Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Arte e Scienza

open access | peer reviewed

Keywords Eighteenth century • Manfrin, Girolamo • Portraits • Seicento painting • Cornelis De Bie • Infection • Proportions • Bologna, gentry (XVI-XVII cent • Francesco Noletti • Form • Italian Art Literature • Zaccolini • Theriomorphism • Security • Hybrid space • Cryptography • Alterity • Print Collecting • Art • Renaissance • Contemporary Art • Electronic disobedience • Linear perspective • Diagram • Anamorphosis • Cyborg • Venice • Tactical media • Neoplatonism • Gesture • Pigments • Hybridisation • Dance • New media art • Movement • Russian Avant-garde • Medallions • Bologna, accademia dei Gelati • Scenography • ) • Drawing instruments • Het Gulden Cabinet • Ideography • Rayonism • Science Treatises • Mutation • Michelangelo Cerquozzi • Biographical Cameos • Book Collecting • Grechetto • Light and shadow • Software • Mathematics • Paintings • Anthropocene • Mario dei Fiori • Computer art • Mikhail Larionov • Science • Pieter Boel • David De Coninck • Pastel practice • Ornament • Digital image • Galleria Manfrin • Planisphere • Flemish Sources • Neapolitan Collections • Writing • Ownership marks • Recipes • Architectural drawing • Technology • Poussin • Landscape • Busts • Scientific knowledge • Still Life in Italy • Vitruvius • Viral • Posthumanism • Abstraction • Optics

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Pubblicato 11 Dicembre 2020 | Lingua fr, en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.