Annali di Ca’ Foscari. Serie orientale

55 | 2019

open access | peer reviewed

Keywords Dervishes • Food piracy • Fin-de-siècle Italy • Japonisme • Eznik of Kołb • History of music in Central Asia • Ottoman History • Intellectual History • Mevlevî Ceremonies • Raghuvaṃśa • US-occupied Okinawa • Upaniṣad • Japanese Cinema • Nation-state • Urban literature • Market economy • Mamluk period • Manomaya-kāya • Graffiti • Possessive Individualism • Othering • Aq-Quyūnlū • Nicolò Manucci • La figlia oscura • Adverse selection • Halo construct • Armenian Literature • Chinese fansubbing • Linguistic taboo • Veda • Methodius of Olympus • Made-in-Italy food • Transaction costs • Contemporary Chinese art • Literature analysis • Taḏawwuq adabī • ‘Three perfections’ • Gomorra-La serie • Kwanyin Clan • Maqām/makam/mughām • Chinese Values • Performance • Takahashi Gen’ichirō • Contemporary Japanese Literature • Colonial gaze • Society as a whole • Washington Consensus • Dah-nāma • Intermediality • Spectatorship • Italian sounding • Japan and Okinawa • Funerary lament in ancient world • Learning • Buddhism • Uzun Ḥasan • Mode • Civil society • Hino Ashihei • Mevlevî Dervishes • Arabic linguistics • Identity • Chinese literati • Rupture Movement • Pāli • Connected History & Global History • Sufi Music • Contemporary Chinese literature • Globalisation • Dervish Ceremonies • Art Collecting • 3/11 Literature • Agricultural trade • Orientalism • Western Travels History • Iddhi • Terayama Shūji • Information asymmetry • Chinese market • Debt Relief • The social • Algeria • ʿAishī Shīrāzī • Modern Art Criticism • Scholars’ network • Body • Self-rotation • Shiraz • Didactics of Arabic to non-Arabic-speaking • South Asian Art • Ernesto de Martino • ʿIshrat-nāma • International Monetary Fund • Khalīl b • Imaginative geographies • The state • Historical musicology • World Bank • Parody • Dolls as metaphors • Elena Ferrante • Indian Painting • Non-professional translation • ʿInāyat-Allāh Beg • History of Sufism • Ottoman Classical Music • Textual Criticism • Arabic language • Euphemism • Correspondence • History of music in the Middle East • Inanimate objects in literature • Abhiññā • Xu Zechen • Ajavilāpa • Tammām Ḥassān • Connected History & Global History • Society • Chinese Middle-class Consumers • Chinese rural-urban migrants

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01 | Published June 27, 2019 | Language it, fr, en

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.