Annali di Ca’ Foscari. Serie orientale

55 | 2019

open access | peer reviewed

Keywords ʿInāyat-Allāh Beg • Transaction costs • Intellectual History • Mevlevî Dervishes • Iddhi • Dolls as metaphors • Pāli • Chinese market • Rupture Movement • Historical musicology • La figlia oscura • Ottoman Classical Music • The social • Dah-nāma • Food piracy • Self-rotation • Euphemism • Gomorra-La serie • Society as a whole • Armenian Literature • Body • Halo construct • Chinese literati • The state • Funerary lament in ancient world • Made-in-Italy food • Contemporary Chinese art • Correspondence • Agricultural trade • Textual Criticism • Dervish Ceremonies • Nicolò Manucci • History of music in the Middle East • Italian sounding • Orientalism • Upaniṣad • Terayama Shūji • Linguistic taboo • Tammām Ḥassān • Adverse selection • Japanese Cinema • Urban literature • ʿAishī Shīrāzī • Ernesto de Martino • Mevlevî Ceremonies • Sufi Music • US-occupied Okinawa • Arabic language • Civil society • ʿIshrat-nāma • Intermediality • Connected History & Global History • Khalīl b • Othering • Aq-Quyūnlū • Inanimate objects in literature • Art Collecting • Japan and Okinawa • Manomaya-kāya • Shiraz • Ajavilāpa • History of Sufism • Indian Painting • Uzun Ḥasan • Methodius of Olympus • Spectatorship • Imaginative geographies • Washington Consensus • Connected History & Global History • Market economy • Nation-state • ‘Three perfections’ • Arabic linguistics • Western Travels History • Fin-de-siècle Italy • Performance • Non-professional translation • Algeria • Contemporary Japanese Literature • Hino Ashihei • Buddhism • Dervishes • Mamluk period • Kwanyin Clan • Debt Relief • Graffiti • Society • Chinese rural-urban migrants • International Monetary Fund • Colonial gaze • Elena Ferrante • 3/11 Literature • Learning • Ottoman History • Takahashi Gen’ichirō • Maqām/makam/mughām • Taḏawwuq adabī • World Bank • Xu Zechen • Information asymmetry • Abhiññā • History of music in Central Asia • Mode • Globalisation • Parody • Veda • Raghuvaṃśa • Didactics of Arabic to non-Arabic-speaking • Modern Art Criticism • Chinese Values • Literature analysis • Contemporary Chinese literature • Eznik of Kołb • South Asian Art • Scholars’ network • Chinese fansubbing • Chinese Middle-class Consumers • Identity • Japonisme • Possessive Individualism

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01 | Pubblicato 27 Giugno 2019 | Lingua fr, en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.