Annali di Ca’ Foscari. Serie orientale

55 | 2019

open access | peer reviewed

Keywords Food piracy • Modern Art Criticism • World Bank • Art Collecting • Funerary lament in ancient world • Urban literature • Chinese Values • Dervish Ceremonies • 3/11 Literature • Abhiññā • Contemporary Chinese art • Mevlevî Dervishes • Japan and Okinawa • Contemporary Chinese literature • Dah-nāma • Elena Ferrante • Fin-de-siècle Italy • Japanese Cinema • Arabic linguistics • Connected History & Global History • Textual Criticism • US-occupied Okinawa • Debt Relief • ʿInāyat-Allāh Beg • ʿAishī Shīrāzī • Uzun Ḥasan • Intermediality • Ajavilāpa • History of music in the Middle East • Takahashi Gen’ichirō • Possessive Individualism • The state • Market economy • Pāli • Correspondence • Italian sounding • Japonisme • Upaniṣad • Graffiti • Learning • Othering • Terayama Shūji • Inanimate objects in literature • Dervishes • Performance • Chinese market • History of music in Central Asia • Western Travels History • La figlia oscura • Mamluk period • Methodius of Olympus • Algeria • Orientalism • Arabic language • Self-rotation • Chinese rural-urban migrants • Chinese literati • Connected History & Global History • Xu Zechen • Agricultural trade • Transaction costs • Adverse selection • History of Sufism • Buddhism • Halo construct • Identity • Ottoman Classical Music • Ottoman History • Sufi Music • Information asymmetry • ʿIshrat-nāma • Aq-Quyūnlū • Dolls as metaphors • International Monetary Fund • Veda • Nation-state • Euphemism • Chinese Middle-class Consumers • Raghuvaṃśa • Didactics of Arabic to non-Arabic-speaking • Nicolò Manucci • Washington Consensus • Rupture Movement • Ernesto de Martino • South Asian Art • Society • Chinese fansubbing • Kwanyin Clan • Scholars’ network • Contemporary Japanese Literature • Non-professional translation • Maqām/makam/mughām • Taḏawwuq adabī • Colonial gaze • Spectatorship • Tammām Ḥassān • Literature analysis • Iddhi • Gomorra-La serie • ‘Three perfections’ • Made-in-Italy food • Armenian Literature • Historical musicology • Imaginative geographies • Indian Painting • Mode • Linguistic taboo • Khalīl b • Manomaya-kāya • Intellectual History • Mevlevî Ceremonies • Hino Ashihei • Society as a whole • The social • Parody • Eznik of Kołb • Globalisation • Shiraz • Body • Civil society

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01 | Published June 27, 2019 | Language it, fr, en

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