59 | 2023
open access | peer reviewedKeywords Eastern Iranian Languages • Political Islam • Religious change • Ritual • Window • Ghost narrative • Takao Suzuki • Posthuman existences • Ecolinguistics • Japan • Lai Hsiang-yin • Buke Kojitsu • Zaynab al-Ghazālī al-Ǧabīlī • Gushi Xinbian • Japanese female photography • Safavid envoys • Cultural references • Archaeology • Buddhism • Nasserism • Kakari-musubi • Ḥurūf-i qāfiya • Translation analysis • Japanese case particles • Labour • Chinese • Republican Era literature • Signifier • Poetics of ‘propensity’ • Protohistoric art • Šams-i Qays • Art • Literature and poetical imagery • Marsiya • Kofun Period • Japanese photography • Jesus in Chinese literature • Individuality • Dictatorship • Decorated tombs • Japanese archaeology • Colour as a sign • Gendered language • Education • Politics • Lee Wai Yi • Venice • Spolia • Late Middle Japanese • Nausicaa episode • Manners • Sociolinguistic variation • Early modern travel • International student • Medieval reuses • Ossetic • Conceptual combination • Asian religions in Italy • Islamic movements • Manichaean texts • Intertextuality • Devotional literature • Tensho embassy • Literary translation • Compounding • Armenian translation • British colonial rule • Contemporary Chinese literature • Onomasiological approach • Fragments d’un discours amoureux • Christianity in Chinese literature • Rhyme • Sociology of literature • Cai Wei • Khachkar • Translation strategies • Ᾱghā khān • Ernst Haeckel • Gandhara • Environment • Intercultural communication • Yi lü ma • Kawakami Hiromi • Hope and despair • Women • A Lover’s Discourse • Salim Barakat • Manichaean alphabet • History of photography • Identity • Independence movement • James Joyce • Bao Tianxiao • Kyōgen • Safavid-Venetian relations • Japanese compounds • Armenian church • Kyūshū • Contemporary Arabic literature • Islamicate Manichaeism • Migrant workers’ poetry • Short story “Medicine” • Persian poetry • Syrian novel • Donors • Lu Xun • Qie ming bo • Sinophone literature • Ch’oe Yŏngsuk (Choi Young-Sook) • Rewriting history • Workers’ poetry • Khojas • Indo-European Languages • Memories • Socio-cultural signs • Imām Ḥusayn • Appositive compounds • Colonial subject • Elite women in Modern Korea • Roland Barthes • Mandarin Ducks and butterflies • Venice Art Biennale • Women artists • Neoclassical compounds • Early new Persian • Portrait • Technology • Collective sphere • Etymology • Kanji • Sima Qian • Christianisation processes • Ulysses • Dystopian novel • Ishiuchi Miyako • Diplomatic history • Xiaolu Guo • Binomens • Jesuit • Adolescents • Muslim Brotherhood • Yanagi Miwa • Women photographers • Sixteenth century • Persian language • Neoliberalism and Consumerism • Impact assessment • Korean New Women • Materiality • Colonial Korea • Boat symbolism • Signified • Egypt • Chinese literature • Elena Ferrante in China • Ise • Toraakirabon • Ceremony • Urartian inscriptions • Ideology
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Published Aug. 29, 2023 | Language fr, en, it
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