Journal |
Annali di Ca’ Foscari. Serie orientale
Journal issue | 59 | 2023
Keywords Protohistoric art • International student • Hope and despair • Poetics of ‘propensity’ • Sixteenth century • Literature and poetical imagery • Roland Barthes • Technology • Toraakirabon • Appositive compounds • Posthuman existences • Muslim Brotherhood • Women photographers • Archaeology • Ᾱghā khān • Diplomatic history • Binomens • Compounding • Ch’oe Yŏngsuk (Choi Young-Sook) • Sociology of literature • Identity • Sinophone literature • Yi lü ma • Window • Religious change • Cai Wei • Women artists • Literary translation • Kawakami Hiromi • Asian religions in Italy • Socio-cultural signs • Devotional literature • Politics • Jesuit • Khachkar • Ideology • Short story “Medicine” • History of photography • Persian language • Late Middle Japanese • Dictatorship • Armenian church • Christianisation processes • Sociolinguistic variation • Contemporary Chinese literature • Impact assessment • Kyūshū • Syrian novel • Early new Persian • Venice • Xiaolu Guo • Workers’ poetry • Collective sphere • Šams-i Qays • Chinese literature • Ritual • Buke Kojitsu • Conceptual combination • Manners • Elena Ferrante in China • Elite women in Modern Korea • Signifier • Kofun Period • Cultural references • Etymology • Bao Tianxiao • Egypt • Lai Hsiang-yin • British colonial rule • Migrant workers’ poetry • Gandhara • James Joyce • Ecolinguistics • Translation strategies • Early modern travel • Decorated tombs • Dystopian novel • Ishiuchi Miyako • Medieval reuses • Gendered language • Armenian translation • Political Islam • Ceremony • Japanese photography • Spolia • Eastern Iranian Languages • Memories • Mandarin Ducks and butterflies • Kakari-musubi • Nausicaa episode • Ise • Boat symbolism • Education • Jesus in Chinese literature • Ghost narrative • Tensho embassy • Zaynab al-Ghazālī al-Ǧabīlī • Gushi Xinbian • Marsiya • Ossetic • Fragments d’un discours amoureux • Japanese compounds • Intercultural communication • Manichaean texts • Japan • Venice Art Biennale • Indo-European Languages • Intertextuality • Christianity in Chinese literature • A Lover’s Discourse • Portrait • Manichaean alphabet • Qie ming bo • Signified • Yanagi Miwa • Japanese female photography • Chinese • Persian poetry • Independence movement • Labour • Colonial Korea • Materiality • Neoclassical compounds • Khojas • Safavid envoys • Translation analysis • Environment • Imām Ḥusayn • Kyōgen • Republican Era literature • Takao Suzuki • Neoliberalism and Consumerism • Japanese case particles • Lu Xun • Safavid-Venetian relations • Art • Rewriting history • Islamic movements • Ulysses • Lee Wai Yi • Donors • Onomasiological approach • Korean New Women • Salim Barakat • Buddhism • Women • Ḥurūf-i qāfiya • Ernst Haeckel • Rhyme • Colonial subject • Colour as a sign • Urartian inscriptions • Japanese archaeology • Adolescents • Kanji • Nasserism • Sima Qian • Contemporary Arabic literature • Islamicate Manichaeism • Individuality
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Published Aug. 29, 2023 | Language fr, en, it
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