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Journal issue
open access peer reviewed

Vol. 55 | June 2019

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Language: it, en, fr

Published: June 27, 2019

Keywords

Globalisation • 3/11 Literature • South Asian Art • Tammām Ḥassān • Veda • Washington Consensus • Euphemism • Information asymmetry • Maqām/makam/mughām • Society • ʿAishī Shīrāzī • History of music in the Middle East • Chinese market • Hino Ashihei • Nation-state • Non-professional translation • ‘Three perfections’ • Japonisme • Urban literature • Correspondence • US-occupied Okinawa • Othering • Graffiti • Inanimate objects in literature • Halo construct • Scholars’ network • Arabic language • Abhiññā • Identity • Gomorra-La serie • Art Collecting • Spectatorship • Ernesto de Martino • Chinese Middle-class Consumers • Dervishes • Taḏawwuq adabī • Sufi Music • Methodius of Olympus • Mevlevî Ceremonies • Mamluk period • Food piracy • Eznik of Kołb • Performance • Orientalism • La figlia oscura • Upaniṣad • ʿIshrat-nāma • Pāli • Transaction costs • Aq-Quyūnlū • Historical musicology • Learning • Didactics of Arabic to non-Arabic-speaking • Possessive Individualism • Arabic linguistics • Dervish Ceremonies • Xu Zechen • Linguistic taboo • Chinese fansubbing • Dah-nāma • Ottoman History • Kwanyin Clan • Indian Painting • Japanese Cinema • Chinese literati • Society as a whole • Rupture Movement • Literature analysis • Funerary lament in ancient world • Dolls as metaphors • Body • Nicolò Manucci • Colonial gaze • Shiraz • Terayama Shūji • Raghuvaṃśa • Intellectual History • Contemporary Chinese literature • Mode • Ajavilāpa • Civil society • Western Travels History • Chinese rural-urban migrants • Buddhism • Chinese Values • Textual Criticism • History of Sufism • Connected History & Global History • The state • Japan and Okinawa • Made-in-Italy food • Intermediality • Self-rotation • Parody • History of music in Central Asia • ʿInāyat-Allāh Beg • The social • Contemporary Japanese Literature • Uzun Ḥasan • Adverse selection • International Monetary Fund • Fin-de-siècle Italy • Contemporary Chinese art • Manomaya-kāya • Mevlevî Dervishes • Agricultural trade • Elena Ferrante • Imaginative geographies • Connected History & Global History • Iddhi • World Bank • Debt Relief • Algeria • Modern Art Criticism • Armenian Literature • Ottoman Classical Music • Market economy • Takahashi Gen’ichirō • Italian sounding • Khalīl b

permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01

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