Home > Catalogue > Annali di Ca’ Foscari. Serie orientale > 55 | 2019 > The Peregrinations of panjgāh
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The Peregrinations of panjgāh

Owen Wright    SOAS University of London, UK    

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abstract

One of the more durable elements in the modal repertoires of the art-music traditions of the Middle East and Central Asia, panjgāh has a recorded history going back to the beginning of the fourteenth century, and all major theoretical texts of the following centuries refer to it. Discussed here is the documentation of its emergence, diffusion and morphological development, leading to a presentation and comparison of contemporary forms from Turkey to Xinjiang, manifestly diverse but in several cases still demonstrably related.

Published
June 27, 2019
Accepted
Feb. 20, 2019
Submitted
Jan. 24, 2019
Language
EN

Keywords: Maqām/makam/mughāmModeHistorical musicologyHistory of music in Central AsiaHistory of music in the Middle East

Copyright: © 2019 Owen Wright. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.