Annali di Ca’ Foscari. Serie orientale

56 | 2020

open access | peer reviewed

Keywords Contemporary Japanese history • Whole-part-whole method • Inhibitive transfer • Appropriation • Grammatical annotation • Musical instruments • Learner corpus • Sinan Antoon • Teaching of Arabic • Historiography • Ottoman Empire • Involuntary agent • Digital database • Hindi literature • Alfred Faraǧ • Double-nominative constructions • Errico Malatesta • War • Hermeneutics • Painting didactic • Wreckage • Formulaic sequences • ʿIshrat-nāma • Chengyu • Shared sacred sites • Transcultural rewriting • Thu Xu • Vocabulary • MF Husain • Pilgrimage • Indology • Sulaymān al-Ḥalabī • Queer • Homosexuality • Transnational debates • Testimoniality • Teaching Arabic as a foreign language • Pakistan • Adaptation • Idiom teaching • Sacred geography • Indo-Islamic architecture • Bahmanī dynasty • Zhang Ailing • Aleppo • Travel • Professional Orientations • Izayoi Nikki • Theodoro Poulakis • Anarchism history • Performative self • Classroom practice • Hokusai’s illustrated books • Italian L1 learners • ‘Abd al-Raḥmān al-Ǧabartī • Territorial conflicts • Orthographic Norms • South Asian regional security complex • French Colonial Vietnam • Voice • Script conversion • Messenger motif • Case-particles • LGBTQ • Dah-nāma • Urdu • Language Ideologies • Marriage and women’s rights • Heritage Learners • Medieval Japan • Levantine baroque • Reading • Hindi • Chinese SLA • Afghanistan • Moroccan Digital Newspapers • Nun Abutsu • Inclusivism • Narrativity • Mikohidari poetry • Autobiography • Court-records • Giorgio Damistra • Vīraśaiva • Mathnawī • Authoriality • Chinese as a foreign language • Iraqi Novel • Chinese idioms • Contact zone • Sanskrit • Motivation • Moldova • Tokenization • Identity • Museum of Oriental Art collection, Venice • Japanese prints • Cross-sectional study • Art market • Russian Federation • Love in a Fallen City • Ṣun‘allāh Ibrāhīm • Japanese • Phonological awareness • Fortleben • India • Fujiwara no Tameie • Boundary symbols • Post-Soviet regional security complex • Standardization • Written Darija • Transnational history • ʿAishī Shīrāzī • Feminist spatial quest • Ukraine • Morphological structure awareness • Transitivity • Modernism • Icon painting • Doxography • Etymological elaboration • Analogies • Conventionalization • Zakariyyā Tāmir • Cultural translation

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2020/01 | Published June 30, 2020 | Language it, en

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