Rivista |
Annali di Ca’ Foscari. Serie orientale
Fascicolo | 55 | 2019
55 | 2019
open access | peer reviewedKeywords Historical musicology • Euphemism • Indian Painting • Urban literature • Imaginative geographies • ʿAishī Shīrāzī • Dervishes • Eznik of Kołb • Orientalism • Mode • Japonisme • Contemporary Chinese art • Kwanyin Clan • Nicolò Manucci • Othering • Sufi Music • World Bank • Dervish Ceremonies • Ajavilāpa • South Asian Art • Raghuvaṃśa • Arabic language • Khalīl b • ʿInāyat-Allāh Beg • Uzun Ḥasan • Western Travels History • Dolls as metaphors • Connected History & Global History • Inanimate objects in literature • Terayama Shūji • Japan and Okinawa • Intermediality • Manomaya-kāya • Performance • Italian sounding • Made-in-Italy food • Graffiti • Modern Art Criticism • Fin-de-siècle Italy • Information asymmetry • Chinese literati • Ottoman History • Shiraz • US-occupied Okinawa • Gomorra-La serie • Ottoman Classical Music • Japanese Cinema • Mevlevî Dervishes • International Monetary Fund • Taḏawwuq adabī • Literature analysis • Connected History & Global History • Transaction costs • Possessive Individualism • Self-rotation • The social • Contemporary Japanese Literature • Chinese Values • Halo construct • Scholars’ network • Buddhism • Elena Ferrante • History of Sufism • Globalisation • Debt Relief • Xu Zechen • Chinese fansubbing • Washington Consensus • Upaniṣad • Market economy • Iddhi • Parody • Didactics of Arabic to non-Arabic-speaking • ʿIshrat-nāma • Body • ‘Three perfections’ • Linguistic taboo • Art Collecting • Arabic linguistics • Colonial gaze • The state • Contemporary Chinese literature • Chinese Middle-class Consumers • Identity • Food piracy • Non-professional translation • Algeria • Hino Ashihei • Textual Criticism • Learning • Civil society • Tammām Ḥassān • Society as a whole • Pāli • 3/11 Literature • Mamluk period • History of music in the Middle East • Armenian Literature • History of music in Central Asia • Maqām/makam/mughām • Mevlevî Ceremonies • Aq-Quyūnlū • Ernesto de Martino • Rupture Movement • Correspondence • Veda • Funerary lament in ancient world • Agricultural trade • Abhiññā • Dah-nāma • Spectatorship • La figlia oscura • Intellectual History • Chinese market • Takahashi Gen’ichirō • Methodius of Olympus • Chinese rural-urban migrants • Society • Adverse selection • Nation-state
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01 | Pubblicato 27 Giugno 2019 | Lingua it, fr, en
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Articoli
-
Le savant et son époque à travers sa correspondance
Seeger A. Bonebakker (1923-2005) et quelques notes sur Ḫalīl b. Aybak al-Ṣafadī (696-764/1297-1363) - Élise Franssen
- 27 Giugno 2019
-
Il terzo stadio dell’imparare
Piacere e bellezza del testo ti Tammān Ḥassān - Andrea Facchin
- 27 Giugno 2019
- The Peregrinations of panjgāh
- Owen Wright
- 27 Giugno 2019
-
I ki hezar aferin bon nidge Sultan olur
Dervishes Ceremonies in Constantinople Described by Western Travellers and Painters between Sixteenth and Eighteenth Century - Giovanni De Zorzi
- 27 Giugno 2019
- Algeria and the Washington Consensus: Debtor-Creditor Relation Re-Examined
- Francesco Saverio Leopardi
- 28 Giugno 2019
-
“If Man Had Received Such a Nature…”
Textual Form, Transmission, and Interpretation of a Passage in Eznik’s Refutation of the Sects (Book I, 11 [§ 45]) - Paolo Lucca
- 27 Giugno 2019
- A Little-Known Dah-nāma: ʿAishī’s ʿIshrat-nāma
- Anna Livia Beelaert
- 27 Giugno 2019
-
The Vedic Background of the Buddhist Notions of Iddhi and Abhiññā
Three Case Studies with Particular Reference to the Pāli Literature - Bryan De Notariis
- 27 Giugno 2019
-
Between Mughal Art, Ethnography and Realism
On Nicolò Manucci’s Artistic Patronage in India (1680-1720) - Gianni Dubbini
- 27 Giugno 2019
-
Corpo e lamento funebre
Alcune riflessioni sulla traduzione dell’Agiavilāpa dell’indologo Giuseppe Turrini (1826-1899) - Alberico Crafa
- 27 Giugno 2019
- Le prime traduzioni latine del ‘Giusto mezzo’ (Zhongyong中庸)
- Michael Lackner
- 27 Giugno 2019
-
Breaking Up From What?
