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Journal issue
open access peer reviewed

Vol. 55 | June 2019

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Language: it, en, fr

Published: June 27, 2019

Keywords

Spectatorship • World Bank • Nation-state • Correspondence • Textual Criticism • Imaginative geographies • Eznik of Kołb • Japanese Cinema • Debt Relief • Methodius of Olympus • Ajavilāpa • Uzun Ḥasan • Elena Ferrante • Veda • Dah-nāma • Modern Art Criticism • Possessive Individualism • Made-in-Italy food • Body • Intermediality • Chinese rural-urban migrants • Self-rotation • Nicolò Manucci • Society as a whole • Ottoman History • Chinese fansubbing • History of music in the Middle East • Information asymmetry • Chinese market • Civil society • Sufi Music • History of music in Central Asia • Arabic language • Italian sounding • Japan and Okinawa • Contemporary Japanese Literature • Historical musicology • Abhiññā • Dolls as metaphors • Art Collecting • Washington Consensus • Food piracy • Japonisme • Rupture Movement • Fin-de-siècle Italy • Gomorra-La serie • Connected History & Global History • Learning • Parody • Manomaya-kāya • Terayama Shūji • Urban literature • Contemporary Chinese art • Inanimate objects in literature • Chinese Values • Mevlevî Dervishes • Non-professional translation • Contemporary Chinese literature • Market economy • Shiraz • Western Travels History • Halo construct • US-occupied Okinawa • Literature analysis • Society • Armenian Literature • Algeria • Khalīl b • Upaniṣad • La figlia oscura • Othering • Iddhi • ‘Three perfections’ • Mamluk period • Buddhism • 3/11 Literature • Chinese Middle-class Consumers • Globalisation • International Monetary Fund • Kwanyin Clan • Dervishes • The state • Tammām Ḥassān • Takahashi Gen’ichirō • Ernesto de Martino • Agricultural trade • Dervish Ceremonies • ʿAishī Shīrāzī • Raghuvaṃśa • Transaction costs • Graffiti • Pāli • History of Sufism • Ottoman Classical Music • Scholars’ network • Taḏawwuq adabī • Colonial gaze • Mode • Orientalism • Hino Ashihei • ʿIshrat-nāma • Aq-Quyūnlū • Maqām/makam/mughām • Performance • Identity • South Asian Art • Adverse selection • Xu Zechen • Arabic linguistics • Mevlevî Ceremonies • Euphemism • ʿInāyat-Allāh Beg • Intellectual History • The social • Chinese literati • Connected History & Global History • Indian Painting • Funerary lament in ancient world • Didactics of Arabic to non-Arabic-speaking • Linguistic taboo

permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01

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