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Venezia Arti
Fascicolo monografico | 29 | 2020
Keywords Cyborg • Mario dei Fiori • Medallions • Hybridisation • Book Collecting • Pieter Boel • Michelangelo Cerquozzi • Cornelis De Bie • Landscape • Science • Anamorphosis • Ornament • David De Coninck • Francesco Noletti • Pigments • Science Treatises • Ideography • Movement • Tactical media • Manfrin, Girolamo • Neapolitan Collections • Technology • Mathematics • Zaccolini • Rayonism • Paintings • Architectural drawing • Bologna, gentry (XVI-XVII cent • Computer art • Portraits • Mikhail Larionov • Poussin • Light and shadow • Viral • Ownership marks • Gesture • Contemporary Art • Cryptography • Biographical Cameos • Italian Art Literature • Print Collecting • Electronic disobedience • Proportions • Security • Seicento painting • Bologna, accademia dei Gelati • Form • Posthumanism • Art • Eighteenth century • Infection • Anthropocene • Alterity • Renaissance • Drawing instruments • Hybrid space • Galleria Manfrin • Grechetto • Mutation • Het Gulden Cabinet • New media art • Software • Still Life in Italy • Linear perspective • Scientific knowledge • Optics • Russian Avant-garde • Recipes • Vitruvius • Flemish Sources • Scenography • Digital image • Diagram • Busts • Theriomorphism • Venice • Writing • Abstraction • Dance • Pastel practice • ) • Neoplatonism • Planisphere
Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Pubblicato 11 Dicembre 2020 | Lingua it, en, fr
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