Journal |
Annali di Ca’ Foscari. Serie orientale
Journal issue | 59 | 2023
Keywords Cai Wei • Egypt • Bao Tianxiao • Colour as a sign • Salim Barakat • Gandhara • Christianity in Chinese literature • Memories • Technology • Materiality • Asian religions in Italy • Ishiuchi Miyako • Literature and poetical imagery • Short story “Medicine” • Fragments d’un discours amoureux • Translation analysis • Ghost narrative • Contemporary Arabic literature • Buke Kojitsu • Nausicaa episode • Colonial subject • Japanese photography • Qie ming bo • Women artists • Women photographers • Venice • Portrait • Contemporary Chinese literature • Republican Era literature • Compounding • Sociolinguistic variation • Women • Politics • Etymology • Rhyme • Dictatorship • Indo-European Languages • Signifier • Armenian translation • International student • Yi lü ma • Japan • Early new Persian • Hope and despair • Safavid-Venetian relations • Ise • Religious change • Kawakami Hiromi • Appositive compounds • Archaeology • Muslim Brotherhood • Japanese compounds • Poetics of ‘propensity’ • Ulysses • Gushi Xinbian • Literary translation • Elite women in Modern Korea • Ceremony • Mandarin Ducks and butterflies • Safavid envoys • Ossetic • Islamicate Manichaeism • Independence movement • Spolia • Manners • Decorated tombs • Conceptual combination • Art • Ernst Haeckel • Translation strategies • Late Middle Japanese • Eastern Iranian Languages • Intercultural communication • Sociology of literature • Kofun Period • Japanese case particles • Zaynab al-Ghazālī al-Ǧabīlī • History of photography • Individuality • Ḥurūf-i qāfiya • Environment • Kyūshū • Onomasiological approach • Venice Art Biennale • Colonial Korea • Political Islam • Manichaean texts • Window • Signified • Xiaolu Guo • Ideology • Posthuman existences • Islamic movements • Khojas • Lee Wai Yi • Boat symbolism • Marsiya • Migrant workers’ poetry • Ritual • Christianisation processes • Šams-i Qays • Workers’ poetry • Khachkar • Syrian novel • James Joyce • Early modern travel • Buddhism • Japanese female photography • Labour • Cultural references • Japanese archaeology • Diplomatic history • Gendered language • Binomens • Socio-cultural signs • Ᾱghā khān • Takao Suzuki • Toraakirabon • Urartian inscriptions • British colonial rule • Persian poetry • Ch’oe Yŏngsuk (Choi Young-Sook) • Lai Hsiang-yin • Jesus in Chinese literature • Identity • Manichaean alphabet • Nasserism • Donors • Sima Qian • Ecolinguistics • Chinese literature • A Lover’s Discourse • Intertextuality • Armenian church • Kanji • Neoclassical compounds • Protohistoric art • Rewriting history • Collective sphere • Persian language • Chinese • Devotional literature • Kyōgen • Adolescents • Roland Barthes • Imām Ḥusayn • Impact assessment • Jesuit • Elena Ferrante in China • Korean New Women • Kakari-musubi • Neoliberalism and Consumerism • Medieval reuses • Dystopian novel • Education • Sixteenth century • Sinophone literature • Lu Xun • Tensho embassy • Yanagi Miwa
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Published Aug. 29, 2023 | Language en, it, fr
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