dc.identifier
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ECF_issue_104
|
dc.title
|
Vol. 55 | June 2019
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dc.publisher
|
Edizioni Ca’ Foscari - Digital Publishing
|
dc.type
|
Journal issue
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dc.language.iso
|
It
|
dc.identifier.uri
|
http://edizionicafoscari.it/en/edizioni4/riviste/annali-di-ca-foscari-serie-orientale/2019/1/
|
dc.relation.ispartof
|
Annali di Ca’ Foscari. Serie orientale
|
dc.issued
|
2019-06-27
|
dc.identifier.issn
|
|
dc.identifier.eissn
|
2385-3042
|
dc.rights
|
Creative Commons Attribution 4.0 International Public License
|
dc.rights.uri
|
http://creativecommons.org/licenses/by/4.0/
|
dc.identifier.doi
|
10.30687/AnnOr/2385-3042/2019/01
|
dc.peer-review
|
yes
|
dc.subject
|
3/11 Literature
|
dc.subject
|
3/11 Literature
|
dc.subject
|
Abhiññā
|
dc.subject
|
Abhiññā
|
dc.subject
|
Adverse selection
|
dc.subject
|
Adverse selection
|
dc.subject
|
Agricultural trade
|
dc.subject
|
Agricultural trade
|
dc.subject
|
Ajavilāpa
|
dc.subject
|
Ajavilāpa
|
dc.subject
|
Algeria
|
dc.subject
|
Algeria
|
dc.subject
|
Aq-Quyūnlū
|
dc.subject
|
Aq-Quyūnlū
|
dc.subject
|
Arabic language
|
dc.subject
|
Arabic language
|
dc.subject
|
Arabic linguistics
|
dc.subject
|
Arabic linguistics
|
dc.subject
|
Armenian Literature
|
dc.subject
|
Armenian Literature
|
dc.subject
|
Art Collecting
|
dc.subject
|
Art Collecting
|
dc.subject
|
Body
|
dc.subject
|
Body
|
dc.subject
|
Body
|
dc.subject
|
Body
|
dc.subject
|
Buddhism
|
dc.subject
|
Buddhism
|
dc.subject
|
Chinese Middle-class Consumers
|
dc.subject
|
Chinese Middle-class Consumers
|
dc.subject
|
Chinese Values
|
dc.subject
|
Chinese Values
|
dc.subject
|
Chinese fansubbing
|
dc.subject
|
Chinese fansubbing
|
dc.subject
|
Chinese literati
|
dc.subject
|
Chinese literati
|
dc.subject
|
Chinese market
|
dc.subject
|
Chinese market
|
dc.subject
|
Chinese rural-urban migrants
|
dc.subject
|
Chinese rural-urban migrants
|
dc.subject
|
Civil society
|
dc.subject
|
Civil society
|
dc.subject
|
Colonial gaze
|
dc.subject
|
Colonial gaze
|
dc.subject
|
Connected History & Global History
|
dc.subject
|
Connected History & Global History
|
dc.subject
|
Contemporary Chinese art
|
dc.subject
|
Contemporary Chinese art
|
dc.subject
|
Contemporary Chinese literature
|
dc.subject
|
Contemporary Chinese literature
|
dc.subject
|
Contemporary Japanese Literature
|
dc.subject
|
Contemporary Japanese Literature
|
dc.subject
|
Correspondence
|
dc.subject
|
Correspondence
|
dc.subject
|
Dah-nāma
|
dc.subject
|
Dah-nāma
|
dc.subject
|
Debt Relief
|
dc.subject
|
Debt Relief
|
dc.subject
|
Dervish Ceremonies
|
dc.subject
|
Dervish Ceremonies
|
dc.subject
|
Dervishes
|
dc.subject
|
Dervishes
|
dc.subject
|
