Annali di Ca’ Foscari. Serie orientale

55 | 2019

open access | peer reviewed

Keywords Gomorra-La serie • Halo construct • ‘Three perfections’ • Mevlevî Ceremonies • Indian Painting • Orientalism • 3/11 Literature • Parody • Methodius of Olympus • Nation-state • Adverse selection • Dervishes • Italian sounding • Mode • Aq-Quyūnlū • Sufi Music • Veda • Contemporary Japanese Literature • Information asymmetry • Iddhi • Scholars’ network • Japonisme • Learning • Contemporary Chinese art • Elena Ferrante • Chinese Middle-class Consumers • Imaginative geographies • Intellectual History • Didactics of Arabic to non-Arabic-speaking • Ajavilāpa • Identity • Linguistic taboo • Self-rotation • Market economy • Algeria • Agricultural trade • ʿInāyat-Allāh Beg • Fin-de-siècle Italy • Western Travels History • Euphemism • Correspondence • World Bank • Arabic language • Dervish Ceremonies • Japanese Cinema • Abhiññā • ʿIshrat-nāma • South Asian Art • Transaction costs • The state • Terayama Shūji • Ottoman Classical Music • Shiraz • Arabic linguistics • Othering • Non-professional translation • Washington Consensus • Performance • History of Sufism • Literature analysis • Rupture Movement • Japan and Okinawa • Ernesto de Martino • Dolls as metaphors • Textual Criticism • Chinese literati • Historical musicology • Intermediality • International Monetary Fund • Connected History & Global History • Made-in-Italy food • Debt Relief • Chinese Values • Xu Zechen • La figlia oscura • The social • Food piracy • Hino Ashihei • Possessive Individualism • Society as a whole • Chinese market • Raghuvaṃśa • Eznik of Kołb • Uzun Ḥasan • Modern Art Criticism • Contemporary Chinese literature • Dah-nāma • Buddhism • Globalisation • Spectatorship • History of music in the Middle East • Pāli • ʿAishī Shīrāzī • Colonial gaze • Art Collecting • History of music in Central Asia • Takahashi Gen’ichirō • Upaniṣad • Mamluk period • Chinese fansubbing • Funerary lament in ancient world • Manomaya-kāya • Civil society • Mevlevî Dervishes • US-occupied Okinawa • Connected History & Global History • Maqām/makam/mughām • Graffiti • Tammām Ḥassān • Society • Taḏawwuq adabī • Urban literature • Nicolò Manucci • Body • Inanimate objects in literature • Armenian Literature • Ottoman History • Chinese rural-urban migrants • Khalīl b • Kwanyin Clan

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01 | Published June 27, 2019 | Language fr, it, en

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