Annali di Ca’ Foscari. Serie orientale

57 | 2021

open access | peer reviewed

Keywords Mao Dun • Social networks • Transformation • Language contact • Koranic Hermeneutics • The “New Life” Movement • Islamic linguistic thought • Translation policy • Morphological change • Virtual reality • Daibei • Morphemes order • Japanese language • Literary translation • No-Level Brick Language Education (NoLBrick) • Carlo Formichi • Nikutai • 20FM • Musical instruments • Beijing 2008 • Realism • Yu Dafu • ʿAlī Aḥmad Bākaṯīr • Laohudong kilns • Armenian • Japanese Language Education • Semantics • Taiping Guangji • Kanke bunsō • Public service advertising • Asian Film Festivals • Yaʿqūb Ṣanūʿ • Global visibility • Last day of spring • History of Oriental Studies • Socialism • Fujiwara no Yoshifusa • Kidendō • Faraḥ Šammā • Arabic language • Reforms and cooperation • Naturalism • Words • Localisation • Song Meiling • Bai Juyi • Virtual worlds • Associations of Japanese Language Teachers in Euro • Karada • Festival Programming • Stupa • 2011 protests • Standard Hindī • Teacher’s Cooperation among and beyond Europe • Political dissent • Time • Pharaonism • Ge ware • Poetic imagery • Wisteria • Advocacy by Teachers’ Associations • Armenian dialects • Areal distribution • Asianness • rDzogs chen • Akbarian studies • Sugawara no Michizane • Mother Tantra • Learning through technology • Spoken Hindī • Oḍi-rajas • Leftist parties • Uno Kuniichi • Film Festival Network • Digital humanities • Pharaohs • Chinese ceramics • Ichikawa Hiroshi • Pre-Islamic • Literary creation • Imperfect • Spoken word • Khitan-led Liao • Lopon Tendzin Namdak • Sanskrit Studies in Italy • Body • Cultural innovation • Symbolic capital • Arabic article • Code-switching • Mi • Theory of translation • Tokyo International Film Festival • Guan ware • Diptotism • History of Indian Studies in Italy • Morocco • Ancient Chinese literature • Translation • China’s national image • Stair-risers • Flower • Nur-al-Din ʿAbd-al-Raḥmān Jāmi • Gandhara • Poetry Banquet • Sinitic Poetry • Tawfīq al-Ḥakīm • Zola • Tibetan Bon religion • The feminism debate • Olympic spectacle • Poetry • Shintai • Arabic linguistic tradition • Longquan kilns • Ape • Literary theory • Chushou • Buddhist architecture • Okina • Alfred Faraǧ • Monkey • Political power • Tang-Song transition • Persian poetry • Idols • Catholic Missions • Kan Takayuki • Hindī varieties • Civilisation • Frontier clients • Heian Japan • word order • Definiteness • Urmia • Corporeality and language • Shatuo • Oreste Nazari • Ambiguity • Informal language learning • Resāla-ye musiqi • Egyptian playwrights • Brand China • Swat

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2021/01 | Published June 30, 2021 | Language en, it

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