Annali di Ca’ Foscari. Serie orientale

Rivista | Annali di Ca’ Foscari. Serie orientale
Fascicolo | 55 | 2019

55 | 2019

open access | peer reviewed

Keywords Chinese Values • Armenian Literature • Adverse selection • Japanese Cinema • Civil society • Ottoman History • Spectatorship • Ajavilāpa • Learning • Ernesto de Martino • Market economy • Methodius of Olympus • ‘Three perfections’ • Fin-de-siècle Italy • Orientalism • Globalisation • Raghuvaṃśa • Information asymmetry • Chinese fansubbing • Indian Painting • Chinese literati • Chinese Middle-class Consumers • Modern Art Criticism • South Asian Art • Contemporary Chinese literature • Intellectual History • Uzun Ḥasan • Performance • World Bank • Kwanyin Clan • Washington Consensus • Dervish Ceremonies • Dervishes • ʿAishī Shīrāzī • Chinese market • Funerary lament in ancient world • The state • Elena Ferrante • Iddhi • Agricultural trade • Literature analysis • Historical musicology • Connected History & Global History • Scholars’ network • Debt Relief • Mode • Intermediality • Upaniṣad • Western Travels History • Veda • Takahashi Gen’ichirō • Halo construct • Art Collecting • Japan and Okinawa • Italian sounding • Parody • Japonisme • Eznik of Kołb • Non-professional translation • Abhiññā • Food piracy • Urban literature • Sufi Music • Connected History & Global History • Contemporary Japanese Literature • Ottoman Classical Music • Shiraz • Buddhism • Didactics of Arabic to non-Arabic-speaking • Body • La figlia oscura • Algeria • Dah-nāma • Manomaya-kāya • Tammām Ḥassān • Xu Zechen • Made-in-Italy food • History of music in the Middle East • History of Sufism • Othering • Rupture Movement • Mamluk period • Chinese rural-urban migrants • Gomorra-La serie • Linguistic taboo • Nicolò Manucci • Terayama Shūji • Dolls as metaphors • Aq-Quyūnlū • Arabic linguistics • ʿIshrat-nāma • Correspondence • Transaction costs • Hino Ashihei • Mevlevî Ceremonies • Nation-state • Contemporary Chinese art • Khalīl b • US-occupied Okinawa • Graffiti • The social • Inanimate objects in literature • ʿInāyat-Allāh Beg • Taḏawwuq adabī • Identity • Imaginative geographies • Mevlevî Dervishes • Maqām/makam/mughām • International Monetary Fund • 3/11 Literature • Euphemism • Arabic language • Self-rotation • History of music in Central Asia • Colonial gaze • Possessive Individualism • Society as a whole • Pāli • Society • Textual Criticism

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01 | Pubblicato 27 Giugno 2019 | Lingua en, it, fr

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

chevron_left chevron_right

downloadfile_download

  • file_download 349
  • search 1482
  • format_quote 0