Home > Catalogue > Annali di Ca’ Foscari. Serie orientale > 57 | 2021 > China’s ‘CivilOlympic’ Performances and (Re)gained Global Visibility
cover
cover

China’s ‘CivilOlympic’ Performances and (Re)gained Global Visibility

Fantasising about a New Brand China through Olympic Public Service Announcements

Giovanna Puppin    Università di Genova, Italia    

VIEW PDF DOWNLOAD PDF

abstract

This article investigates how China fantasised about itself and the Beijing 2008 Olympics through the award-winning TV public service announcements (PSAs) of the Beijing Opera Series, with a focus on visibility. By drawing on theories of the spectacle, I perform a semiotic analysis of the most recurrent signs, organising them according to the main themes that emerge. The theatre stage – which represents the Olympic stage – is closely linked to China’s dream of owning the Games and its desire for global visibility. The performance includes the theatrical performance of the Beijing Opera and the performance of civilisation, which semiotically over-determines the Games. The protagonists include famous actors and roles of Beijing Opera (i.e. Dan, who is an anthropomorphic metaphor for China), as well as ordinary people, who are extraordinary for their high degree of civilisation. The spectators, especially through the intradiegetic presence of a Western male Other, validate the country’s performative success and confirm its achieved global visibility.

Published
June 30, 2021
Accepted
June 11, 2021
Submitted
Feb. 4, 2021
Language
EN
Copyright: © 2021 Giovanna Puppin. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.