Journal | Annali di Ca’ Foscari. Serie orientale
Journal issue | 59 | 2023
59 | 2023
open access | peer reviewedKeywords Rhyme • Intercultural communication • Ᾱghā khān • Japanese compounds • Islamic movements • Yanagi Miwa • Toraakirabon • Portrait • Ritual • Signified • Manichaean texts • Jesuit • Religious change • Salim Barakat • Lai Hsiang-yin • Muslim Brotherhood • Indo-European Languages • Translation analysis • Kyōgen • Dictatorship • Contemporary Arabic literature • Colonial Korea • Contemporary Chinese literature • Gandhara • Appositive compounds • Armenian translation • Education • Japanese archaeology • Xiaolu Guo • Diplomatic history • Tensho embassy • Syrian novel • Dystopian novel • Collective sphere • Translation strategies • Ḥurūf-i qāfiya • Khojas • Šams-i Qays • Buddhism • Rewriting history • Ise • Republican Era literature • Impact assessment • Identity • Short story “Medicine” • Political Islam • Marsiya • Khachkar • Qie ming bo • Neoclassical compounds • Ishiuchi Miyako • Buke Kojitsu • Cai Wei • Kawakami Hiromi • James Joyce • Nausicaa episode • Poetics of ‘propensity’ • Asian religions in Italy • A Lover’s Discourse • British colonial rule • Ossetic • Persian language • Spolia • Japanese photography • Boat symbolism • Japanese female photography • Korean New Women • Signifier • Egypt • Late Middle Japanese • Ghost narrative • Ecolinguistics • Migrant workers’ poetry • Eastern Iranian Languages • Christianisation processes • Elena Ferrante in China • Sociology of literature • Protohistoric art • Etymology • Colour as a sign • Literature and poetical imagery • Chinese literature • Environment • Gushi Xinbian • Memories • Roland Barthes • Onomasiological approach • Labour • Japanese case particles • Safavid envoys • Conceptual combination • Binomens • Japan • Lee Wai Yi • Imām Ḥusayn • Kyūshū • Posthuman existences • Kanji • Literary translation • Cultural references • Ernst Haeckel • Sima Qian • Donors • Kofun Period • Women photographers • Takao Suzuki • Materiality • Elite women in Modern Korea • Hope and despair • Gendered language • Archaeology • Technology • Women • Christianity in Chinese literature • Manichaean alphabet • Medieval reuses • Jesus in Chinese literature • Adolescents • Individuality • Lu Xun • Manners • Mandarin Ducks and butterflies • Ulysses • Armenian church • Ceremony • Colonial subject • Sinophone literature • Early new Persian • History of photography • Zaynab al-Ghazālī al-Ǧabīlī • Bao Tianxiao • Intertextuality • Devotional literature • Urartian inscriptions • Venice • Independence movement • Workers’ poetry • Women artists • Islamicate Manichaeism • Ideology • Compounding • Persian poetry • International student • Chinese • Early modern travel • Safavid-Venetian relations • Politics • Socio-cultural signs • Venice Art Biennale • Fragments d’un discours amoureux • Nasserism • Sixteenth century • Neoliberalism and Consumerism • Ch’oe Yŏngsuk (Choi Young-Sook) • Decorated tombs • Sociolinguistic variation • Kakari-musubi • Art • Yi lü ma • Window
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Published Aug. 29, 2023 | Language it, fr, en
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