The Corporeal Politics of Values in the Duanlie yundong (Rupture Movement) - Melinda Pirazzoli
- 27 Giugno 2019
-
The Kwanyin Clan: Modern Literati Graffiti Writers
An Aesthetic and Text Analysis of their Main Artworks - Adriana Iezzi
- 27 Giugno 2019
-
A Journey into the City
Migrant Workers’ Relation with the Urban Space and Struggle for Existence in Xu Zechen’s Early jingpiao Fiction - Federico Picerni
- 27 Giugno 2019
-
Pratiche di sottotitolazione non professionale in Cina
Il gruppo Shenying e la traduzione del turpiloquio nella prima stagione di Gomorra-La serie - Serena Zuccheri
- 27 Giugno 2019
-
Made in Italy in Chinese Market
Emerging Issues for Italian Food - Antonio De Pin
- 27 Giugno 2019
- Vittorio Pica japoniste: critica militante e collezionismo fra letteratura e arte
- Davide Lacagnina
- 27 Giugno 2019
-
From Secluded Paradise to Hell on Earth
Hino Ashihei’s Imaginative Geography of Okinawa - Stefano Romagnoli
- 27 Giugno 2019
-
Beyond the Screen
Terayama. Spectatorship. Intermediality - Eugenio De Angelis
- 27 Giugno 2019
- Politics, Porn and Parody in Koi suru genpatsu (2011) by Takahashi Gen’ichirō
- Caterina Mazza
- 27 Giugno 2019
-
Rethinking the Concept of ‘Society’ in the Age of Globalisation
Society as a Whole, the Social, and Sociological Traditions - Hirofumi Utsumi
- 27 Giugno 2019
- Lost Dolls, Lost Souls in Elena Ferrante’s La figlia oscura
- Nilay Kaya
- 27 Giugno 2019
Recensioni
- Eros Baldissera. Arabo compatto
- Andrea Facchin
- 27 Giugno 2019
- Richard Gombrich. Buddishm and Pali
- Bryan De Notariis
- 27 Giugno 2019
- Yuming Li. Language Planning in China
- Ying Ding
- 27 Giugno 2019
- Jie Dong. The Socialinguistics of Voice in Globalising China
- Beatrice Gallelli
- 27 Giugno 2019
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_issue_104 |
|
dc.title |
Vol. 55 | Giugno 2019 |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.type |
Fascicolo |
|
dc.language.iso |
It |
|
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/riviste/annali-di-ca-foscari-serie-orientale/2019/1/ |
|
dc.relation.ispartof |
Annali di Ca’ Foscari. Serie orientale |
|
dc.issued |
2019-06-27 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2385-3042 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.30687/AnnOr/2385-3042/2019/01 |
|
dc.peer-review |
yes |
|
dc.subject |
3/11 Literature |
|
dc.subject |
3/11 Literature |
|
dc.subject |
Abhiññā |
|
dc.subject |
Abhiññā |
|
dc.subject |
Adverse selection |
|
dc.subject |
Adverse selection |
|
dc.subject |
Agricultural trade |
|
dc.subject |
Agricultural trade |
|
dc.subject |
Ajavilāpa |
|
dc.subject |
Ajavilāpa |
|
dc.subject |
Algeria |
|
dc.subject |
Algeria |
|
dc.subject |
Aq-Quyūnlū |
|
dc.subject |
Aq-Quyūnlū |
|
dc.subject |
Arabic language |
|
dc.subject |
Arabic language |
|
dc.subject |
Arabic linguistics |
|
dc.subject |
Arabic linguistics |
|
dc.subject |
Armenian Literature |
|
dc.subject |
Armenian Literature |
|
dc.subject |
Art Collecting |
|
dc.subject |
Art Collecting |
|
dc.subject |
Body |
|
dc.subject |
Body |
|
dc.subject |
Body |
|
dc.subject |
Body |
|
dc.subject |
Buddhism |
|
dc.subject |
Buddhism |
|
dc.subject |
Chinese Middle-class Consumers |
|
dc.subject |
Chinese Middle-class Consumers |
|
dc.subject |
Chinese Values |
|
dc.subject |
Chinese Values |
|
dc.subject |
Chinese fansubbing |
|
dc.subject |
Chinese fansubbing |
|
dc.subject |
Chinese literati |
|
dc.subject |
Chinese literati |
|
