Annali di Ca’ Foscari. Serie orientale

55 | 2019

open access | peer reviewed

Keywords Colonial gaze • Agricultural trade • Society as a whole • Textual Criticism • Eznik of Kołb • Civil society • Tammām Ḥassān • Modern Art Criticism • Inanimate objects in literature • Historical musicology • Funerary lament in ancient world • Linguistic taboo • Ajavilāpa • Terayama Shūji • South Asian Art • International Monetary Fund • Buddhism • Dah-nāma • Ottoman History • Intellectual History • Indian Painting • Arabic language • Japonisme • Iddhi • Chinese fansubbing • Society • Upaniṣad • Sufi Music • Adverse selection • Chinese market • Algeria • Information asymmetry • Japan and Okinawa • Mevlevî Dervishes • Dervishes • World Bank • US-occupied Okinawa • Graffiti • Nicolò Manucci • Art Collecting • Contemporary Japanese Literature • Halo construct • ʿIshrat-nāma • Chinese rural-urban migrants • Armenian Literature • Khalīl b • Methodius of Olympus • ʿInāyat-Allāh Beg • Non-professional translation • Ottoman Classical Music • 3/11 Literature • Orientalism • Possessive Individualism • Transaction costs • Chinese literati • Kwanyin Clan • The social • Market economy • Othering • Veda • Intermediality • Fin-de-siècle Italy • Connected History & Global History • Arabic linguistics • Aq-Quyūnlū • History of music in the Middle East • Scholars’ network • Food piracy • Nation-state • Abhiññā • Dolls as metaphors • Uzun Ḥasan • Chinese Values • Performance • Imaginative geographies • Didactics of Arabic to non-Arabic-speaking • Xu Zechen • Body • Pāli • Gomorra-La serie • Made-in-Italy food • Hino Ashihei • Parody • Contemporary Chinese art • History of music in Central Asia • Debt Relief • Mamluk period • Western Travels History • Identity • ʿAishī Shīrāzī • Correspondence • Spectatorship • Mode • Japanese Cinema • Raghuvaṃśa • Self-rotation • Takahashi Gen’ichirō • Washington Consensus • The state • Shiraz • Ernesto de Martino • Mevlevî Ceremonies • Taḏawwuq adabī • Globalisation • Learning • Dervish Ceremonies • Connected History & Global History • Elena Ferrante • History of Sufism • Maqām/makam/mughām • Manomaya-kāya • Euphemism • Contemporary Chinese literature • La figlia oscura • Literature analysis • Urban literature • ‘Three perfections’ • Italian sounding • Rupture Movement • Chinese Middle-class Consumers

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01 | Published June 27, 2019 | Language it, en, fr

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