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Journal issue
open access peer reviewed

Vol. 55 | June 2019

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Language: fr, it, en

Published: June 27, 2019

Keywords

Correspondence • Buddhism • Aq-Quyūnlū • Shiraz • Chinese fansubbing • Mode • Intellectual History • Textual Criticism • Nicolò Manucci • History of music in Central Asia • Globalisation • International Monetary Fund • Indian Painting • Nation-state • Dervish Ceremonies • Contemporary Japanese Literature • The social • Rupture Movement • Literature analysis • Veda • Eznik of Kołb • Gomorra-La serie • Hino Ashihei • Inanimate objects in literature • Spectatorship • Upaniṣad • Washington Consensus • Takahashi Gen’ichirō • Parody • Sufi Music • Market economy • Halo construct • Raghuvaṃśa • Ajavilāpa • Mamluk period • Japanese Cinema • ‘Three perfections’ • Xu Zechen • Contemporary Chinese art • 3/11 Literature • Chinese rural-urban migrants • ʿInāyat-Allāh Beg • Debt Relief • Kwanyin Clan • Society • Western Travels History • Food piracy • Connected History & Global History • Pāli • Funerary lament in ancient world • Euphemism • Graffiti • Non-professional translation • Taḏawwuq adabī • Methodius of Olympus • ʿAishī Shīrāzī • Chinese literati • Dah-nāma • Chinese market • Adverse selection • Arabic language • Historical musicology • Ottoman Classical Music • Abhiññā • Terayama Shūji • Scholars’ network • Orientalism • Society as a whole • Othering • Khalīl b • Learning • The state • Civil society • Connected History & Global History • Identity • Japonisme • Body • Fin-de-siècle Italy • Ernesto de Martino • US-occupied Okinawa • Modern Art Criticism • Arabic linguistics • Agricultural trade • Information asymmetry • Tammām Ḥassān • Dervishes • Chinese Values • Possessive Individualism • Chinese Middle-class Consumers • Urban literature • Iddhi • La figlia oscura • Dolls as metaphors • Ottoman History • Performance • Mevlevî Dervishes • Algeria • Colonial gaze • Contemporary Chinese literature • Transaction costs • Maqām/makam/mughām • Mevlevî Ceremonies • Armenian Literature • History of Sufism • ʿIshrat-nāma • Linguistic taboo • Art Collecting • Uzun Ḥasan • Self-rotation • Imaginative geographies • Made-in-Italy food • South Asian Art • Japan and Okinawa • Intermediality • History of music in the Middle East • World Bank • Manomaya-kāya • Didactics of Arabic to non-Arabic-speaking • Elena Ferrante • Italian sounding

permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01

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