dc.subject |
Chinese market |
|
dc.subject |
Chinese market |
|
dc.subject |
Chinese rural-urban migrants |
|
dc.subject |
Chinese rural-urban migrants |
|
dc.subject |
Civil society |
|
dc.subject |
Civil society |
|
dc.subject |
Colonial gaze |
|
dc.subject |
Colonial gaze |
|
dc.subject |
Connected History & Global History |
|
dc.subject |
Connected History & Global History |
|
dc.subject |
Contemporary Chinese art |
|
dc.subject |
Contemporary Chinese art |
|
dc.subject |
Contemporary Chinese literature |
|
dc.subject |
Contemporary Chinese literature |
|
dc.subject |
Contemporary Japanese Literature |
|
dc.subject |
Contemporary Japanese Literature |
|
dc.subject |
Correspondence |
|
dc.subject |
Correspondence |
|
dc.subject |
Dah-nāma |
|
dc.subject |
Dah-nāma |
|
dc.subject |
Debt Relief |
|
dc.subject |
Debt Relief |
|
dc.subject |
Dervish Ceremonies |
|
dc.subject |
Dervish Ceremonies |
|
dc.subject |
Dervishes |
|
dc.subject |
Dervishes |
|
dc.subject |
Didactics of Arabic to non-Arabic-speaking |
|
dc.subject |
Didactics of Arabic to non-Arabic-speaking |
|
dc.subject |
Dolls as metaphors |
|
dc.subject |
Dolls as metaphors |
|
dc.subject |
Elena Ferrante |
|
dc.subject |
Elena Ferrante |
|
dc.subject |
Ernesto de Martino |
|
dc.subject |
Ernesto de Martino |
|
dc.subject |
Euphemism |
|
dc.subject |
Euphemism |
|
dc.subject |
Eznik of Kołb |
|
dc.subject |
Eznik of Kołb |
|
dc.subject |
Fin-de-siècle Italy |
|
dc.subject |
Fin-de-siècle Italy |
|
dc.subject |
Food piracy |
|
dc.subject |
Food piracy |
|
dc.subject |
Funerary lament in ancient world |
|
dc.subject |
Funerary lament in ancient world |
|
dc.subject |
Globalisation |
|
dc.subject |
Globalisation |
|
dc.subject |
Gomorra-La serie |
|
dc.subject |
Gomorra-La serie |
|
dc.subject |
Graffiti |
|
dc.subject |
Graffiti |
|
dc.subject |
Halo construct |
|
dc.subject |
Halo construct |
|
dc.subject |
Hino Ashihei |
|
dc.subject |
Hino Ashihei |
|
dc.subject |
Historical musicology |
|
dc.subject |
Historical musicology |
|
dc.subject |
History of Sufism |
|
dc.subject |
History of Sufism |
|
dc.subject |
History of music in Central Asia |
|
dc.subject |
History of music in Central Asia |
|
dc.subject |
History of music in the Middle East |
|
dc.subject |
History of music in the Middle East |
|
dc.subject |
Iddhi |
|
dc.subject |
Iddhi |
|
dc.subject |
Identity |
|
dc.subject |
Identity |
|
dc.subject |
Imaginative geographies |
|
dc.subject |
Imaginative geographies |
|
dc.subject |
Inanimate objects in literature |
|
dc.subject |
Inanimate objects in literature |
|
dc.subject |
Indian Painting |
|
dc.subject |
Indian Painting |
|
dc.subject |
Information asymmetry |
|
dc.subject |
Information asymmetry |
|
dc.subject |
Intellectual History |
|
dc.subject |
Intellectual History |
|
dc.subject |
Intermediality |
|
dc.subject |
Intermediality |
|
dc.subject |
International Monetary Fund |
|
dc.subject |
International Monetary Fund |
|
dc.subject |
Italian sounding |
|
dc.subject |
Italian sounding |
|
dc.subject |
Japan and Okinawa |
|
dc.subject |
Japan and Okinawa |
|
dc.subject |
Japanese Cinema |
|
dc.subject |
Japanese Cinema |
|
dc.subject |
Japonisme |
|
dc.subject |
Japonisme |
|
dc.subject |
Khalīl b |
|
dc.subject |
Khalīl b |
|
dc.subject |
Kwanyin Clan |
|
dc.subject |
Kwanyin Clan |
|
dc.subject |
La figlia oscura |
|
dc.subject |
La figlia oscura |
|
dc.subject |
Learning |
|
dc.subject |
Learning |
|
dc.subject |
