Annali di Ca’ Foscari. Serie orientale

55 | 2019

open access | peer reviewed

Keywords Connected History & Global History • Agricultural trade • Raghuvaṃśa • Abhiññā • ‘Three perfections’ • Khalīl b • Terayama Shūji • Algeria • Aq-Quyūnlū • Linguistic taboo • Manomaya-kāya • Taḏawwuq adabī • The state • Historical musicology • The social • History of music in Central Asia • Elena Ferrante • International Monetary Fund • History of music in the Middle East • Mevlevî Ceremonies • Washington Consensus • Japanese Cinema • Japonisme • Urban literature • Debt Relief • Dervish Ceremonies • Imaginative geographies • Othering • Dervishes • Non-professional translation • Fin-de-siècle Italy • Rupture Movement • Didactics of Arabic to non-Arabic-speaking • Indian Painting • Art Collecting • Possessive Individualism • Armenian Literature • Made-in-Italy food • Funerary lament in ancient world • Chinese rural-urban migrants • Market economy • Self-rotation • Mevlevî Dervishes • ʿAishī Shīrāzī • Japan and Okinawa • Learning • Colonial gaze • Sufi Music • Chinese market • Gomorra-La serie • Euphemism • Eznik of Kołb • Parody • US-occupied Okinawa • Information asymmetry • Dolls as metaphors • Shiraz • Halo construct • History of Sufism • Food piracy • Connected History & Global History • Dah-nāma • World Bank • Contemporary Chinese art • Italian sounding • Pāli • Orientalism • Upaniṣad • Ottoman History • Uzun Ḥasan • Nation-state • Body • Ernesto de Martino • Ajavilāpa • Literature analysis • Globalisation • Arabic language • 3/11 Literature • Civil society • Takahashi Gen’ichirō • Chinese fansubbing • Iddhi • Correspondence • Arabic linguistics • Textual Criticism • Identity • Graffiti • Adverse selection • Ottoman Classical Music • Intellectual History • Intermediality • Methodius of Olympus • Spectatorship • ʿInāyat-Allāh Beg • Performance • Scholars’ network • Hino Ashihei • Veda • South Asian Art • ʿIshrat-nāma • Mode • Contemporary Chinese literature • Modern Art Criticism • La figlia oscura • Nicolò Manucci • Maqām/makam/mughām • Western Travels History • Chinese Values • Society as a whole • Transaction costs • Tammām Ḥassān • Inanimate objects in literature • Contemporary Japanese Literature • Buddhism • Society • Mamluk period • Kwanyin Clan • Chinese Middle-class Consumers • Xu Zechen • Chinese literati

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01 | Pubblicato 27 Giugno 2019 | Lingua fr, en, it

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