Annali di Ca’ Foscari. Serie orientale

55 | 2019

open access | peer reviewed

Keywords Veda • Halo construct • Armenian Literature • Nation-state • Performance • Funerary lament in ancient world • Gomorra-La serie • US-occupied Okinawa • Globalisation • Methodius of Olympus • Tammām Ḥassān • Orientalism • Ajavilāpa • Khalīl b • Ottoman History • Contemporary Chinese literature • Western Travels History • Information asymmetry • Mevlevî Dervishes • Urban literature • Manomaya-kāya • Society • Eznik of Kołb • Art Collecting • Taḏawwuq adabī • Nicolò Manucci • Elena Ferrante • Chinese rural-urban migrants • Linguistic taboo • The state • History of music in Central Asia • Parody • Body • Dervish Ceremonies • Xu Zechen • Contemporary Japanese Literature • Washington Consensus • Iddhi • Transaction costs • Food piracy • Ottoman Classical Music • 3/11 Literature • History of Sufism • Raghuvaṃśa • Japan and Okinawa • Abhiññā • Rupture Movement • ʿInāyat-Allāh Beg • Euphemism • Connected History & Global History • Identity • Dah-nāma • Modern Art Criticism • History of music in the Middle East • South Asian Art • Indian Painting • Arabic linguistics • Dervishes • Didactics of Arabic to non-Arabic-speaking • Sufi Music • Japanese Cinema • Inanimate objects in literature • Civil society • International Monetary Fund • ʿIshrat-nāma • Agricultural trade • Mode • Aq-Quyūnlū • Maqām/makam/mughām • Made-in-Italy food • Dolls as metaphors • Pāli • La figlia oscura • Non-professional translation • Debt Relief • Market economy • Society as a whole • Chinese Middle-class Consumers • World Bank • ʿAishī Shīrāzī • Mamluk period • Othering • Imaginative geographies • The social • Literature analysis • Mevlevî Ceremonies • Connected History & Global History • Arabic language • Correspondence • Textual Criticism • Colonial gaze • Hino Ashihei • Possessive Individualism • Intermediality • Scholars’ network • Self-rotation • Chinese literati • Chinese fansubbing • Terayama Shūji • Japonisme • Fin-de-siècle Italy • Takahashi Gen’ichirō • Spectatorship • Upaniṣad • ‘Three perfections’ • Chinese market • Uzun Ḥasan • Shiraz • Historical musicology • Algeria • Ernesto de Martino • Buddhism • Italian sounding • Contemporary Chinese art • Adverse selection • Kwanyin Clan • Intellectual History • Graffiti • Chinese Values • Learning

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01 | Pubblicato 27 Giugno 2019 | Lingua it, fr, en

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