Annali di Ca’ Foscari. Serie orientale

Journal | Annali di Ca’ Foscari. Serie orientale
Journal issue | 59 | 2023

59 | 2023

open access | peer reviewed

Keywords Cai Wei • Egypt • Bao Tianxiao • Colour as a sign • Salim Barakat • Gandhara • Christianity in Chinese literature • Memories • Technology • Materiality • Asian religions in Italy • Ishiuchi Miyako • Literature and poetical imagery • Short story “Medicine” • Fragments d’un discours amoureux • Translation analysis • Ghost narrative • Contemporary Arabic literature • Buke Kojitsu • Nausicaa episode • Colonial subject • Japanese photography • Qie ming bo • Women artists • Women photographers • Venice • Portrait • Contemporary Chinese literature • Republican Era literature • Compounding • Sociolinguistic variation • Women • Politics • Etymology • Rhyme • Dictatorship • Indo-European Languages • Signifier • Armenian translation • International student • Yi lü ma • Japan • Early new Persian • Hope and despair • Safavid-Venetian relations • Ise • Religious change • Kawakami Hiromi • Appositive compounds • Archaeology • Muslim Brotherhood • Japanese compounds • Poetics of ‘propensity’ • Ulysses • Gushi Xinbian • Literary translation • Elite women in Modern Korea • Ceremony • Mandarin Ducks and butterflies • Safavid envoys • Ossetic • Islamicate Manichaeism • Independence movement • Spolia • Manners • Decorated tombs • Conceptual combination • Art • Ernst Haeckel • Translation strategies • Late Middle Japanese • Eastern Iranian Languages • Intercultural communication • Sociology of literature • Kofun Period • Japanese case particles • Zaynab al-Ghazālī al-Ǧabīlī • History of photography • Individuality • Ḥurūf-i qāfiya • Environment • Kyūshū • Onomasiological approach • Venice Art Biennale • Colonial Korea • Political Islam • Manichaean texts • Window • Signified • Xiaolu Guo • Ideology • Posthuman existences • Islamic movements • Khojas • Lee Wai Yi • Boat symbolism • Marsiya • Migrant workers’ poetry • Ritual • Christianisation processes • Šams-i Qays • Workers’ poetry • Khachkar • Syrian novel • James Joyce • Early modern travel • Buddhism • Japanese female photography • Labour • Cultural references • Japanese archaeology • Diplomatic history • Gendered language • Binomens • Socio-cultural signs • Ᾱghā khān • Takao Suzuki • Toraakirabon • Urartian inscriptions • British colonial rule • Persian poetry • Ch’oe Yŏngsuk (Choi Young-Sook) • Lai Hsiang-yin • Jesus in Chinese literature • Identity • Manichaean alphabet • Nasserism • Donors • Sima Qian • Ecolinguistics • Chinese literature • A Lover’s Discourse • Intertextuality • Armenian church • Kanji • Neoclassical compounds • Protohistoric art • Rewriting history • Collective sphere • Persian language • Chinese • Devotional literature • Kyōgen • Adolescents • Roland Barthes • Imām Ḥusayn • Impact assessment • Jesuit • Elena Ferrante in China • Korean New Women • Kakari-musubi • Neoliberalism and Consumerism • Medieval reuses • Dystopian novel • Education • Sixteenth century • Sinophone literature • Lu Xun • Tensho embassy • Yanagi Miwa

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Published Aug. 29, 2023 | Language en, it, fr

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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