Rivista |
Annali di Ca’ Foscari. Serie orientale
Fascicolo | 56 | 2020
56 | 2020
open access | peer reviewedKeywords ‘Abd al-Raḥmān al-Ǧabartī • Post-Soviet regional security complex • Sinan Antoon • Ṣun‘allāh Ibrāhīm • Tokenization • Chinese as a foreign language • Alfred Faraǧ • Doxography • Icon painting • Court-records • Narrativity • Indology • Pilgrimage • Idiom teaching • Urdu • Formulaic sequences • Phonological awareness • Museum of Oriental Art collection, Venice • Sanskrit • Hermeneutics • Teaching of Arabic • Boundary symbols • Inclusivism • LGBTQ • Japanese prints • Vīraśaiva • Ottoman Empire • Learner corpus • Conventionalization • Travel • Professional Orientations • Grammatical annotation • ʿAishī Shīrāzī • Shared sacred sites • Aleppo • Anarchism history • Hindi • Whole-part-whole method • Izayoi Nikki • Contact zone • Indo-Islamic architecture • Transitivity • Motivation • Authoriality • Teaching Arabic as a foreign language • French Colonial Vietnam • Case-particles • Russian Federation • Standardization • Chinese SLA • India • Vocabulary • Wreckage • Moroccan Digital Newspapers • Cultural translation • Feminist spatial quest • Classroom practice • Script conversion • Thu Xu • Historiography • War • Mathnawī • Mikohidari poetry • Chinese idioms • Inhibitive transfer • Voice • Hokusai’s illustrated books • Pakistan • Italian L1 learners • Etymological elaboration • Sacred geography • Art market • Testimoniality • Zakariyyā Tāmir • Morphological structure awareness • Moldova • Territorial conflicts • Fujiwara no Tameie • Marriage and women’s rights • Digital database • Ukraine • Involuntary agent • Modernism • Analogies • Afghanistan • Written Darija • Theodoro Poulakis • Dah-nāma • Language Ideologies • Homosexuality • ʿIshrat-nāma • Messenger motif • Transnational debates • Appropriation • Sulaymān al-Ḥalabī • Iraqi Novel • Transcultural rewriting • Transnational history • Chengyu • MF Husain • Errico Malatesta • Adaptation • Zhang Ailing • Reading • Bahmanī dynasty • Hindi literature • Fortleben • Musical instruments • Cross-sectional study • Painting didactic • Japanese • Contemporary Japanese history • Nun Abutsu • Autobiography • Heritage Learners • Identity • Queer • Double-nominative constructions • Levantine baroque • Love in a Fallen City • Giorgio Damistra • Orthographic Norms • Performative self • South Asian regional security complex • Medieval Japan
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2020/01 | Pubblicato 30 Giugno 2020 | Lingua en, it
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Articoli
- Giorgio Damistra (1650-?), Theodoro Poulakis (1620-1692?) e il Barocco Levantino
- Magdelena Stoyanova
- 30 Giugno 2020
-
Alla Mecca e Oltre
Una selezione di contratti di viaggio registrati presso il tribunale ottomano di Aleppo (secoli XVI-XVIII) - Marco Salati
- 30 Giugno 2020
- Literary Trajectories of Sulaymān al-Ḥalabī, a Hero Who Was Born a Criminal
- Daniela Potenza
- 30 Giugno 2020
- Raccontarsi con le macerie: voce e autorialità in Fihris di Sinan Antoon
- Federico Pozzoli
- 30 Giugno 2020
- Al-mihna wa’l-huwiyya. Motivational Dimensions of Arabic Heritage Learners in a Professionally-Oriented Education Setting
- Marco Aurelio Golfetto
- 30 Giugno 2020
- Whole-Part-Whole Reading Instruction in the Teaching and Learning of Arabic as a Foreign Language at Beginner Level
- Andrea Facchin
- 30 Giugno 2020
- Aishī’s ʿIshrat-nāma: a Dah-nāma with Unexpected Messengers
- Anna Livia Beelaert
- 30 Giugno 2020
- Pakistan-Ukraine. Analogies in the Triangles of Regional Security Complexes
- Yuriy Kotlyar, Marharyta Lymar, Iryna Tykhonenko
- 30 Giugno 2020
