Annali di Ca’ Foscari. Serie orientale

55 | 2019

open access | peer reviewed

Keywords US-occupied Okinawa • Chinese rural-urban migrants • Spectatorship • History of music in the Middle East • ʿIshrat-nāma • Iddhi • Fin-de-siècle Italy • Takahashi Gen’ichirō • Dervish Ceremonies • Raghuvaṃśa • Buddhism • Contemporary Chinese art • Manomaya-kāya • Modern Art Criticism • Made-in-Italy food • Khalīl b • Mamluk period • Sufi Music • Colonial gaze • Agricultural trade • Dah-nāma • Nicolò Manucci • History of music in Central Asia • Orientalism • Indian Painting • Othering • Mode • Hino Ashihei • International Monetary Fund • The state • Elena Ferrante • Adverse selection • ʿInāyat-Allāh Beg • Chinese Values • Upaniṣad • ‘Three perfections’ • Xu Zechen • Armenian Literature • Ajavilāpa • Debt Relief • Japanese Cinema • Society • Chinese Middle-class Consumers • Algeria • Contemporary Chinese literature • Scholars’ network • Terayama Shūji • Tammām Ḥassān • Textual Criticism • Performance • Maqām/makam/mughām • Funerary lament in ancient world • Abhiññā • Japan and Okinawa • Mevlevî Ceremonies • Veda • Halo construct • Market economy • Contemporary Japanese Literature • Globalisation • Food piracy • Rupture Movement • Graffiti • Correspondence • Arabic language • Identity • Possessive Individualism • Parody • Aq-Quyūnlū • Art Collecting • Self-rotation • Connected History & Global History • Historical musicology • Linguistic taboo • Didactics of Arabic to non-Arabic-speaking • Dervishes • Society as a whole • History of Sufism • Nation-state • Learning • 3/11 Literature • Dolls as metaphors • La figlia oscura • Japonisme • Transaction costs • The social • Non-professional translation • Civil society • Urban literature • Pāli • Washington Consensus • Methodius of Olympus • Western Travels History • Taḏawwuq adabī • World Bank • Literature analysis • Inanimate objects in literature • Body • Intermediality • Chinese literati • Italian sounding • Arabic linguistics • Uzun Ḥasan • Connected History & Global History • Chinese market • ʿAishī Shīrāzī • South Asian Art • Kwanyin Clan • Shiraz • Information asymmetry • Eznik of Kołb • Gomorra-La serie • Ottoman Classical Music • Ottoman History • Intellectual History • Chinese fansubbing • Mevlevî Dervishes • Ernesto de Martino • Imaginative geographies • Euphemism

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01 | Pubblicato 27 Giugno 2019 | Lingua fr, en, it

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