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Venezia Arti
Fascicolo monografico | 29 | 2020
Keywords Digital image • Hybridisation • Science • Seicento painting • Alterity • Mathematics • Abstraction • Cyborg • Light and shadow • Linear perspective • Gesture • Manfrin, Girolamo • Computer art • Electronic disobedience • Drawing instruments • Cryptography • Venice • Security • Portraits • Viral • Planisphere • Pigments • Grechetto • Book Collecting • Mario dei Fiori • Ornament • Print Collecting • Poussin • Landscape • Architectural drawing • Technology • Eighteenth century • Italian Art Literature • Tactical media • Theriomorphism • Neoplatonism • Proportions • Writing • Form • Paintings • Flemish Sources • Contemporary Art • Still Life in Italy • Neapolitan Collections • New media art • Scientific knowledge • Zaccolini • ) • Science Treatises • Galleria Manfrin • Pastel practice • Art • David De Coninck • Anthropocene • Infection • Bologna, accademia dei Gelati • Renaissance • Diagram • Russian Avant-garde • Cornelis De Bie • Bologna, gentry (XVI-XVII cent • Software • Michelangelo Cerquozzi • Anamorphosis • Medallions • Ownership marks • Posthumanism • Mutation • Biographical Cameos • Mikhail Larionov • Movement • Optics • Rayonism • Scenography • Recipes • Hybrid space • Pieter Boel • Vitruvius • Dance • Busts • Francesco Noletti • Het Gulden Cabinet • Ideography
Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Pubblicato 11 Dicembre 2020 | Lingua en, it, fr
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