- The Epistemological Model of Vedantic Doxography According to the Sarvadarśanasaṃgraha for the Study of Indian Philosophy
- Alberto Pelissero
- 30 Giugno 2020
-
The Architectural Heritage as a Projection of Competition and Negotiation
Shared Muslim-Vīraśaiva Sacred Sites in Northern Karnataka. A Preliminary Approach - Sara Mondini
- 30 Giugno 2020
-
Atypical Compound Verb Constructions in Hindi/Urdu
The Case of Transitive Polar Verbs with Intransitive Vector Verbs - Andrea Drocco, Neha Tiwari
- 30 Giugno 2020
-
MF Husain’s Hindi Autobiography Em. Ef. Husain kī kahānī apnī zubānī
Sketches of a Performative Self, Surfing the World in Space and Time - Alessandra Consolaro
- 30 Giugno 2020
- Sexuality as Translation. Locating the “Queer” in Vietnamese Debates on Sexuality
- Richard Quang-Anh Tran
- 30 Giugno 2020
-
Acquisition of Double-Nominative Constructions by Italian L1 Learners of Chinese
A Cross-Sectional Corpus Study - Anna Morbiato
- 30 Giugno 2020
-
Etymological Elaboration in Chéngyǔ 成语 Teaching
The Role of Opacity, Type of Instruction, and Competence Level - Sergio Conti
- 30 Giugno 2020
- Wreckage, War, Woman. Fragments of a Female Self in Zhang Ailing’s Love In a Fallen City (倾城之恋)
- Alessandra Di Muzio
- 30 Giugno 2020
-
Ah Q Travels to Europe
Christoph Hein’s Die wahre Geschichte des Ah Q (1983) and Dario Fo’s La storia di Qu (2011) - Nicoletta Pesaro
- 30 Giugno 2020
-
Troubles on the Border
Marking Japanese Case-Particle Boundaries in Grammatical Annotation - Simone dalla Chiesa
- 30 Giugno 2020
- Izayoi nikki. The History of a Disputed Heritage in the Kamakura Period (1185-1333)
- Carolina Negri
- 30 Giugno 2020
- Fra Contadini di Errico Malatesta, da Firenze a Tokyo
- Filippo Dornetti
- 30 Giugno 2020
- An Analysis of Some Illustrated Books by Katsushika Hokusai (1760-1849) in the Museum of Oriental Art in Venice
- Silvia Vesco
- 30 Giugno 2020
Recensioni
- Patrizia Spallini, Ivana Panzeca. Il calamo dell’esistenza
- Angelo Scarabel
- 30 Giugno 2020
- Tie Xiao. Revolutionary Waves. The Crowd in Modern China
- Federico Picerni
- 30 Giugno 2020
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_issue_141 |
|
dc.title |
Vol. 56 | Giugno 2020 |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
|
dc.type |
Fascicolo |
|
dc.language.iso |
It |
|
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/riviste/annali-di-ca-foscari-serie-orientale/2020/56/ |
|
dc.relation.ispartof |
Annali di Ca’ Foscari. Serie orientale |
|
dc.issued |
2020-06-30 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2385-3042 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.30687/AnnOr/2385-3042/2020/01 |
|
dc.peer-review |
yes |
|
dc.subject |
Adaptation |
|
dc.subject |
Adaptation |
|
dc.subject |
Afghanistan |
|
dc.subject |
Afghanistan |
|
dc.subject |
Aleppo |
|
dc.subject |
Aleppo |
|
dc.subject |
Alfred Faraǧ |
|
dc.subject |
Alfred Faraǧ |
|
dc.subject |
Analogies |
|
dc.subject |
Analogies |
|
dc.subject |
Anarchism history |
|
dc.subject |
Anarchism history |
|
dc.subject |
Appropriation |
|
dc.subject |
Appropriation |
|
dc.subject |
Art market |
|
dc.subject |
Art market |
|
dc.subject |
Authoriality |
|
dc.subject |
Authoriality |
|
dc.subject |
Autobiography |
|
dc.subject |
Autobiography |
|
dc.subject |
Bahmanī dynasty |
|
dc.subject |
Bahmanī dynasty |
|
dc.subject |
Boundary symbols |
|
dc.subject |
Boundary symbols |
|
dc.subject |
Case-particles |
|
dc.subject |
Case-particles |
|
dc.subject |
Chengyu |
|
dc.subject |
Chengyu |
|
dc.subject |
Chinese SLA |
|
dc.subject |
Chinese SLA |
|
dc.subject |
Chinese as a foreign language |
|
dc.subject |
Chinese as a foreign language |
|
dc.subject |
Chinese idioms |