Didactics of Arabic to non-Arabic-speaking
|
dc.subject
|
Didactics of Arabic to non-Arabic-speaking
|
dc.subject
|
Dolls as metaphors
|
dc.subject
|
Dolls as metaphors
|
dc.subject
|
Elena Ferrante
|
dc.subject
|
Elena Ferrante
|
dc.subject
|
Ernesto de Martino
|
dc.subject
|
Ernesto de Martino
|
dc.subject
|
Euphemism
|
dc.subject
|
Euphemism
|
dc.subject
|
Eznik of Kołb
|
dc.subject
|
Eznik of Kołb
|
dc.subject
|
Fin-de-siècle Italy
|
dc.subject
|
Fin-de-siècle Italy
|
dc.subject
|
Food piracy
|
dc.subject
|
Food piracy
|
dc.subject
|
Funerary lament in ancient world
|
dc.subject
|
Funerary lament in ancient world
|
dc.subject
|
Globalisation
|
dc.subject
|
Globalisation
|
dc.subject
|
Gomorra-La serie
|
dc.subject
|
Gomorra-La serie
|
dc.subject
|
Graffiti
|
dc.subject
|
Graffiti
|
dc.subject
|
Halo construct
|
dc.subject
|
Halo construct
|
dc.subject
|
Hino Ashihei
|
dc.subject
|
Hino Ashihei
|
dc.subject
|
Historical musicology
|
dc.subject
|
Historical musicology
|
dc.subject
|
History of Sufism
|
dc.subject
|
History of Sufism
|
dc.subject
|
History of music in Central Asia
|
dc.subject
|
History of music in Central Asia
|
dc.subject
|
History of music in the Middle East
|
dc.subject
|
History of music in the Middle East
|
dc.subject
|
Iddhi
|
dc.subject
|
Iddhi
|
dc.subject
|
Identity
|
dc.subject
|
Identity
|
dc.subject
|
Imaginative geographies
|
dc.subject
|
Imaginative geographies
|
dc.subject
|
Inanimate objects in literature
|
dc.subject
|
Inanimate objects in literature
|
dc.subject
|
Indian Painting
|
dc.subject
|
Indian Painting
|
dc.subject
|
Information asymmetry
|
dc.subject
|
Information asymmetry
|
dc.subject
|
Intellectual History
|
dc.subject
|
Intellectual History
|
dc.subject
|
Intermediality
|
dc.subject
|
Intermediality
|
dc.subject
|
International Monetary Fund
|
dc.subject
|
International Monetary Fund
|
dc.subject
|
Italian sounding
|
dc.subject
|
Italian sounding
|
dc.subject
|
Japan and Okinawa
|
dc.subject
|
Japan and Okinawa
|
dc.subject
|
Japanese Cinema
|
dc.subject
|
Japanese Cinema
|
dc.subject
|
Japonisme
|
dc.subject
|
Japonisme
|
dc.subject
|
Khalīl b
|
dc.subject
|
Khalīl b
|
dc.subject
|
Kwanyin Clan
|
dc.subject
|
Kwanyin Clan
|
dc.subject
|
La figlia oscura
|
dc.subject
|
La figlia oscura
|
dc.subject
|
Learning
|
dc.subject
|
Learning
|
dc.subject
|
Linguistic taboo
|
dc.subject
|
Linguistic taboo
|
dc.subject
|
Literature analysis
|
dc.subject
|
Literature analysis
|
dc.subject
|
Made-in-Italy food
|
dc.subject
|
Made-in-Italy food
|
dc.subject
|
Mamluk period
|
dc.subject
|
Mamluk period
|
dc.subject
|
Manomaya-kāya
|
dc.subject
|
Manomaya-kāya
|
dc.subject
|
Maqām/makam/mughām
|
dc.subject
|
Maqām/makam/mughām
|
dc.subject
|
Market economy
|
dc.subject
|
Market economy
|
dc.subject
|
