Annali di Ca’ Foscari. Serie orientale

55 | 2019

open access | peer reviewed

Keywords ʿIshrat-nāma • Arabic language • Market economy • Japan and Okinawa • Food piracy • Parody • ‘Three perfections’ • Ottoman History • Taḏawwuq adabī • Rupture Movement • History of Sufism • Intermediality • Algeria • Khalīl b • Chinese Middle-class Consumers • Italian sounding • Mamluk period • Washington Consensus • La figlia oscura • Raghuvaṃśa • Nicolò Manucci • Upaniṣad • Manomaya-kāya • Society as a whole • Maqām/makam/mughām • Mevlevî Ceremonies • Nation-state • Japanese Cinema • ʿAishī Shīrāzī • Colonial gaze • Art Collecting • Othering • Contemporary Chinese art • Adverse selection • Mevlevî Dervishes • Terayama Shūji • Linguistic taboo • Learning • Modern Art Criticism • Veda • Kwanyin Clan • Connected History & Global History • Takahashi Gen’ichirō • Made-in-Italy food • Dah-nāma • Dolls as metaphors • Armenian Literature • Uzun Ḥasan • Chinese market • Intellectual History • Halo construct • Mode • World Bank • Buddhism • Tammām Ḥassān • Funerary lament in ancient world • Historical musicology • Information asymmetry • Graffiti • Elena Ferrante • Chinese rural-urban migrants • Globalisation • Eznik of Kołb • Literature analysis • Chinese fansubbing • History of music in the Middle East • Urban literature • Society • Identity • Hino Ashihei • Pāli • Arabic linguistics • ʿInāyat-Allāh Beg • History of music in Central Asia • Ajavilāpa • Transaction costs • Imaginative geographies • Euphemism • Ernesto de Martino • Performance • Inanimate objects in literature • The social • Abhiññā • The state • Indian Painting • US-occupied Okinawa • Iddhi • 3/11 Literature • Agricultural trade • Western Travels History • Civil society • Debt Relief • Connected History & Global History • Possessive Individualism • Xu Zechen • Aq-Quyūnlū • Shiraz • Orientalism • Contemporary Japanese Literature • Chinese Values • Didactics of Arabic to non-Arabic-speaking • Chinese literati • Fin-de-siècle Italy • Correspondence • South Asian Art • Dervishes • Self-rotation • Dervish Ceremonies • Ottoman Classical Music • Gomorra-La serie • Methodius of Olympus • Scholars’ network • Sufi Music • Textual Criticism • Japonisme • Spectatorship • Body • International Monetary Fund • Contemporary Chinese literature • Non-professional translation

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01 | Published June 27, 2019 | Language fr, en, it

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