59 | 2023
open access | peer reviewedKeywords Colonial Korea • Identity • Intertextuality • Medieval reuses • Buddhism • Translation strategies • Japan • Japanese female photography • Short story “Medicine” • Portrait • Collective sphere • Cultural references • Ernst Haeckel • Manners • Women • Korean New Women • Individuality • Political Islam • Contemporary Chinese literature • International student • Etymology • Buke Kojitsu • Ch’oe Yŏngsuk (Choi Young-Sook) • Workers’ poetry • Boat symbolism • Labour • Khachkar • Gushi Xinbian • Decorated tombs • Kawakami Hiromi • Xiaolu Guo • Chinese • Japanese compounds • Hope and despair • British colonial rule • Yi lü ma • Education • Persian poetry • Conceptual combination • Politics • Ritual • Women photographers • Japanese case particles • Religious change • Manichaean alphabet • Indo-European Languages • Christianisation processes • Bao Tianxiao • Mandarin Ducks and butterflies • Late Middle Japanese • Persian language • Compounding • Christianity in Chinese literature • Ideology • Venice Art Biennale • Khojas • Independence movement • History of photography • Women artists • Elena Ferrante in China • Gendered language • Takao Suzuki • Rewriting history • Materiality • Early new Persian • Neoclassical compounds • Salim Barakat • Colour as a sign • Sima Qian • Kofun Period • Kyūshū • Jesuit • Dystopian novel • Colonial subject • Kakari-musubi • Eastern Iranian Languages • Rhyme • Japanese archaeology • Urartian inscriptions • Gandhara • Donors • Ise • Japanese photography • Signified • Zaynab al-Ghazālī al-Ǧabīlī • Islamic movements • Lai Hsiang-yin • Armenian translation • Lee Wai Yi • Memories • Ossetic • Qie ming bo • Cai Wei • Impact assessment • Marsiya • Appositive compounds • Ulysses • Archaeology • A Lover’s Discourse • Literary translation • Intercultural communication • Ishiuchi Miyako • Protohistoric art • Nasserism • Migrant workers’ poetry • Roland Barthes • Egypt • Ḥurūf-i qāfiya • Šams-i Qays • Technology • Spolia • Elite women in Modern Korea • Fragments d’un discours amoureux • Jesus in Chinese literature • Sociolinguistic variation • Art • Manichaean texts • Sixteenth century • James Joyce • Lu Xun • Muslim Brotherhood • Safavid-Venetian relations • Ᾱghā khān • Posthuman existences • Dictatorship • Sociology of literature • Imām Ḥusayn • Kyōgen • Armenian church • Kanji • Yanagi Miwa • Tensho embassy • Nausicaa episode • Islamicate Manichaeism • Environment • Syrian novel • Ceremony • Signifier • Contemporary Arabic literature • Diplomatic history • Chinese literature • Devotional literature • Safavid envoys • Toraakirabon • Onomasiological approach • Ghost narrative • Sinophone literature • Translation analysis • Poetics of ‘propensity’ • Republican Era literature • Venice • Ecolinguistics • Early modern travel • Literature and poetical imagery • Binomens • Adolescents • Asian religions in Italy • Neoliberalism and Consumerism • Socio-cultural signs • Window
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Published Aug. 29, 2023 | Language en, fr, it
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