Annali di Ca’ Foscari. Serie orientale

Journal | Annali di Ca’ Foscari. Serie orientale
Journal issue | 59 | 2023

59 | 2023

open access | peer reviewed

Keywords Protohistoric art • International student • Hope and despair • Poetics of ‘propensity’ • Sixteenth century • Literature and poetical imagery • Roland Barthes • Technology • Toraakirabon • Appositive compounds • Posthuman existences • Muslim Brotherhood • Women photographers • Archaeology • Ᾱghā khān • Diplomatic history • Binomens • Compounding • Ch’oe Yŏngsuk (Choi Young-Sook) • Sociology of literature • Identity • Sinophone literature • Yi lü ma • Window • Religious change • Cai Wei • Women artists • Literary translation • Kawakami Hiromi • Asian religions in Italy • Socio-cultural signs • Devotional literature • Politics • Jesuit • Khachkar • Ideology • Short story “Medicine” • History of photography • Persian language • Late Middle Japanese • Dictatorship • Armenian church • Christianisation processes • Sociolinguistic variation • Contemporary Chinese literature • Impact assessment • Kyūshū • Syrian novel • Early new Persian • Venice • Xiaolu Guo • Workers’ poetry • Collective sphere • Šams-i Qays • Chinese literature • Ritual • Buke Kojitsu • Conceptual combination • Manners • Elena Ferrante in China • Elite women in Modern Korea • Signifier • Kofun Period • Cultural references • Etymology • Bao Tianxiao • Egypt • Lai Hsiang-yin • British colonial rule • Migrant workers’ poetry • Gandhara • James Joyce • Ecolinguistics • Translation strategies • Early modern travel • Decorated tombs • Dystopian novel • Ishiuchi Miyako • Medieval reuses • Gendered language • Armenian translation • Political Islam • Ceremony • Japanese photography • Spolia • Eastern Iranian Languages • Memories • Mandarin Ducks and butterflies • Kakari-musubi • Nausicaa episode • Ise • Boat symbolism • Education • Jesus in Chinese literature • Ghost narrative • Tensho embassy • Zaynab al-Ghazālī al-Ǧabīlī • Gushi Xinbian • Marsiya • Ossetic • Fragments d’un discours amoureux • Japanese compounds • Intercultural communication • Manichaean texts • Japan • Venice Art Biennale • Indo-European Languages • Intertextuality • Christianity in Chinese literature • A Lover’s Discourse • Portrait • Manichaean alphabet • Qie ming bo • Signified • Yanagi Miwa • Japanese female photography • Chinese • Persian poetry • Independence movement • Labour • Colonial Korea • Materiality • Neoclassical compounds • Khojas • Safavid envoys • Translation analysis • Environment • Imām Ḥusayn • Kyōgen • Republican Era literature • Takao Suzuki • Neoliberalism and Consumerism • Japanese case particles • Lu Xun • Safavid-Venetian relations • Art • Rewriting history • Islamic movements • Ulysses • Lee Wai Yi • Donors • Onomasiological approach • Korean New Women • Salim Barakat • Buddhism • Women • Ḥurūf-i qāfiya • Ernst Haeckel • Rhyme • Colonial subject • Colour as a sign • Urartian inscriptions • Japanese archaeology • Adolescents • Kanji • Nasserism • Sima Qian • Contemporary Arabic literature • Islamicate Manichaeism • Individuality

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Published Aug. 29, 2023 | Language fr, en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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