|
dc.subject |
Chinese idioms |
|
dc.subject |
Classroom practice |
|
dc.subject |
Classroom practice |
|
dc.subject |
Contact zone |
|
dc.subject |
Contact zone |
|
dc.subject |
Contemporary Japanese history |
|
dc.subject |
Contemporary Japanese history |
|
dc.subject |
Conventionalization |
|
dc.subject |
Conventionalization |
|
dc.subject |
Court-records |
|
dc.subject |
Court-records |
|
dc.subject |
Cross-sectional study |
|
dc.subject |
Cross-sectional study |
|
dc.subject |
Cultural translation |
|
dc.subject |
Cultural translation |
|
dc.subject |
Dah-nāma |
|
dc.subject |
Dah-nāma |
|
dc.subject |
Digital database |
|
dc.subject |
Digital database |
|
dc.subject |
Double-nominative constructions |
|
dc.subject |
Double-nominative constructions |
|
dc.subject |
Doxography |
|
dc.subject |
Doxography |
|
dc.subject |
Errico Malatesta |
|
dc.subject |
Errico Malatesta |
|
dc.subject |
Etymological elaboration |
|
dc.subject |
Etymological elaboration |
|
dc.subject |
Feminist spatial quest |
|
dc.subject |
Feminist spatial quest |
|
dc.subject |
Formulaic sequences |
|
dc.subject |
Formulaic sequences |
|
dc.subject |
Fortleben |
|
dc.subject |
Fortleben |
|
dc.subject |
French Colonial Vietnam |
|
dc.subject |
French Colonial Vietnam |
|
dc.subject |
Fujiwara no Tameie |
|
dc.subject |
Fujiwara no Tameie |
|
dc.subject |
Giorgio Damistra |
|
dc.subject |
Giorgio Damistra |
|
dc.subject |
Grammatical annotation |
|
dc.subject |
Grammatical annotation |
|
dc.subject |
Heritage Learners |
|
dc.subject |
Heritage Learners |
|
dc.subject |
Hermeneutics |
|
dc.subject |
Hermeneutics |
|
dc.subject |
Hindi |
|
dc.subject |
Hindi |
|
dc.subject |
Hindi literature |
|
dc.subject |
Hindi literature |
|
dc.subject |
Historiography |
|
dc.subject |
Historiography |
|
dc.subject |
Hokusai’s illustrated books |
|
dc.subject |
Hokusai’s illustrated books |
|
dc.subject |
Homosexuality |
|
dc.subject |
Homosexuality |
|
dc.subject |
Icon painting |
|
dc.subject |
Icon painting |
|
dc.subject |
Identity |
|
dc.subject |
Identity |
|
dc.subject |
Idiom teaching |
|
dc.subject |
Idiom teaching |
|
dc.subject |
Inclusivism |
|
dc.subject |
Inclusivism |
|
dc.subject |
India |
|
dc.subject |
India |
|
dc.subject |
Indo-Islamic architecture |
|
dc.subject |
Indo-Islamic architecture |
|
dc.subject |
Indology |
|
dc.subject |
Indology |
|
dc.subject |
Inhibitive transfer |
|
dc.subject |
Inhibitive transfer |
|
dc.subject |
Involuntary agent |
|
dc.subject |
Involuntary agent |
|
dc.subject |
Iraqi Novel |
|
dc.subject |
Iraqi Novel |
|
dc.subject |
Italian L1 learners |
|
dc.subject |
Italian L1 learners |
|
dc.subject |
Izayoi Nikki |
|
dc.subject |
Izayoi Nikki |
|
dc.subject |
Japanese |
|
dc.subject |
Japanese |
|
dc.subject |
Japanese prints |
|
dc.subject |
Japanese prints |
|
dc.subject |
LGBTQ |
|
dc.subject |
LGBTQ |
|
dc.subject |
Language Ideologies |
|
dc.subject |
Language Ideologies |
|
dc.subject |
Learner corpus |
|
dc.subject |
Learner corpus |
|
dc.subject |
Levantine baroque |
|
dc.subject |
Levantine baroque |
|
dc.subject |
Love in a Fallen City |
|
dc.subject |
Love in a Fallen City |
|
dc.subject |
MF Husain |
|
dc.subject |
MF Husain |
|
dc.subject |
Marriage and women’s rights |
|
dc.subject |
Marriage and women’s rights |
|
dc.subject |
Mathnawī |
|
dc.subject |
Mathnawī |
|
dc.subject |
Medieval Japan |
|
dc.subject |
Medieval Japan |
|
dc.subject |
Messenger motif |
|
dc.subject |
Messenger motif |
|
dc.subject |
Mikohidari poetry |
|
dc.subject |
Mikohidari poetry |
|
dc.subject |
Modernism |
|
dc.subject |
Modernism |
|
dc.subject |
Moldova |
|
dc.subject |
Moldova |
|
dc.subject |
