Annali di Ca’ Foscari. Serie orientale

Journal | Annali di Ca’ Foscari. Serie orientale
Journal issue | 55 | 2019
Research Article | Between Mughal Art, Ethnography and Realism

Between Mughal Art, Ethnography and Realism

Abstract

Nicolò Manucci (or Manuzzi) (ca. 1638-1720) is a well-known figure among scholars: a Venetian adventurer, artilleryman and doctor in Early Modern India. He was a dynamic man, who frequented for a long time both the Mughal courts and the European agents of the seventeenth and early eighteenth century trade companies, leaving meaningful testimonies of his age, and thus becoming an important (and controversial) historical source on South Asia. In spite of the celebrity gained by his biography and his work, Manucci’s role as European patron of Indian artists has been undervalued so far, with scholars often preferring to define him as a mere collector of works of Indian miniatures. Through an historic and artistic examination of his work, of other coeval works of art and contemporary sources, the aim of this paper is to show that Manucci was actually an important patron of Indian painting, a paradigmatic precursor of figurative didactic works mainly illustrated by (unfortunately anonymous) Indian artists under his guidance, and at the same time mediated by his bias and his culture, following an interesting and original hybrid format that bridges European figurative culture and Indian art.


Open access | Peer reviewed

Submitted: Feb. 12, 2019 | Accepted: March 14, 2019 | Published June 27, 2019 | Language: en

Keywords South Asian Art • Indian Painting • Connected History & Global History • Nicolò Manucci • Connected History & Global History

Copyright © 2019 Gianni Dubbini. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01/009


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