Annali di Ca’ Foscari. Serie orientale

55 | 2019

open access | peer reviewed

Keywords Japonisme • Xu Zechen • Intellectual History • Didactics of Arabic to non-Arabic-speaking • Body • World Bank • Connected History & Global History • Euphemism • Possessive Individualism • Dolls as metaphors • Mevlevî Dervishes • Kwanyin Clan • Food piracy • Japan and Okinawa • Information asymmetry • Tammām Ḥassān • ‘Three perfections’ • Chinese rural-urban migrants • Dervishes • Ottoman History • Correspondence • Chinese Values • Debt Relief • Modern Art Criticism • Literature analysis • Uzun Ḥasan • Manomaya-kāya • Chinese market • ʿIshrat-nāma • Graffiti • Halo construct • Art Collecting • Imaginative geographies • Washington Consensus • Parody • Chinese Middle-class Consumers • Nation-state • Western Travels History • Society as a whole • Italian sounding • Ajavilāpa • Orientalism • History of music in Central Asia • ʿAishī Shīrāzī • Upaniṣad • ʿInāyat-Allāh Beg • Chinese fansubbing • Iddhi • Globalisation • Mevlevî Ceremonies • Veda • Adverse selection • Shiraz • 3/11 Literature • International Monetary Fund • Scholars’ network • Taḏawwuq adabī • Learning • Japanese Cinema • The state • La figlia oscura • Mamluk period • Transaction costs • Maqām/makam/mughām • Fin-de-siècle Italy • Abhiññā • Contemporary Japanese Literature • Contemporary Chinese art • Spectatorship • Hino Ashihei • Nicolò Manucci • US-occupied Okinawa • Civil society • The social • Connected History & Global History • Othering • Rupture Movement • Made-in-Italy food • Mode • Indian Painting • Buddhism • Inanimate objects in literature • Khalīl b • Society • Linguistic taboo • Dervish Ceremonies • Gomorra-La serie • Dah-nāma • Eznik of Kołb • Historical musicology • Urban literature • Textual Criticism • Non-professional translation • Elena Ferrante • Terayama Shūji • Pāli • Armenian Literature • Contemporary Chinese literature • Chinese literati • Performance • Intermediality • Agricultural trade • Market economy • Ottoman Classical Music • Ernesto de Martino • Colonial gaze • Arabic linguistics • Raghuvaṃśa • Self-rotation • Arabic language • South Asian Art • Sufi Music • Funerary lament in ancient world • History of music in the Middle East • Methodius of Olympus • Takahashi Gen’ichirō • History of Sufism • Algeria • Aq-Quyūnlū • Identity

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01 | Published June 27, 2019 | Language it, fr, en

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