Linguistic taboo |
|
dc.subject |
Linguistic taboo |
|
dc.subject |
Literature analysis |
|
dc.subject |
Literature analysis |
|
dc.subject |
Made-in-Italy food |
|
dc.subject |
Made-in-Italy food |
|
dc.subject |
Mamluk period |
|
dc.subject |
Mamluk period |
|
dc.subject |
Manomaya-kāya |
|
dc.subject |
Manomaya-kāya |
|
dc.subject |
Maqām/makam/mughām |
|
dc.subject |
Maqām/makam/mughām |
|
dc.subject |
Market economy |
|
dc.subject |
Market economy |
|
dc.subject |
Methodius of Olympus |
|
dc.subject |
Methodius of Olympus |
|
dc.subject |
Mevlevî Ceremonies |
|
dc.subject |
Mevlevî Ceremonies |
|
dc.subject |
Mevlevî Dervishes |
|
dc.subject |
Mevlevî Dervishes |
|
dc.subject |
Mode |
|
dc.subject |
Mode |
|
dc.subject |
Modern Art Criticism |
|
dc.subject |
Modern Art Criticism |
|
dc.subject |
Nation-state |
|
dc.subject |
Nation-state |
|
dc.subject |
Nicolò Manucci |
|
dc.subject |
Nicolò Manucci |
|
dc.subject |
Non-professional translation |
|
dc.subject |
Non-professional translation |
|
dc.subject |
Orientalism |
|
dc.subject |
Orientalism |
|
dc.subject |
Othering |
|
dc.subject |
Othering |
|
dc.subject |
Ottoman Classical Music |
|
dc.subject |
Ottoman Classical Music |
|
dc.subject |
Ottoman History |
|
dc.subject |
Ottoman History |
|
dc.subject |
Parody |
|
dc.subject |
Parody |
|
dc.subject |
Performance |
|
dc.subject |
Performance |
|
dc.subject |
Possessive Individualism |
|
dc.subject |
Possessive Individualism |
|
dc.subject |
Pāli |
|
dc.subject |
Pāli |
|
dc.subject |
Raghuvaṃśa |
|
dc.subject |
Raghuvaṃśa |
|
dc.subject |
Rupture Movement |
|
dc.subject |
Rupture Movement |
|
dc.subject |
Scholars’ network |
|
dc.subject |
Scholars’ network |
|
dc.subject |
Self-rotation |
|
dc.subject |
Self-rotation |
|
dc.subject |
Shiraz |
|
dc.subject |
Shiraz |
|
dc.subject |
Society |
|
dc.subject |
Society |
|
dc.subject |
Society as a whole |
|
dc.subject |
Society as a whole |
|
dc.subject |
South Asian Art |
|
dc.subject |
South Asian Art |
|
dc.subject |
Spectatorship |
|
dc.subject |
Spectatorship |
|
dc.subject |
Sufi Music |
|
dc.subject |
Sufi Music |
|
dc.subject |
Takahashi Gen’ichirō |
|
dc.subject |
Takahashi Gen’ichirō |
|
dc.subject |
Tammām Ḥassān |
|
dc.subject |
Tammām Ḥassān |
|
dc.subject |
Taḏawwuq adabī |
|
dc.subject |
Taḏawwuq adabī |
|
dc.subject |
Terayama Shūji |
|
dc.subject |
Terayama Shūji |
|
dc.subject |
Textual Criticism |
|
dc.subject |
Textual Criticism |
|
dc.subject |
The social |
|
dc.subject |
The social |
|
dc.subject |
The state |
|
dc.subject |
The state |
|
dc.subject |
Transaction costs |
|
dc.subject |
Transaction costs |
|
dc.subject |
US-occupied Okinawa |
|
dc.subject |
US-occupied Okinawa |
|
dc.subject |
Upaniṣad |
|
dc.subject |
Upaniṣad |
|
dc.subject |
Urban literature |
|
dc.subject |
Urban literature |
|
dc.subject |
Uzun Ḥasan |
|
dc.subject |
Uzun Ḥasan |
|
dc.subject |
Veda |
|
dc.subject |
Veda |
|
dc.subject |
Washington Consensus |
|
dc.subject |
Washington Consensus |
|
dc.subject |
Western Travels History |
|
dc.subject |
Western Travels History |
|
dc.subject |
World Bank |
|
dc.subject |
World Bank |
|
dc.subject |
Xu Zechen |
|
dc.subject |
Xu Zechen |
|
dc.subject |
ʿAishī Shīrāzī |
|
dc.subject |
ʿAishī Shīrāzī |
|
dc.subject |
ʿInāyat-Allāh Beg |
|
dc.subject |
ʿInāyat-Allāh Beg |
|
dc.subject |
ʿIshrat-nāma |
|
dc.subject |
ʿIshrat-nāma |
|
dc.subject |
‘Three perfections’ |
|
dc.subject |
‘Three perfections’ |