Annali di Ca’ Foscari. Serie orientale

55 | 2019

open access | peer reviewed

Keywords Othering • Market economy • US-occupied Okinawa • Society as a whole • World Bank • Halo construct • Chinese Values • Japanese Cinema • Scholars’ network • Eznik of Kołb • Takahashi Gen’ichirō • Mamluk period • Western Travels History • Upaniṣad • Iddhi • International Monetary Fund • Parody • Chinese rural-urban migrants • Terayama Shūji • Kwanyin Clan • ʿAishī Shīrāzī • Didactics of Arabic to non-Arabic-speaking • Hino Ashihei • Debt Relief • Adverse selection • Xu Zechen • Washington Consensus • La figlia oscura • Fin-de-siècle Italy • Colonial gaze • Contemporary Chinese art • Historical musicology • Ottoman History • Connected History & Global History • Performance • Arabic linguistics • Elena Ferrante • Sufi Music • History of music in Central Asia • Pāli • Tammām Ḥassān • Correspondence • Dervish Ceremonies • Japan and Okinawa • The social • Self-rotation • Imaginative geographies • Modern Art Criticism • Dervishes • Dah-nāma • Intermediality • Funerary lament in ancient world • Ajavilāpa • Identity • Maqām/makam/mughām • Society • Learning • Raghuvaṃśa • Veda • Buddhism • Gomorra-La serie • ʿIshrat-nāma • Chinese market • Japonisme • Linguistic taboo • Agricultural trade • Uzun Ḥasan • Chinese fansubbing • Armenian Literature • Mode • Nation-state • Transaction costs • Contemporary Chinese literature • Orientalism • Indian Painting • Food piracy • Connected History & Global History • Body • Literature analysis • Possessive Individualism • Nicolò Manucci • Inanimate objects in literature • Methodius of Olympus • Chinese literati • Information asymmetry • ‘Three perfections’ • Ernesto de Martino • Globalisation • ʿInāyat-Allāh Beg • South Asian Art • Chinese Middle-class Consumers • Made-in-Italy food • Ottoman Classical Music • History of music in the Middle East • The state • Aq-Quyūnlū • History of Sufism • Mevlevî Ceremonies • Non-professional translation • Algeria • Intellectual History • Italian sounding • Arabic language • Manomaya-kāya • Khalīl b • Mevlevî Dervishes • Contemporary Japanese Literature • Taḏawwuq adabī • Urban literature • Textual Criticism • Graffiti • 3/11 Literature • Civil society • Dolls as metaphors • Shiraz • Rupture Movement • Spectatorship • Abhiññā • Art Collecting • Euphemism

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01 | Published June 27, 2019 | Language fr, it, en

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