Journal |
Annali di Ca’ Foscari. Serie orientale
Journal issue | 59 | 2023
Keywords Contemporary Chinese literature • Ᾱghā khān • Muslim Brotherhood • Workers’ poetry • Identity • Portrait • Early modern travel • Women photographers • Archaeology • Syrian novel • Decorated tombs • Safavid-Venetian relations • Individuality • Signified • Mandarin Ducks and butterflies • Buddhism • Political Islam • Takao Suzuki • Toraakirabon • Literature and poetical imagery • Translation strategies • Xiaolu Guo • Kakari-musubi • Materiality • Manichaean alphabet • Medieval reuses • Nasserism • Conceptual combination • Chinese • Intertextuality • Spolia • Elite women in Modern Korea • Dictatorship • Ḥurūf-i qāfiya • Armenian translation • Elena Ferrante in China • Memories • Venice Art Biennale • Devotional literature • Hope and despair • Yi lü ma • Jesus in Chinese literature • Ritual • Nausicaa episode • Ishiuchi Miyako • Education • Appositive compounds • James Joyce • Salim Barakat • Safavid envoys • Marsiya • Egypt • Japanese photography • Manners • Ideology • Islamicate Manichaeism • Window • Šams-i Qays • Cai Wei • Ernst Haeckel • British colonial rule • Etymology • Adolescents • Lai Hsiang-yin • Labour • Art • Women • Korean New Women • Gandhara • Manichaean texts • Neoliberalism and Consumerism • Contemporary Arabic literature • Yanagi Miwa • Compounding • Late Middle Japanese • Indo-European Languages • Roland Barthes • Gushi Xinbian • Women artists • Kyūshū • Ghost narrative • Ossetic • Christianity in Chinese literature • Islamic movements • Early new Persian • Fragments d’un discours amoureux • Republican Era literature • Protohistoric art • Ecolinguistics • Imām Ḥusayn • Ulysses • Asian religions in Italy • Qie ming bo • Migrant workers’ poetry • Chinese literature • Colonial subject • Kanji • Lee Wai Yi • Sinophone literature • Diplomatic history • Kofun Period • Environment • Sixteenth century • Japanese case particles • Rewriting history • Khachkar • Cultural references • Buke Kojitsu • Neoclassical compounds • Sima Qian • Persian language • Lu Xun • Poetics of ‘propensity’ • Religious change • Colour as a sign • Intercultural communication • Dystopian novel • Politics • Persian poetry • Binomens • Technology • Ch’oe Yŏngsuk (Choi Young-Sook) • Donors • Sociolinguistic variation • Gendered language • Japanese archaeology • International student • Japanese compounds • Tensho embassy • Japanese female photography • Independence movement • Signifier • Ceremony • Socio-cultural signs • Translation analysis • History of photography • Venice • Short story “Medicine” • Colonial Korea • Onomasiological approach • Collective sphere • Armenian church • Zaynab al-Ghazālī al-Ǧabīlī • Sociology of literature • Kawakami Hiromi • Jesuit • Kyōgen • Eastern Iranian Languages • A Lover’s Discourse • Japan • Ise • Posthuman existences • Rhyme • Literary translation • Khojas • Christianisation processes • Boat symbolism • Urartian inscriptions • Impact assessment • Bao Tianxiao
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Published Aug. 29, 2023 | Language fr, it, en
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