Moroccan Digital Newspapers |
|
dc.subject |
Moroccan Digital Newspapers |
|
dc.subject |
Morphological structure awareness |
|
dc.subject |
Morphological structure awareness |
|
dc.subject |
Motivation |
|
dc.subject |
Motivation |
|
dc.subject |
Museum of Oriental Art collection, Venice |
|
dc.subject |
Museum of Oriental Art collection, Venice |
|
dc.subject |
Musical instruments |
|
dc.subject |
Musical instruments |
|
dc.subject |
Narrativity |
|
dc.subject |
Narrativity |
|
dc.subject |
Nun Abutsu |
|
dc.subject |
Nun Abutsu |
|
dc.subject |
Orthographic Norms |
|
dc.subject |
Orthographic Norms |
|
dc.subject |
Ottoman Empire |
|
dc.subject |
Ottoman Empire |
|
dc.subject |
Painting didactic |
|
dc.subject |
Painting didactic |
|
dc.subject |
Pakistan |
|
dc.subject |
Pakistan |
|
dc.subject |
Performative self |
|
dc.subject |
Performative self |
|
dc.subject |
Phonological awareness |
|
dc.subject |
Phonological awareness |
|
dc.subject |
Pilgrimage |
|
dc.subject |
Pilgrimage |
|
dc.subject |
Post-Soviet regional security complex |
|
dc.subject |
Post-Soviet regional security complex |
|
dc.subject |
Professional Orientations |
|
dc.subject |
Professional Orientations |
|
dc.subject |
Queer |
|
dc.subject |
Queer |
|
dc.subject |
Reading |
|
dc.subject |
Reading |
|
dc.subject |
Russian Federation |
|
dc.subject |
Russian Federation |
|
dc.subject |
Sacred geography |
|
dc.subject |
Sacred geography |
|
dc.subject |
Sanskrit |
|
dc.subject |
Sanskrit |
|
dc.subject |
Script conversion |
|
dc.subject |
Script conversion |
|
dc.subject |
Shared sacred sites |
|
dc.subject |
Shared sacred sites |
|
dc.subject |
Sinan Antoon |
|
dc.subject |
Sinan Antoon |
|
dc.subject |
South Asian regional security complex |
|
dc.subject |
South Asian regional security complex |
|
dc.subject |
Standardization |
|
dc.subject |
Standardization |
|
dc.subject |
Sulaymān al-Ḥalabī |
|
dc.subject |
Sulaymān al-Ḥalabī |
|
dc.subject |
Teaching Arabic as a foreign language |
|
dc.subject |
Teaching Arabic as a foreign language |
|
dc.subject |
Teaching of Arabic |
|
dc.subject |
Teaching of Arabic |
|
dc.subject |
Territorial conflicts |
|
dc.subject |
Territorial conflicts |
|
dc.subject |
Testimoniality |
|
dc.subject |
Testimoniality |
|
dc.subject |
Theodoro Poulakis |
|
dc.subject |
Theodoro Poulakis |
|
dc.subject |
Thu Xu |
|
dc.subject |
Thu Xu |
|
dc.subject |
Tokenization |
|
dc.subject |
Tokenization |
|
dc.subject |
Transcultural rewriting |
|
dc.subject |
Transcultural rewriting |
|
dc.subject |
Transitivity |
|
dc.subject |
Transitivity |
|
dc.subject |
Transnational debates |
|
dc.subject |
Transnational debates |
|
dc.subject |
Transnational history |
|
dc.subject |
Transnational history |
|
dc.subject |
Travel |
|
dc.subject |
Travel |
|
dc.subject |
Ukraine |
|
dc.subject |
Ukraine |
|
dc.subject |
Urdu |
|
dc.subject |
Urdu |
|
dc.subject |
Vocabulary |
|
dc.subject |
Vocabulary |
|
dc.subject |
Voice |
|
dc.subject |
Voice |
|
dc.subject |
Vīraśaiva |
|
dc.subject |
Vīraśaiva |
|
dc.subject |
War |
|
dc.subject |
War |
|
dc.subject |
Whole-part-whole method |
|
dc.subject |
Whole-part-whole method |
|
dc.subject |
Wreckage |
|
dc.subject |
Wreckage |
|
dc.subject |
Written Darija |
|
dc.subject |
Written Darija |
|
dc.subject |
Zakariyyā Tāmir |
|
dc.subject |
Zakariyyā Tāmir |
|
dc.subject |
Zhang Ailing |
|
dc.subject |
Zhang Ailing |
|
dc.subject |
ʿAishī Shīrāzī |
|
dc.subject |
ʿAishī Shīrāzī |
|
dc.subject |
ʿIshrat-nāma |
|
dc.subject |
ʿIshrat-nāma |
|
dc.subject |
Ṣun‘allāh Ibrāhīm |
|
dc.subject |
Ṣun‘allāh Ibrāhīm |
|
dc.subject |
‘Abd al-Raḥmān al-Ǧabartī |
|
dc.subject |
‘Abd al-Raḥmān al-Ǧabartī |