Annali di Ca’ Foscari. Serie orientale

Rivista | Annali di Ca’ Foscari. Serie orientale
Fascicolo | 56 | 2020

56 | 2020

open access | peer reviewed

Keywords Ṣun‘allāh IbrāhīmMoldovaLGBTQScript conversionInvoluntary agentCultural translationOrthographic NormsFeminist spatial questWhole-part-whole methodAuthorialityMF HusainPainting didacticConventionalizationLearner corpusTeaching Arabic as a foreign languageBahmanī dynastyTravelTokenizationPerformative selfAlfred FaraǧChengyuCross-sectional studyFormulaic sequencesVoiceNarrativityDigital databaseHermeneuticsVocabularyQueerUkraineArt marketIdiom teachingReadingHindi literatureHindiMikohidari poetryModernismLanguage IdeologiesIcon paintingSulaymān al-ḤalabīJapaneseTransnational debatesThu XuWritten DarijaVīraśaivaMessenger motifGrammatical annotationʿIshrat-nāmaTeaching of ArabicPakistanGiorgio DamistraErrico MalatestaMotivationWreckageHistoriographyNun AbutsuHeritage LearnersSanskritIraqi NovelInhibitive transferAleppoEtymological elaborationWarOttoman EmpireMathnawīUrduChinese SLALove in a Fallen CityStandardizationFujiwara no TameieAdaptationSacred geographyChinese idiomsSouth Asian regional security complexAnalogiesZakariyyā TāmirMusical instrumentsRussian FederationZhang AilingMorphological structure awarenessChinese as a foreign languageMuseum of Oriental Art collection, VeniceIzayoi NikkiProfessional Orientations‘Abd al-Raḥmān al-ǦabartīHomosexualityDah-nāmaTheodoro PoulakisPost-Soviet regional security complexPhonological awarenessContact zoneDoxographyHokusai’s illustrated booksMedieval JapanIdentityContemporary Japanese historyPilgrimageFrench Colonial VietnamTransitivityAfghanistanCase-particlesDouble-nominative constructionsIndiaMoroccan Digital NewspapersSinan AntoonʿAishī ShīrāzīJapanese printsTranscultural rewritingIndologyItalian L1 learnersAutobiographyAppropriationTestimonialityMarriage and women’s rightsTerritorial conflictsAnarchism historyFortlebenTransnational historyShared sacred sitesClassroom practiceBoundary symbolsIndo-Islamic architectureLevantine baroqueCourt-recordsInclusivism

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2020/01 | Pubblicato 30 Giugno 2020 | Lingua it, en