Methodius of Olympus
|
dc.subject
|
Methodius of Olympus
|
dc.subject
|
Mevlevî Ceremonies
|
dc.subject
|
Mevlevî Ceremonies
|
dc.subject
|
Mevlevî Dervishes
|
dc.subject
|
Mevlevî Dervishes
|
dc.subject
|
Mode
|
dc.subject
|
Mode
|
dc.subject
|
Modern Art Criticism
|
dc.subject
|
Modern Art Criticism
|
dc.subject
|
Nation-state
|
dc.subject
|
Nation-state
|
dc.subject
|
Nicolò Manucci
|
dc.subject
|
Nicolò Manucci
|
dc.subject
|
Non-professional translation
|
dc.subject
|
Non-professional translation
|
dc.subject
|
Orientalism
|
dc.subject
|
Orientalism
|
dc.subject
|
Othering
|
dc.subject
|
Othering
|
dc.subject
|
Ottoman Classical Music
|
dc.subject
|
Ottoman Classical Music
|
dc.subject
|
Ottoman History
|
dc.subject
|
Ottoman History
|
dc.subject
|
Parody
|
dc.subject
|
Parody
|
dc.subject
|
Performance
|
dc.subject
|
Performance
|
dc.subject
|
Possessive Individualism
|
dc.subject
|
Possessive Individualism
|
dc.subject
|
Pāli
|
dc.subject
|
Pāli
|
dc.subject
|
Raghuvaṃśa
|
dc.subject
|
Raghuvaṃśa
|
dc.subject
|
Rupture Movement
|
dc.subject
|
Rupture Movement
|
dc.subject
|
Scholars’ network
|
dc.subject
|
Scholars’ network
|
dc.subject
|
Self-rotation
|
dc.subject
|
Self-rotation
|
dc.subject
|
Shiraz
|
dc.subject
|
Shiraz
|
dc.subject
|
Society
|
dc.subject
|
Society
|
dc.subject
|
Society as a whole
|
dc.subject
|
Society as a whole
|
dc.subject
|
South Asian Art
|
dc.subject
|
South Asian Art
|
dc.subject
|
Spectatorship
|
dc.subject
|
Spectatorship
|
dc.subject
|
Sufi Music
|
dc.subject
|
Sufi Music
|
dc.subject
|
Takahashi Gen’ichirō
|
dc.subject
|
Takahashi Gen’ichirō
|
dc.subject
|
Tammām Ḥassān
|
dc.subject
|
Tammām Ḥassān
|
dc.subject
|
Taḏawwuq adabī
|
dc.subject
|
Taḏawwuq adabī
|
dc.subject
|
Terayama Shūji
|
dc.subject
|
Terayama Shūji
|
dc.subject
|
Textual Criticism
|
dc.subject
|
Textual Criticism
|
dc.subject
|
The social
|
dc.subject
|
The social
|
dc.subject
|
The state
|
dc.subject
|
The state
|
dc.subject
|
Transaction costs
|
dc.subject
|
Transaction costs
|
dc.subject
|
US-occupied Okinawa
|
dc.subject
|
US-occupied Okinawa
|
dc.subject
|
Upaniṣad
|
dc.subject
|
Upaniṣad
|
dc.subject
|
Urban literature
|
dc.subject
|
Urban literature
|
dc.subject
|
Uzun Ḥasan
|
dc.subject
|
Uzun Ḥasan
|
dc.subject
|
Veda
|
dc.subject
|
Veda
|
dc.subject
|
Washington Consensus
|
dc.subject
|
Washington Consensus
|
dc.subject
|
Western Travels History
|
dc.subject
|
Western Travels History
|
dc.subject
|
World Bank
|
dc.subject
|
World Bank
|
dc.subject
|
Xu Zechen
|
dc.subject
|
Xu Zechen
|
dc.subject
|
ʿAishī Shīrāzī
|
dc.subject
|
ʿAishī Shīrāzī
|
dc.subject
|
ʿInāyat-Allāh Beg
|
dc.subject
|
ʿInāyat-Allāh Beg
|
dc.subject
|
ʿIshrat-nāma
|
dc.subject
|
ʿIshrat-nāma
|
dc.subject
|
‘Three perfections’
|
dc.subject
|
‘Three perfections’
|