Annali di Ca’ Foscari. Serie orientale

Journal | Annali di Ca’ Foscari. Serie orientale
Journal issue | 55 | 2019

55 | 2019

open access | peer reviewed

Keywords Washington Consensus • Non-professional translation • Society as a whole • Western Travels History • Inanimate objects in literature • Made-in-Italy food • Halo construct • Contemporary Chinese art • Ottoman Classical Music • Literature analysis • Learning • Italian sounding • Contemporary Chinese literature • Food piracy • History of music in the Middle East • Possessive Individualism • Spectatorship • Eznik of Kołb • Ottoman History • Debt Relief • Uzun Ḥasan • World Bank • Raghuvaṃśa • Upaniṣad • Chinese Values • Funerary lament in ancient world • Mevlevî Dervishes • Information asymmetry • Buddhism • Performance • ‘Three perfections’ • Takahashi Gen’ichirō • Identity • Arabic language • Japan and Okinawa • Contemporary Japanese Literature • The social • Dervishes • Globalisation • Imaginative geographies • Colonial gaze • Maqām/makam/mughām • Euphemism • ʿAishī Shīrāzī • Chinese literati • Tammām Ḥassān • Connected History & Global History • Intellectual History • History of music in Central Asia • Historical musicology • Ajavilāpa • Elena Ferrante • International Monetary Fund • Arabic linguistics • Body • Japanese Cinema • Sufi Music • Indian Painting • Algeria • Chinese Middle-class Consumers • Dolls as metaphors • Armenian Literature • Self-rotation • Othering • Correspondence • La figlia oscura • Market economy • Abhiññā • Mamluk period • Adverse selection • Aq-Quyūnlū • Chinese rural-urban migrants • Agricultural trade • Gomorra-La serie • Linguistic taboo • Manomaya-kāya • Shiraz • Mode • Dah-nāma • Hino Ashihei • Kwanyin Clan • Iddhi • US-occupied Okinawa • 3/11 Literature • The state • Methodius of Olympus • Terayama Shūji • Modern Art Criticism • Taḏawwuq adabī • Orientalism • Scholars’ network • Pāli • Khalīl b • Urban literature • ʿIshrat-nāma • Intermediality • Civil society • Chinese fansubbing • Connected History & Global History • Dervish Ceremonies • Ernesto de Martino • Xu Zechen • Art Collecting • ʿInāyat-Allāh Beg • Didactics of Arabic to non-Arabic-speaking • Graffiti • Fin-de-siècle Italy • Mevlevî Ceremonies • Society • Veda • Chinese market • South Asian Art • Transaction costs • Nicolò Manucci • Rupture Movement • Parody • Japonisme • Textual Criticism • History of Sufism • Nation-state

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01 | Published June 27, 2019 | Language en, fr, it

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