spanish documentaries that are focused on rurality are flourishing. This paper is an attempt to better understand this phenomenon that might have an anchoring point in the so called Nova Escola de Barcelona. It also seems to be a social but metaphysic new glance to the countryside highly related with the search of the personal identity and with the anxiety of the social trauma. Having done a general overview of the presence of rural features in Spanish fictional and non-fictional cinema, we have highlighted three films due to their influence in the present renaissance of this feature: Las Hurdes. Tierra sin pan (1933), El espíritu de la colmena (1973) and El cielo gira (2005). Then, we focus on some of the most significant documentaries related to this new tendency of subjective and rather symbolic gaze over the Spanish countryside.
Pubblicato 01 Dicembre 2015 | Lingua: es
Keywords Documentary • Movie-essay • Fiction • Iberian rurality
Copyright © 2015 Aina Monferrer. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2037-6588/72p
Articoli
Note
Recensioni
Pubblicazioni ricevute
DC Field | Value |
---|---|
dc.identifier |
ECF_article_76 |
dc.title |
Nuevas y viejas ruralidades. Reflexiones sobre la representación cinematográfica de la ruralidad española |
dc.contributor.author |
Monferrer Aina |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.type |
Articolo |
dc.language.iso |
es |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/riviste/rassegna-iberistica/2015/104/nuevas-y-viejas-ruralidades/ |
dc.description.abstract |
It is at least curious the fact that nowadays, in this urban society, Spanish documentaries that are focused on rurality are flourishing. This paper is an attempt to better understand this phenomenon that might have an anchoring point in the so called Nova Escola de Barcelona. It also seems to be a social but metaphysic new glance to the countryside highly related with the search of the personal identity and with the anxiety of the social trauma. Having done a general overview of the presence of rural features in Spanish fictional and non-fictional cinema, we have highlighted three films due to their influence in the present renaissance of this feature: Las Hurdes. Tierra sin pan (1933), El espíritu de la colmena (1973) and El cielo gira (2005). Then, we focus on some of the most significant documentaries related to this new tendency of subjective and rather symbolic gaze over the Spanish countryside. |
dc.relation.ispartof |
Rassegna iberistica |
dc.relation.ispartof |
Vol. 38 | Num. 104 | Dicembre 2015 |
dc.issued |
2015-12-01 |
dc.identifier.issn |
|
dc.identifier.eissn |
2037-6588 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.14277/2037-6588/72p |
dc.peer-review |
yes |
dc.subject |
Documentary |
dc.subject |
Documentary |
dc.subject |
Fiction |
dc.subject |
Fiction |
dc.subject |
Iberian rurality |
dc.subject |
Iberian rurality |
dc.subject |
Movie-essay |
dc.subject |
Movie-essay |
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